LeWalt Publishing - Guitar, 5-String Banjo and Mandolin Instruction

5-String Banjo Selections
in TablEdit

Welcome to our TablEdit Banjo page. Looking for a special song title? Do a quick song search by holding down the Ctrl key on your keyboard together with the "F" key, then type in a word or two of the song title in the box that appears, and press ENTER.

Meanwhile, please read through the following info about our listings...

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Free MIDI Tab Samples...

To hear a MIDI sample of any selection in the following listings, click on the order number shown at the left of the selection. Most of the samples include guitar and bass accompaniment so that you may hear the arrangements in their usual context. The samples usually consist of the first 8 to 20 measures, depending on tab length, but are occasionally taken from other sections of the tabs that are more representative of song identity.

Song Descriptions and Histories...

If you've visited us before, you may have noticed that most of the listings now include additional info in the song descriptions. The reason for its inclusion is that I believe on some level, knowing as much as possible about a song's origin and history in terms of when it was written and/or recorded, and by whom, helps us perform it better. Of course, maybe it's just a story I tell myself, and in reality it doesn't help much at all...

BASIC LEVEL For players with 6 to 18 months experience - great for jam sessions.

Order #	TITLE and DESCRIPTION (All selections are arranged by Harold Streeter, are in 4/4 time, and are in Scruggs style unless otherwise stated) CLICK ON ORDER NUMBERS TO HEAR MIDI SAMPLES OF THE TABS	Key	Number of Measures	Tab Price
B2552	ABIGAIL JUDGE (Celtic - written by Turlough O'Carolan (1670-1738) - tab consists of 2 sections on lower and upper neck - Chord/Melody and Melodic styles - G tuning)	Am and Em	34 measures	3.00
B2576	ALL THE GOOD TIMES ARE PAST AND GONE (traditional Bluegrass - 3/4 time - tab consists of basic melody and one section without slides, pulls or hammers on lower neck in G tuning)	G	33 measures	2.50
B2584	ALL THE GOOD TIMES ARE PAST AND GONE (same as B2576 above, except with slides and hammers - G tuning)	G	33 measures	2.50
B1071	AMAZING GRACE (Gospel - 3/4 time - written by John Newton, published in 1779 - tab consists of melody (lead) arrangement on lower neck, plus backup on upper neck - G tuning)	G	49 measures	3.50
B2554	ARKANSAS TRAVELER (traditional fiddle tune - written in the 1800's by Colonel Sanford C. Faulkner - the tab consists of 2 sections in Melodic style on lower and mid-neck - G tuning)	D	17 measures	2.00
B2269	BALLAD OF JED CLAMPETT ("Beverly Hillbillies" theme song - 1962 country hit - tab is based on Flatt and Scruggs' recording and consists of one verse on lower neck - G tuning)	G	22 measures	2.50
B1256	BEFORE I MET YOU (Bluegrass - 3/4 time - tab is based on Flatt and Scruggs' 1955 recording and consists of verse and refrain on lower neck in G tuning)	G	33 measures	3.00
B006	BLOWING IN THE WIND (Folk - written and first recorded by Bob Dylan on his 1963 album "The Freewheelin' Bob Dylan" - hit for Peter, Paul and Mary same year - tab consists of one verse on lower neck - G tuning)	G	33 measures	3.00
B2402	BLUE MOON OF KENTUCKY (Bluegrass - 3/4 and 4/4 time - written and first recorded by Bill Monroe in 1946 - tab consists of 2 verses and 2 choruses on lower neck - G tuning)	G	69 measures	4.50
B2250	BOIL THE CABBAGE DOWN (traditional fiddle tune - tab consists of 3 sections, including a fiddle-style break on lower neck - G tuning)	G	25 measures	2.50
B613	BOIL THE CABBAGE DOWN (tab consists of 2 sections of lower neck backup only - G tuning)	G	17 measures	2.00
B2434	BORROWED LOVE (Bluegrass - tab is as played by Earl Scruggs on his "Earl Scruggs With Friends" album, and consists of intro and break on lower neck - G tuning)	G	26 measures	2.50
B2281	CAMPTOWN RACES (traditional American Folk - written by Stephen Foster in 1850 as "Gwine to Run All Night" - tab consists of one verse on lower neck - G tuning)	G	17 measures	2.00
B2273	CLINCH MOUNTAIN BACKSTEP (Bluegrass - written and first recorded by Ralph Stanley in 1959, this tune is based on an earlier one called "Lonesome John", tab consists of 2 sections on lower neck in G tuning)	G	18 measures	2.00
B1688	COLUMBUS STOCKADE BLUES (traditional Country and Bluegrass - tab consists of verse and chorus on lower neck in G tuning)	G	33 measures	3.00
B2574	COMIN' AROUND THE MOUNTAIN (American Folk - written in the late 1800's, printed in Carl Sandburg's "American Songbag" in 1927 - melody is based on the Negro spiritual "When the Chariot Comes", tab consists of basic melody and one section without slides, hammers or pulls, on lower neck in G tuning)	G	33 measures	2.50
B2582	COMIN' AROUND THE MOUNTAIN (same as above except with slides and hammers - G tuning)	G	33 measures	2.50
B016	COTTON FIELDS (Blues and Bluegrass - written and first recorded by Huddie Ledbetter (Lead Belly) in 1936 - tab is based on the Osborne Brothers' recording, and consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B2224	CRIPPLE CREEK and BANJO IN THE HOLLOW - (2 fiddle tunes - tab consists of 4 sections in a medley of both tunes on lower neck - G tuning)	G	34 measures	3.00
B2150	DARK AS A DUNGEON (Country and Bluegrass - 3/4 time - written and first recorded by Merle Travis in 1946, tab consists of verse and chorus on lower to mid-neck - G tuning)	G	34 measures	3.00
B837	DARK HOLLOW (Folk and Bluegrass - first recorded by Bill Browning in 1958 - tab consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B2432	DOWN IN THE WILLOW GARDEN (Appalachian mountain ballad - 3/4 time, tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B2569	DOWN THE ROAD (Bluegrass - tab is based on Flatt and Scruggs' 1958 recording and consists of basic melody, plus one section without slides, hammers or pulls, on lower neck in G tuning)	G	18 measures	2.00
B2577	DOWN THE ROAD (same as B2569 above except with slides in G tuning)	G	18 measures	2.00
B923	EXERCISE # 1 (65 measures of standard G Tag lick to practice timing - G tuning)	G	65 measures	1.00
B924	EXERCISE # 2 (52 measures of Foggy Mt Breakdown pattern; 3 different exercises to practice your timing - G tuning)	G	52 measures	1.50
B925	EXERCISE # 3 (10th Fret Choke/Bend Exercise; 66 measures of timing practice - G tuning)	G	66 measures	1.00
B1907	FARTHER ALONG (Southern Gospel - 3/4 time - written by Rev. W. A. Fletcher in 1911 - tab consists of intro and verse on lower neck - G tuning)	G	33 measures	3.00
B2557	GENTLE MAIDEN (Celtic - 3/4 time - tab consists of 2 sections on lower neck - Chord/Melody style - G tuning)	G	34 measures	3.00
B2251	GOODNIGHT IRENE (Folk - 3/4 time - written and first recorded by Huddie Ledbetter (Lead Belly) in 1936, tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B2466	GOODNIGHT IRENE (tab consists of verse and chorus on lower neck - G tuning)	C	33 measures	3.00
B896	GREENSLEEVES (traditional English - 3/4 time - registered at London Stationer's Company in 1580 as "A New Northern Dittye of the Lady Greene Sleeves" - tab consists of verse and chorus on lower neck - G tuning)	Am	33 measures	3.00
B2357	GUM TREE CANOE (3/4 time - written by S. S. Steele in 1847, tab is as played by John Hartford on his 1984 album "Gum Tree Canoe", and consists of intro, verse and chorus breaks and ending on lower and upper neck - 2nd break is advanced level - Scruggs and Melodic styles - G tuning)	G	63 measures	4.00
B2570	HANDSOME MOLLY (traditional Bluegrass - tab is based on the Country Gentlemen's 1961 recording from their "Folk Songs and Bluegrass" album, and consists of basic melody and one section without slides, hammers or pulls on lower neck - G tuning)	G	25 measures	2.00
B2578	HANDSOME MOLLY (same as the above, except with slides and hammer ons - G tuning)	G	25 measures	2.00
B2495	HARD TIMES COME AGAIN NO MORE (Folk and Bluegrass - written by Stephen Foster in 1854 - tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B1992	HOBO'S MEDITATION (Country - 3/4 time - first recorded by Jimmie Rodgers in 1932, also recorded by Dolly Parton, Emmylou Harris and Linda Ronstadt on their 1987 "Trio" album - tab consists of intro and 2 sections on lower neck - G tuning)	G	41 measures	3.50
B2384	HOUSE OF THE RISING SUN (earliest known recording of this 18th century piece is by Clarence Ashley in 1933; also a hit for "The Animals" in 1964, tab consists of slow 6/8 time backup and fast 4/4 time break on lower to mid- neck - G tuning)	Em	35 measures	3.00
B2573	I AM A PILGRIM (traditional Gospel - tab consists of basic melody and one section without slides, hammers or pulls on lower neck - G tuning)	G	33 measures	2.50
B2581	I AM A PILGRIM (same as above, except with slides and hammer ons - G tuning)	G	33 measures	2.50
B2496	IRISH LAMENTATION (traditional Celtic - 3/4 time - tab consists of one section on lower neck - G tuning)	G	26 measures	2.50
B202	I SAW THE LIGHT (Gospel - written and first recorded by Hank Williams in 1948 - tab consists of verse and chorus on lower neck - G tuning)	G	35 measures	3.00
B2575	JESSE JAMES (traditional 19th century ballad - tab consists of basic melody, plus verse and chorus arrangement without slides, pulls or hammers on lower neck - G tuning)	G	65 measures	3.50
B2583	JESSE JAMES (same as above, except with slides and hammer ons - G tuning)	G	65 measures	3.50
B037	JESUS SAVIOR, PILOT ME (also known as the "Sailor's Hymn", this traditional Gospel song was written and published in 1871 - tab is based on Lester Flatt and Earl Scruggs' 1958 recording and consists of verse and refrain on lower neck in G tuning)	G	33 measures	3.00
B803	JIMMY BROWN THE NEWSBOY (Country and Bluegrass - recorded by the Carter Family during the 30's, then by Flatt and Scruggs in 1951 - tab consists of 2 sections on lower neck - G tuning)	G	22 measures	2.50
B735	KNOXVILLE GIRL (19th century Appalachian mountain ballad, 3/4 time - tab consists of 2 verses on lower neck - G tuning)	G	33 measures	3.00
B2588	KNOXVILLE GIRL (tab consists of basic melody and one verse on lower neck - G tuning)	G	65 measures	3.50
B043	LITTLE CABIN HOME ON THE HILL (Bluegrass - tab is based on Earl Scruggs' playing on Bill Monroe's 1948 recording, and consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B703	LOCH LOMOND (traditional Scottish lament - tab consists of 2 sections on lower neck and includes *optional second (harmony) banjo part, Chord/Melody style - G tuning*)	G	18 measures	2.50
B2499	LONDONDERRY AIRE (Danny Boy) (anthem and lament of Northern Ireland, tab consists of one section on lower to mid-neck - Chord/Melody style - G tuning)	G	33 measures	3.00
B2404	LONESOME ROAD BLUES (traditional Bluegrass - first recorded by the "Blue Ridge Duo" in 1924 - tab consists of one section on lower neck - G tuning)	G	17 measures	2.00
B3129	LONESOME ROAD BLUES (here's a version that's even easier to play than B2404 above, and it's arranged for 2 banjos to boot - tab consists of 2 sections on lower neck; no hammers, pulls or slides in first section, while section two includes a few - G tuning)	G	33 measures	4.00
B053	MAPLE ON THE HILL (traditional Bluegrass - tab consists of 2 sections on lower neck; first section is as played by Ralph Stanley on his 1959 recording - G tuning)	G	39 measures	3.50
B1670	MOUNTAIN DEW (Bluegrass - written by Bascom Lamar Lunsford in 1945 - hit for Grandpa Jones in the 50's - tab consists of one section on lower neck - G tuning)	G	17 measures	2.00
B2152	MY LITTLE GEORGIA ROSE (Bluegrass - written and first recorded by Bill Monroe in 1952 with Rudy Lyle on banjo - tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B2500	NEIL GOW (traditional Celtic - 3/4 time - tab consists of 5 sections on lower to mid-neck in easy Melodic style - G tuning)	G	43 measures	3.50
B1612	NINE POUND HAMMER (traditional Country Blues and Bluegrass, first recorded by the "Hill Billies" in 1927, Bluegrass standard since Merle Travis recorded it in 1944 - tab consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B2571	OLD TIME RELIGION (Country Gospel - written circa 1873, the composer is unknown - the tab consists of basic melody and one section without slides, hammers or pulls on lower neck - G tuning)	G	17 measures	2.00
B2579	OLD TIME RELIGION (same as above, except with slides and hammer ons - G tuning)	G	17 measures	2.00
B2501	PLANXTY IRWIN (Celtic - 3/4 time - written by Turlough O'Carolan (1670-1738) - tab consists of 2 sections on lower to mid-neck - Scruggs and Chord/Melody styles - G tuning)	G	34 measures	3.00
B1059	POOR ELLEN SMITH (traditional ballad based in 19th century Winston-Salem, NC - tab consists of basic melody, lead arrangement on lower neck, and backup on upper neck - G tuning)	G	51 measures	3.50
B059	PRETTY POLLY (aka "The Gosport Tragedy" or "The Cruel Ship's Carpenter") (traditional English ballad - tab consists of 2 sections on lower neck - G tuning)	G	26 measures	2.50
B1061	PRETTY POLLY (tab consists of one section on lower neck, G Modal tuning: gDGCD)	Gm	15 measures	1.50
B2265	RED RIVER VALLEY (traditional Western song dating to New York state in 1879, with new lyrics added in 1896 by James Kerrigan, originally called "In the Bright Mohawk Valley" - tab consists of one verse on lower neck - G tuning)	G	17 measures	2.00
B742	RED RIVER VALLEY (same as B2265 above except easier to play - G tuning)	G	17 measures	2.00
B752	RED RIVER VALLEY (tab consists of lower neck backup without slides, hammers, or pulls - G tuning)	G	17 measures	2.00
B1162	RED WING (fiddle tune - written in 1907 by Thurland Chattaway and Kerry Mills - tab consists of basic melody, plus verse and chorus arrangement on lower neck - G tuning)	G	65 measures	3.50
B914	ROCKY TOP (Bluegrass - written by Boudleaux and Felice Bryant in 1967 - hit for the Osborne Brothers the same year - tab is easy version without slides, hammers or pulls, and consists of verse and chorus on lower neck - G tuning)	G	37 measures	3.00
B2277	RUBBER DOLLY (Back Up and Push) (traditional fiddle tune - tab consists of one section on lower neck - G tuning)	G	17 measures	2.00
B764	SALTY DOG BLUES (traditional Bluegrass - written in 1935 by the Morris Brothers, recorded by Flatt and Scruggs in 1951 - tab consists of one break on lower neck - G tuning)	G	17 measures	2.00
B753	SALTY DOG BLUES (tab consists of backup for B764 above, without slides, hammers or pulls, on lower neck - G tuning)	G	17 measures	2.00
B066	SCARLET RIBBONS (40's - 50's Folk/Pop - 3/4 time - written by Evelyn Danzig and Jack Segal, published in 1949, hit for "The Browns" in 1959 - tab consists of 3 verses and chorus on lower neck - G tuning)	G	36 measures	3.00
B1006	SHENANDOAH (American Folk song from the early 1800's, tab consists of one section on lower neck in Chord/Melody style - aDGBD tuning)	D	22 measures	2.50
B841	SHORT LIFE OF TROUBLE (Folk - 3/4 time - first recorded by Grayson and Whitter in 1928 - tab consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B976	SILVER BELLS (Christmas Pop - 3/4 time - first sung in the 1951 movie; "The Lemon Drop Kid" by Bob Hope and Marilyn Maxwell - tab consists of verse and chorus on lower neck - includes optional second banjo part - G tuning)	G	33 measures	3.50
B2586	SITTING ON TOP OF THE WORLD (Bluegrass - first recorded by "Mississippi Sheiks" in 1930, then by Bill Monroe in 1957 - tab consists of basic melody and one verse on lower neck - G tuning)	G	33 measures	3.00
B2502	SOUTH WIND (traditional Celtic - 3/4 time - tab consists of one verse on lower neck - G tuning)	G	25 measures	2.50
B2503	STAR OF THE COUNTY DOWN (traditional Irish ballad - 3/4 time - set to the English hymn melody of "Led By the Spirit" with lyrics by Cathal Garvey (1866- 1927) - the tab consists of 2 sections on lower neck in Scruggs and Chord/Melody styles - G tuning)	Am	33 measures	3.00
B1233	SWEET SUNNY SOUTH (traditional Folk and Bluegrass - first recorded by the North Carolina Ramblers in 1927, then by Charlie Poole in 1929, tab consists of one verse on lower neck in G tuning)	G	19 measures	2.00
B075	THIS LAND IS YOUR LAND (American Folk - Woody Guthrie wrote the lyrics for this song in 1940 to the melody of the Baptist hymn "Oh, My Loving Brother", and first called it "God Blessed America for Me" - tab consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B922	THIS LAND IS YOUR LAND (tab consists of one lower neck section without pulls, slides or hammers on lower neck - G tuning)	G	17 measures	2.00
B2759	TOO OLD TO DIE YOUNG (written by Kevin Welch, Scott Dooley and John Hadley - recorded by Linda Ronstadt and Ann Savoy on their 2006 "Adieu False Heart" album - the tab is based on their recording and consists of one verse and one refrain on lower neck - G tuning)	G	33 measures	3.00
B2545	WABASH CANNONBALL (published in 1882 as "The Great Rock Island Route", first recorded by the Carter Family in 1929, then by Roy Acuff in 1936, tab consists of one lower neck verse with no hammers, pulls or slides - G tuning)	G	18 measures	2.00
B2585	WABASH CANNONBALL (tab consists of basic melody and verse on lower neck with slides and hammers (no pull offs) - G tuning)	G	33 measures	3.00
B2247	WHEN THE SAINTS GO MARCHING IN (traditional Dixieland - tab consists of one section on lower neck - G tuning)	G	17 measures	2.00
B2262	WHILE I WAS PRAYING (Somebody Touched Me) - (traditional Gospel - tab consists of one section on lower neck - G tuning)	G	17 measures	2.00
B2591	WILDWOOD FLOWER (published in 1860 as "I'll Twine 'Mid the Ringlets", recorded by the Carter Family in 1928 - tab consists of basic melody and one verse on lower to mid-neck - G tuning)	G	39 measures	3.00
B2283	WILDWOOD FLOWER (tab consists of 2 sections on lower neck in D tuning: f#DF#AD)	D	33 measures	3.00
B788	WILL THE CIRCLE BE UNBROKEN (Gospel - first titled "Can the Circle Be Unbroken, first recorded by the Carter Family in 1935 - tab is as played by Earl Scruggs and consists of one section on lower neck - G tuning)	G	17 measures	2.00
B2504	WILL THE CIRCLE BE UNBROKEN (same as the above, just a little different way to play it - tab consists of one section on lower neck - G tuning)	G	17 measures	2.00
B2505	WILL THE CIRCLE BE UNBROKEN (tab consists of one section of Scruggs style backup on lower neck - G tuning)	G	17 measures	2.00
B079	WORRIED MAN BLUES (traditional Folk - recorded by the Carter Family in 1930 - tab consists of 2 sections on lower neck - G tuning)	G	35 measures	3.00
B2785	WRECK OF THE OLD 97 (traditional Folk - about a train called the "Fast Mail" that left the track at Stillhouse Trestle near Danville, Virginia on Sept. 27, 1903. Vernon Dalhart's 1924 recording of it is regarded as the first million-selling country song - tab is based on Flatt and Scruggs recording and consists of one section on lower neck - G tuning)	G	17 measures	2.00
B2506	YOU ARE MY SUNSHINE (written and first recorded by Jimmie Davis (former Louisiana governor), in 1939, one of Louisiana's state songs - tab consists of one section on lower neck - G tuning)	G	17 measures	2.00
B2572	YOU ARE MY SUNSHINE (tab consists of basic melody and one section without slides, hammers and pulls, on lower neck - G tuning)	G	33 measures	2.50
B2580	YOU ARE MY SUNSHINE (same as B2572 above, except with slides and hammers - G tuning)	G	33 measures	2.50

INTERMEDIATE LEVEL
For players with more than 18 months experience - entirely suitable for
jam sessions and stage performance.

Order #	TITLE and DESCRIPTION (All selections are arranged by Harold Streeter, are in 4/4 time, and are in Scruggs/Melodic style unless otherwise stated) *CLICK ON ORDER NUMBERS TO HEAR MIDI SAMPLES*	Key	Number of Measures	Tab Price
B1600	A GOOD WOMAN'S LOVE (Bluegrass - 3/4 time - written by Cy Coben in 1950, first recorded by Bill Monroe - tab consists of intro and 3 breaks, including break as played on David Peterson's and 1946 CD, on lower to mid-neck - G tuning)	G	66 measures	4.00
B1800	AIN'T NOBODY GONNA MISS ME WHEN I'M GONE - (tab is as played by J. D. Crowe, consisting of intro and one break on lower neck - Scruggs style - G tuning)	G	40 measures	3.50
B2764	ALL MY TEARS (Praise and Worship - written and first recorded by Julie Miller for her 1993 album "Orphans and Angels" - also recorded by Emmylou Harris in 1995 - tab is based on the former recording and consists of verse and refrain on lower neck - G tuning)	Am	32 measures	3.00
B2302	ALL THE ENDS OF THE EARTH (Liturgical - 6/8 time - tab consists of one lead (melody) section and one backup section in Chord/Melody style on lower and upper neck - G tuning)	C	37 measures	3.00
B002	ALL THE GOOD TIMES ARE PAST AND GONE - (traditional Folk - 3/4 time - tab consists of 2 sections on lower neck (2 measures are on upper neck - G tuning)	G	33 measures	3.00
B1381	ALL THE GOOD TIMES ARE PAST AND GONE - (tab consists of one section on lower neck - G tuning)	C	17 measures	2.00
B2626	ALL THE GOOD TIMES ARE PAST AND GONE - (tab consists of one section on lower neck - D tuning: aDF#AD)	D	17 measures	2.00
B640	AMAZING GRACE (traditional Gospel - 4/4 time uptempo version - written by John Newton, published in 1779 - tab consists of 2 verses on lower and upper neck - Scruggs style - G tuning)	G	33 measures	3.00
B1401	AMAZING GRACE (3/4 time - tab consists of 2 sections in 2 keys in Chord/Melody style on lower and upper neck - G tuning)	C and G	33 measures	3.00
B030	AMAZING GRACE (3/4 time - tab consists of one section of backup only on lower and upper neck, Scruggs style - G tuning)	G	17 measures	2.00
B2369	ANGEL BAND (Gospel - 3/4 time - first titled "My Latest Sun is Sinking Fast" - written by William Bradbury and Jefferson Hascall, published in 1860 - tab is based on the Stanley Brothers and Flatt and Scruggs recordings, and consists of intro, verse and chorus on lower neck - Scruggs style - G tuning)	G	45 measures	3.50
B2750	ANGELINE THE BAKER (traditional fiddle tune - tab consists of 6 sections, with 2 at basic-intermediate level, and 4 at intermediate-advanced level, 2 of which are alternate sections of melodic "improv" and chord progression variations, on lower and upper neck, in Double C tuning - gCGCD)	C	81 measures	5.00
B2680	ANGELS WE HAVE HEARD ON HIGH (traditional Christmas - derived from the French carol "Les Anges dans nos campagnes" ("Angels in our countryside"), translated into English by James Chadwick in 1862 - tab consists of 2 sections in Chord/Melody and Scruggs/Melodic styles on lower to mid-neck - G tuning)	C	22 measures	2.50
B1465	ANNIE'S SONG (70's Folk/Pop - 3/4 time - written and first recorded by John Denver in 1974 (his 2nd # 1 hit that year) - tab consists of 2 verses on upper and lower neck - G tuning)	C	66 measures	4.00
B106	ARCHIBALD MacDONALD (Celtic - 3/4 time - Scottish lament about the Clan MacDonald of Keppoch's many battles and loss of lands dating to 1431, tab consists of 2 sections on lower and mid-neck - G tuning)	Em	26 measures	2.50
B2665	A REAL GOOD TIME (uptempo Swing Blues - written by Darrell Schuler - tab consists of basic melody, plus 5 sections of lower and upper neck breaks - G tuning)	G	81 measures	4.50
B1956	ARKANSAS TRAVELER (traditional fiddle tune, except set in 3/4 time - written in the 1800's by Colonel Sanford C. Faulkner - this version can be performed either solo or as a prelude to any faster melodic style version - tab consists of 2 sections on lower to mid- neck - Chord/Melody style - G tuning)	C	33 measures	3.00
B2699	A ROUND ABOUT CHRISTMAS (written by Nick Reynolds, first recorded by the Kingston Trio on their 1960 "Last Month of the Year" album - tab is as played by Dave Guard, and consists of intro and 10 sections on lower to mid-neck - G tuning)	G	100 measures	5.50
B1809	ASHES OF LOVE (50's Country and Bluegrass - tab is based on Johnny and Jack's recording and consists of 2 sections on upper and lower neck - Scruggs style - G tuning)	G	36 measures	3.00
B2436	ASH GROVE (Sent Forth by God's Blessing) (traditional Welsh harp melody - 3/4 time, tab consists of 2 sections on lower to mid- neck and includes optional second banjo part - Melodic style - G tuning)	C	33 measures	3.50
B1028	ASHOKAN FAREWELL (theme from Ken Burns' PBS Civil War Series - 3/4 time - written by fiddler Jay Ungar in 1982 - tab consists of 2 sections on lower to mid-neck - Chord/Melody style, Double C tuning: gCGCD)	C	34 measures	3.00
B001	AULD LANG SYNE (written by Scottish poet Robert Burns in 1788 - tab is based on Sonny Osborne's 1956 recording and consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B492	AURA LEE ("Love Me Tender") (traditional Civil War ballad - tab consists of one verse on lower neck - Chord/Melody style - G tuning)	C	17 measures	2.00
B374	AURA LEE (tab consists of backup only for one verse on lower neck - G tuning)	C	17 measures	2.00
B1383	AWAY IN A MANGER (Christmas - 3/4 time - published in 1885, set to folk melody of "St. Kilda" - tab consists of 2 verses and refrain on lower neck - G tuning)	C	34 measures	3.00
B3093	BACK HOME AGAIN (70's Country/Pop - written and first recorded by John Denver on his album "Back Home Again" in 1974 - tab consists of 3 verses, 2 choruses, bridge and ending on lower neck - G tuning)	G	97 measures	5.50
B1015	BAD MOON RISING (60's Rock - tab is based on Creedence Clearwater Revival's 1969 recording and consists of intro, backup and break on lower to mid-neck - G tuning)	D	58 measures	4.00
B3173	BALLAD OF HOLLIS BROWN (60's Folk - written by Bob Dylan in 1962, first recorded by him for his 1964 album "The Times They Are A-Changin' - tab is based on his recording and consists of intro, 2 vocal verse simile breaks and one backup section as played on his recording, all on lower neck - G Modal tuning)	Gm	66 measures	4.00
B129	BALLAD OF JED CLAMPETT (Beverly Hillbillies' theme) - (tab is based on Flatt and Scruggs' 1962 recording and consists of 2 sections on lower neck - G tuning)	G	39 measures	3.50
B2713	BALLAD OF MINNIE DEAN (19th century murder ballad - 3/4 time, Minnie Dean was a baby-farmer in New Zealand, hanged in 1895 for killing a baby. She has been a "boogie-woman" ever since ("if you don't behave, Minnie Dean's gonna get you") - the song was written and first recorded in 1999 by Helen Henderson - tab consists of intro, 2 verses, 2 choruses and bridge, on lower and upper neck - G tuning)	G	110 measures	5.50
B120	BANJO IN THE HOLLOW (Bluegrass - written and first recorded by Doug Dillard in 1959 - tab is based on the recording from the Dillards' 1963 album "Back Porch Bluegrass", and consists of 4 sections on lower and mid-neck - G tuning)	G	33 measures	3.00
B999	BANKS OF THE OHIO (19th century murder ballad - first known recording was by the "Blue Sky Boys" in 1936 - tab consists of 3 verses in 3 keys on lower to mid-neck - G tuning)	G, C & D	66 measures	4.00
B2747	BEAUMONT RAG (traditional fiddle tune - tab consists of 2 sections on lower neck - G tuning)	C	33 measures	3.00
B1786	BEAUTIFUL OHIO (early Pop and official state song of Ohio, 3/4 time - written by Mary Earl and Ballard MacDonald in 1918 - tab consists of 2 sections on lower and upper neck in G tuning)	C	33 measures	3.00
B2637	BEAUTIFUL STAR OF BETHLEHEM (Christmas - 3/4 time - Written by Robert Fisher Boyce in 1938, this song wasn’t really known to the world until the Judds sang it on Bob Hope’s Christmas show in 1995 - tab is based on Rhonda Vincent's recording and consists of intro, 2 verses and chorus, in 2 keys on lower neck - G tuning)	G and C	107 measures	5.50
B1747	BENDING BLADES (Bluegrass - written by Tim O'Brien - tab is based on Hot Rize's recording from their 1992 "Take it Home" album, transposed from D to G, and consists of intro, verse and chorus on lower neck - G tuning)	G	42 measures	3.50
B2656	BE THOU MY VISION (8th century Irish hymn - 3/4 time - written by Dallan Forgaill, with lyrics translated to English in 1905, and with additional lyrics provided by Eleanor Hull in 1912 - the tab consists of intro, 2 verses and ending in 2 keys, on lower to mid-neck - G tuning)	G and C	51 measures	3.50
B1093	BIG BALL IN BOSTON (Bluegrass - tab is based on Ralph Stanley's recording and consists of 4 sections on lower and upper neck in Scruggs style - G tuning)	G	33 measures	3.00
B1118	BILLY BOY (traditional Folk - tab consists of 2 sections, including standard and enhanced chord progressions, plus optional second banjo part on lower neck - G tuning)	G	33 measures	3.50
B1957	BLACKBERRY BLOSSOM (traditional fiddle tune set in slow 3/4 time, tab is based on Michelle Shocked's 1992 recording and consists of 4 sections on lower to mid-neck - makes a good intro to any faster version - G tuning)	G	65 measures	4.00
B690	BLEAKER STREET RAG (Bluegrass - tab is based on Earl Scruggs' recording and consists of 2 sections on lower and upper neck - G tuning)	C	33 measures	3.00
B1508	BLESSED ASSURANCE (traditional Gospel - 3/4 time - written by Fanny Crosby and Phoebe Knapp in 1873, tab consists of two arrangements on lower to mid-neck - G tuning)	G and C	98 measures	5.50
B2271	BLESSED ASSURANCE (3/4 time - this version is easier to play than B1508 above - tab consists of verse and refrain on lower neck - G tuning)	G	59 measures	4.00
B1822	BLESSED BE THE NAME OF THE LORD (Gospel - 6/8 time - tab consists of basic melody with lyrics, plus one break and backup on lower and mid-neck - G tuning)	G	97 measures	5.00
B525	BLIND MARY (Celtic - written by Turlough O'Carolan (1670-1738) for Irish harp - tab consists of one verse on lower and upper neck in Melodic style - G tuning)	G	18 measures	2.00
B007	BLOWING IN THE WIND (60's Folk - written and first recorded by Bob Dylan on his 1963 "The Freewheelin' Bob Dylan" album - hit for Peter, Paul and Mary the same year - tab consists of 2 sections on lower and upper neck in D tuning: f#DF#AD)	D	65 measures	4.00
B008	BLOWING IN THE WIND (tab consists of one section on lower and mid-neck - C tuning: gCGBD)	C	33 measures	3.00
B2372	BLUE EYES CRYING IN THE RAIN (40's-70's Country - written by Fred Rose, first recorded by Roy Acuff in 1945, then in 1951 by Hank Williams - tab is based on Willie Nelson's recording from his 1975 "Red Headed Stranger" album and consists of verse and chorus on lower neck in Scruggs style - G tuning)	G	33 measures	3.00
B2407	BLUE FESCUE ("Blue Grass") (Blues and Texas Swing - written by Harold Streeter - tab consists of 4 sections and ending on lower neck - G tuning)	G	48 measures	3.50
B589	BLUE FESCUE (bluesy backup for B2407 above - tab consists of 3 sections and ending on lower neck - G tuning)	G	36 measures	3.00
B599	BLUE FESCUE (easy backup for B2407 above - tab consists of 2 sections and ending on lower neck- G tuning)	G	27 measures	2.50
B1481	BLUEGRASS STOMP (12-Bar Blues - written and first recorded by Bill Monroe in 1949 - tab is based on his recording and consists of 3 sections on upper and lower neck - aDGBD tuning)	D	37 measures	3.00
B605	BLUEGRASS STOMP (easier to play than B1481 above - tab consists of 3 sections on lower and mid- neck - aDGBD tuning)	D	37 measures	3.00
B124	BLUE MOON OF KENTUCKY (Bluegrass - 3/4 and 4/4 time, written and first recorded by Bill Monroe in 1946 - tab consists of 2 verses and 2 refrains on lower neck - Scruggs style - G tuning)	G	68 measures	4.00
B1507	BOTH SIDES NOW (60's Folk - written by Joni Mitchell and first recorded by Judy Collins in 1968 - tab is based on Joni Mitchell's later recording from her 1969 "Clouds" album, consisting of 2 verses and chorus on lower and upper neck - G tuning)	G	27 measures	2.50
B969	BOTH SIDES NOW (in addition to 2 verses and chorus, this tab includes an intro, on lower and high upper neck - Double C tuning: gCGCD)	C	34 measures	3.00
B2237	BRIDAL CHORUS ("Here Comes the Bride") and THE WEDDING MARCH - (Bridal Chorus: written by Richard Wagner in 1850 for the opera "Lohengrin", for the bride's entrance at formal weddings - The Wedding March: written in 1842 by Felix Mendelssohn for "A Midsummer Night's Dream" - tab consists of 6 sections on lower and mid-neck - Chord/Melody and Scruggs styles - G tuning)	C	82 measures	5.00
B013	BRING A LITTLE WATER, SYLVIE (1930's Folk - written and first performed by Lead Belly - tab is based on Hylo Brown's Bluegrass recording and consists of 3 sections on lower neck - G tuning)	G	29 measures	3.00
B021	BUCK DANCER'S CHOICE (traditional fiddle tune - 4/4 and 6/4 time, tab is based on Kirk and Sam McGee's 6-string banjo recording and consists of 4 sections on lower neck - G tuning)	C	54 measures	3.50
B110	BUFFALO GALS (traditional American Folk song and fiddle tune - written and published as "Lubly Fan" in 1844 by the blackface minstrel John Hodges, who performed as "Cool White", tab is partially based on Eric Weissburg's version and consists of 4 sections on lower neck - G tuning)	G	33 measures	3.00
B111	BUFFALO GALS (tab consists of 5 sections on lower and upper neck - D tuning: f#DF#AD)	D	41 measures	3.50
B082	BURY ME BENEATH THE WILLOW (19th century ballad performed by Bradley Kincaid in the 1920's and recorded by the Carter Family in 1927 - tab consists of 2 sections; one each on lower and upper neck - G tuning)	G	33 measures	3.00
B2493	BURY ME BENEATH THE WILLOW (tab consists of 2 sections, all on lower neck - G tuning)	G	33 measures	3.00
B2608	BY THE MARK (90's Gospel - written and first recorded by David Rawlings and Gillian Welch for Gillian's 1996 album "Revival" - the tab is based on Dailey and Vincent's 2008 recording and consists of intro, verse, chorus and turnaround, on lower to mid- neck - G tuning)	G	45 measures	3.50
B615	CAITLAN TRAIL (Celtic - 3/4 time - written by Turlough O'Carolan (1670-1738) - tab consists of 2 sections on lower neck in Melodic and Chord/Melody styles - G tuning)	G	37 measures	3.00
B933	CALEB MEYER (written by David Rawlings and Gillian Welch - tab is based on Gillian's recording from her 1998 "Hell Among the Yearlings" album, and consists of intro and 2 breaks on lower to mid-neck - G tuning)	Dm	41 measures	3.50
B989	CAMPBELL'S FAREWELL TO RED CASTLE (Scottish march in key of G-Mixolydian, located on the Beauly Firth, Redcastle is the oldest inhabited castle in Scotland, dating to 1179 - tab consists of 3 sections on lower neck - G tuning)	G	25 measures	2.50
B139	CAMPTOWN RACES (traditional American Folk - written in 1850 by Stephen Foster, published as "Gwine to Run All Night" - tab consists of 2 sections on lower neck - G tuning)	G	35 measures	3.00
B140	CAMPTOWN RACES (tab consists of 2 sections on lower and upper neck - D tuning: f#DF#AD)	D	35 measures	3.00
B617	CAPTAIN HENRY O'KAIN (Celtic - 3/4 time - written by Turlough O'Carolan (1670-1738) - tab consists of 2 sections on lower and mid-neck in Melodic and Chord/Melody styles - G tuning)	G	33 measures	3.00
B619	CAROLAN'S WELCOME (Celtic - 3/4 time - written by Turlough O'Carolan for Irish harp - tab consists of 2 sections on lower to mid-neck in Melodic style - G tuning)	Em	34 measures	3.00
B138	CAROLINA BOOGIE (12-Bar Blues - written by Earl Scruggs (similar to "Foggy Mountain Special") - tab is based on his recording and consists of 2 sections on upper neck - G tuning)	G	26 measures	2.50
B3197	CAROLINA IN MY MIND (70's Folk-Pop - written and first recorded by James Taylor in 1968 for his debut album "James Taylor", re-recorded in 1976 for his "Greatest Hits" album - tab consists of vocal backup for 2 verses, chorus, bridge and extended ending, plus solos for verse and chorus, on lower and upper neck - G tuning)	G	136 measures	6.00
B2666	CAT NIP (Blues/Swing - written by Darrell Schuler, tab consists of basic melody and 2 breaks on lower and upper neck - G tuning)	G	98 measures	5.00
B1549	CAT'S IN THE CRADLE (70's Folk-Rock - written by Harry Chapin, tab is based on his recording from his 1974 album "Verities and Balderdash", and consists of intro, verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B431	CHINESE BREAKDOWN (fiddle tune - tab is based on Tommy Jackson's fiddle recording and consists of 2 sections on lower to mid-neck in D tuning: aDF#AD)	D	33 measures	3.00
B2423	CHRISTMAS TIME'S A-COMIN' (Bluegrass - written by Tex Logan - tab is based on Bill Monroe's 1951 recording, and on Patty Lovelace's and Rhonda Vincent's recordings, and consists of 2 verses and chorus on lower neck, plus one verse on upper neck - G tuning)	G	34 measures	3.00
B149	CLINCH MOUNTAIN BACKSTEP (Bluegrass - written and first recorded by Ralph Stanley in 1959, this tune is based on an earlier one called "Lonesome John", tab consists of 6 sections on lower neck in G tuning)	G	52 measures	3.50
B150	CLINCH MOUNTAIN BACKSTEP (tab consists of 4 sections on lower neck, Scruggs style - G Modal tuning: gDGCD)	Gm	35 measures	3.00
B1043	COAL MINER'S BLUES (12-Bar Blues - written by Harold Streeter, tab consists of 2 sections on lower and upper neck - G tuning)	G	26 measures	2.50
B623	COBBLER IN THE GLEN (6/8 time jig - written by Harold Streeter, tab consists of 2 sections on lower neck in Melodic style - G tuning)	G	17 measures	2.00
B1749	COLLEEN MALONE (Bluegrass - tab is based on Hot Rize's 1992 recording from their "Take it Home" album, and consists of verse and chorus on lower neck - G tuning)	D	39 measures	3.50
B1750	COLLEEN MALONE (tab consists of verse and chorus on lower to mid-neck - G tuning)	G	35 measures	3.00
B019	COLUMBUS STOCKADE BLUES (traditional Country - tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B2587	COLUMBUS STOCKADE BLUES (different treatment from B019 above - tab consists of basic melody and verse/chorus arrangement on lower neck - G tuning)	G	65 measures	3.50
B1119	COLUMBUS STOCKADE BLUES (same as above except optional second banjo part is included - tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.50
B2611	COLUMBUS STOCKADE BLUES (tab consists of verse and chorus on lower and upper neck - aDGBD tuning)	D	33 measures	3.00
B2627	COLUMBUS STOCKADE BLUES (tab consists of verse and chorus on lower and upper neck - D tuning: f#DF#AD)	D	33 measures	3.00
B2685	COME MONDAY (70's Folk/Pop - written and first recorded by Jimmy Buffett in 1974 - tab consists of intro, 2 verses, 2 choruses and bridge on lower to mid-neck- G tuning)	G	60 measures	4.00
B434	COTTON EYED JOE (50's Bluegrass - tab is partially based on Don Reno's playing on Reno and Smiley's 1957 recording and consists of one section each on lower and upper neck - Scruggs style - G tuning)	G	33 measures	3.00
B133	COUNTRY ROADS (Take Me Home) (70's Folk/Bluegrass - written by John Denver, Bill Danoff and Taffy Nivert, first recorded by John Denver on his 1971 album "Poems, Prayers and Promises", the tab consists of verse, 2 choruses and bridge on lower neck - G tuning)	G	65 measures	4.00
B3029	COVENTRY CAROL (Christmas - 3/4 time - written in the 16th century, the composer is anonymous - this piece was originally performed in Coventry, England as part of a play called "The Pageant of the Shearmen and Tailors"; it's based on part of the Christmas story as described in Matthew, Chapter 2 - the tab consists of 2 verses and ending in Melodic and Chord/Melody styles, ranging from lower to upper neck - G tuning)	Em	36 measures	3.50
B146	CRIPPLE CREEK (traditional fiddle tune - tab consists of 4 sections, including Melodic style section, plus Earl Scruggs' quotes from his 1962 recording, on lower to mid-neck - G tuning)	G	34 measures	3.00
B2589	CRIPPLE CREEK (easier to play than B146 above - tab consists of basic melody, plus 4-section arrangement on lower neck - G tuning)	G	33 measures	3.00
B2914	CROSSING THE CUMBERLANDS (Bluegrass fiddle tune - written and first recorded by Bill Monroe in 1969 - tab is based on his recording and consists of intro and 8 sections, ranging from lower to high upper neck - Gm tuning: gDGBbD)	Gm	69 measures	4.50
B1551	CUCKOO'S NEST (dating from the early 18th century, this popular traditional fiddle tune goes by at least 50 different titles - tab consists of 4 sections on lower and upper neck in Melodic style - G tuning)	D	33 measures	3.00
B2933	CUMBERLAND GAP (traditional fiddle tune - based in part on Don Reno's 1959 recording, and on Earl Scruggs' 1962 recording - tab consists of 2 sections on lower and upper neck in Scruggs style - G tuning)	G	17 measures	2.00
B961	DANCE ON THE CLOUDS (Country - 3/4 time - Tony Ellis wrote this tune in honor of John Hartford and first recorded it on his 2005 "The Quest" CD, tab is based on his recording and consists of 2 sections on lower and upper neck, including an *optional second banjo part* in Double C tuning: gCGCD)	C	66 measures	4.50
B2531	DARCY FARROW (60's folk - written by Steve Gillette and Tom Campbell, first recorded in 1966 by Ian and Sylvia - the tab is based on John Denver's recording from his 1973 "Rocky Mountain High" album and consists of extended intro and 2 verses on lower and mid-neck - Double C tuning: gCGCD)	C	61 measures	4.00
B1813	DARK AS A DUNGEON (Country - 3/4 time - written by Merle Travis in 1946 - tab is based on Seldom Scene's recording and consists of verse and chorus on lower and mid-neck - G tuning)	G	40 measures	3.50
B439	DAYBREAK IN DIXIE (Bluegrass - written and first recorded by Ralph Stanley in 1957 - tab is based on his recording and consists of 2 sections in Scruggs style - except for the upper neck intro, the tab is on lower neck - G tuning)	G	36 measures	3.00
B1496	DELAWARE HORNPIPE (traditional fiddle tune - tab consists of 4 sections on lower and upper neck - Melodic style - G tuning)	G	33 measures	3.00
B1076	DERBY HORNPIPE (traditional fiddle tune - tab consists of 4 sections on lower and upper neck - Melodic style - G tuning)	G	33 measures	3.00
B2222	DEVIL'S DREAM (traditional fiddle tune dating to 1834 in New England - tab consists of 2 sections on lower neck - Melodic style - G tuning)	G	18 measures	2.00
B1411	DIFFERENT DRUM (60's Pop/Rock - Michael Nesmith (of Monkees fame) wrote this one, and Linda Ronstadt first recorded it with The Stone Poneys in 1967 (her first big hit) - tab is based on a performance by Sara Watkins and consists of intro, 3 verses and chorus, on lower neck - Double C tuning: gCGCD)	C	51 measures	3.50
B1640	DIXIE BANNER (fiddle tune based on Tony Ellis' recording from his 1987 "Dixie Banner" album - tab consists of intro and 8 sections, including an *optional second banjo part* - first banjo is in Double C tuning: gCGCD, with second banjo in regular C tuning: gCGBD on lower to mid-neck)	C	72 measures	5.00
B1859	DOING MY TIME (Bluegrass - tab consists of break as played by Ben Eldridge and backup as played by Earl Scruggs, on lower and upper neck - Scruggs style - G tuning)	G	58 measures	4.00
B1482	DON'T THINK TWICE (It's All Right) (60's Folk - written and first recorded by Bob Dylan on his 1963 "The Freewheelin' Bob Dylan" album - tab consists of one verse on lower neck - Scruggs style, Modified G tuning: gBGBD)	G	33 measures	3.00
B2338	DOOLEY (Bluegrass - tab is as played by Doug Dillard on "The Dillards" 1963 album, and consists of intro, backup and break on lower neck - Scruggs style - G tuning)	G	58 measures	4.00
B1094	DOWN IN THE WILLOW GARDEN (traditional Appalachian ballad - 3/4 time, tab consists of basic melody, plus Scruggs style upper neck arrangement and backup for verse and chorus - G tuning)	G	97 measures	5.00
B1081	DUNDEE HORNPIPE (traditional fiddle tune - tab consists of 4 sections on lower neck - Melodic style in D tuning: f#DF#AD)	D	33 measures	3.00
B2920	DUSTY MILLER (traditional fiddle tune - tab consists of 3 sections in Scruggs style on lower and mid- neck - G tuning)	G	25 measures	3.00
B3130	EAST VIRGINIA BLUES (traditional Appalachian ballad, composer is anonymous - tab is arranged for 2 banjos in 2 keys and consists of intro and 2 verses, ranging from lower to mid-neck in Scruggs style - G tuning)	G and C	41 measures	4.00
B709	EDEL WEISS (50's Folk - 3/4 time - written by Rodgers and Hammerstein for the 1959 musical "The Sound of Music" - the title refers to the "edelweiss", a white flower that grows high up in the Alpine hills - tab consists of verse, bridge, and reprise/ending on lower to mid-neck - G tuning)	G	41 measures	3.50
B166	EIGHT MORE MILES TO LOUISVILLE (Country/Bluegrass - written and first recorded by Grandpa Jones sometime during the 1940's - tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B2600	EIGHTH OF JANUARY (Battle of New Orleans) - (traditional fiddle tune written in honor of the 1815 Battle of New Orleans on January 8 - lyrics written by Jimmie Driftwood in 1936 describing the battle - hit for Johnny Horton in 1959 - best key and setting for fiddle and mandolin players - tab consists of intro and 2 sections on lower to mid-neck - aDGBD tuning)	D	20 measures	2.00
B170	EL CONDOR PASA (Folk - written by Daniel Alomía Robles (of Peru) in 1913, based on a traditional Andean folk tune - Simon and Garfunkel included it on their 1970 "Bridge Over Troubled Water" album - tab consists of 2 verses and chorus on lower and mid-neck in Gm tuning: gDGBbD)	Gm	39 measures	3.50
B1201	ELEANOR RIGBY (Beatles - written by Paul McCartney and first released on the Beatles' "Revolver" album in 1966 - the tab consists of verse and chorus on lower and mid-neck in Gm tuning: gDGBbD)	Gm	28 measures	3.00
B627	EVELEEN'S BOWER (Celtic - words by Thomas Moore (1779- 1852), music by Turlough O'Carolan (1670- 1738) - the tab consists of 2 sections on lower neck in Melodic style - G tuning)	C	18 measures	2.00
B1908	FADED LOVE (Texas Swing - a hit for Bob Wills in 1950, this song is based on an old fiddle tune melody he learned from his father - tab consists of intro, all backup, 2 breaks and ending on lower and upper neck - G tuning)	D	91 measures	5.00
B1044	FIELDS OF GOLD (90's Pop - tab is based on Sting's 1993 recording and consists of intro, 3 verses and bridge on lower and upper neck in Chord/Melody and Scruggs/Melodic styles in Double C tuning: gCGCD)	C	50 measures	3.50
B3199	FIGHTER (Folk-Pop - written and first recorded by Steve Martin for his April 2013 CD "Love Has Come For You", with Edie Brickell on vocals - tab is as Steve recorded it and consists of intro, backup for 3 verses, refrain and reprises, plus solo and ending, ranging from lower to upper neck, in Gadd9 (aDGBD) tuning )	Dm	168 measures	7.00
B172	FIREBALL MAIL (Bluegrass - tab is based on the 3 separate recordings of Roy Acuff, Don Reno and Mac Wiseman, and consists of 2 sections on lower neck - Scruggs style - G tuning)	G	33 measures	3.00
B2535	FIVE HUNDRED MILES (traditional Folk - first recorded in 1961 by "The Journeymen" - tab consists of 2 verses on lower and upper neck - G tuning)	G	33 measures	3.00
B630	FOGGY MOUNTAIN BREAKDOWN (written by Earl Scruggs and recorded in 1949 by Flatt and Scruggs - tab consists of 3 sections on lower to mid-neck - G tuning)	G	54 measures	3.50
B982	FOGGY MOUNTAIN BREAKDOWN (2nd or harmony banjo, arranged to be played with B630 above - tab consists of 3 sections and ending on lower and upper neck - G tuning)	G	54 measures	3.50
B2911	FOGGY MOUNTAIN BREAKDOWN (tabs for both B630 and B982 above combined - save $2.00 when purchasing them together - 3 sections - G tuning)	G	54 measures	5.00
B930	FOGGY MOUNTAIN TOP (Bluegrass - first recorded by the Carter Family in 1929 - tab is based on Walter Hensley's recording, and on Earl Scruggs' 1961 recording, and consists of 2 verses on lower neck - G tuning)	G	36 measures	3.00
B2697	FOLSOM PRISON BLUES (partially written by Johnny Cash, with portions "borrowed" from a song written by Gordon Jenkins in 1953 - first recorded by Cash in 1955 - tab consists of intro, verse and simile of guitar break on lower to mid- neck - to play the song in the original key of E, please see B1139 in the advanced section on this page - G tuning)	G	56 measures	4.00
B3055	FOLSOM PRISON BLUES (same as above, except this version includes a transcript of Charlie Fann's playing (first 32 measures), with the remainder by Harold Streeter - tab consists of intro, vocal verse simile, 2 solo sections, and ending - to play in Johnny Cash's key (key of E), capo the 2nd fret and spike the 5th string at the 9th fret - aDGBD tuning)	D	89 measures	5.00
B3088	FOREVER AND A DAY (Country - written and recorded by the Kruger Brothers band, this is the title song from their 2010 album "Forever and a Day". This tab is much easier to play than Jens Kruger's rendition, which is described in the advanced section of this listing (order # B3012) - tab consists of intro, verse and refrain, on lower neck - G tuning)	G	55 measures	4.00
B175	FOUR STRONG WINDS (60's Folk - written by Ian Tyson in 1961, first recorded by "The Brothers Four" in 1964, then by Ian and his wife Sylvia the same year - tab consists of 2 sections on lower and upper neck - G tuning)	G	34 measures	3.00
B176	FOUR STRONG WINDS (tab consists of 2 sections on lower and mid-neck - G tuning)	C	33 measures	3.00
B1728	FOX ON THE RUN (Bluegrass - written by Tony Hazzard for Manfred Mann in the 60's, hit for the "Country Gentlemen" also during the 60's, tab consists of intro, backup and 2 breaks on lower neck (includes 2 measures on upper neck) - G tuning)	G	91 measures	5.00
B027	GAMES PEOPLE PLAY (60's Country Rock - this song was a huge hit for guitarist/songwriter Joe South in 1968 - tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B183	GARY OWEN (traditional 6/8 time Irish jig, General Custer's battle charge - tab consists of 4 sections and includes optional second banjo part on lower and upper neck, Melodic style - G tuning)	G	33 measures	3.50
B476	GENTLE ON MY MIND (60's Country/Bluegrass - written by John Hartford, and recorded by Glen Campbell, for whom it was a hit in 1968 - the tab consists of 2 verses on lower neck, with 4 measures on upper neck - G tuning)	G	37 measures	3.00
B1758	GENTLE ON MY MIND (tab consists of 2 verses in John Hartford's original recording setting on lower and mid- neck - D tuning: aDF#AD)	D	37 measures	3.00
B2373	GIRL I LEFT BEHIND (first published in Dublin, Ireland in 1791 as "The Rambling Labourer", this traditional fiddle tune has been popular in the U.S. since the War of 1812 - tab consists of 4 sections on lower to mid-neck - Melodic style - G tuning)	G	33 measures	3.00
B2534	GIRL IN THE BLUE VELVET BAND (Bluegrass - tab consists of one break as played by Ross Branham on Hylo Brown's 1971 recording on lower neck - Scruggs style - G tuning)	G	19 measures	2.00
B633	GIVE ME YOUR HAND (Celtic - 3/4 time - tab is partially based on Jay Ungar's recording and consists of 2 sections on lower and mid-neck - G tuning)	G	54 measures	3.50
B1823	GLORY IN THE HIGHEST (Gospel - tab consists of basic melody and lyrics, plus one break and backup on lower and upper neck - G tuning)	G	97 measures	5.00
B1318	GOD BLESS AMERICA (Patriotic - written by Irving Berlin in 1918 and revised in 1938, this was Kate Smith's signature song, sung by her in the 1943 movie "This is the Army" - tab consists of 2 sections on lower neck - G tuning)	G	41 measures	3.50
B2494	GOD IS WATCHING OVER ME (Bluegrass Gospel - tab is as played by Dale Perry on Doyle Lawson's recording and consists of one break on lower neck in Scruggs style - G tuning)	G	29 measures	3.00
B1393	GOD REST YE MERRY GENTLEMEN (traditional Christmas - composer unknown, published in Britain in 1833 - tab consists of one verse on upper and lower neck in Chord/Melody style - G tuning)	Em	22 measures	2.50
B028	GOSPEL TRAIN (Bluegrass Gospel - first published in 1872, tab is as played by Roy Lewis on the Lewis Family's recording, consisting of 2 sections on lower neck in Scruggs style - G tuning)	G	35 measures	3.00
B029	GOTTA TRAVEL ON (Country and Bluegrass - tab is based on Bill Monroe's 1958 recording and consists of 2 sections on lower and upper neck in Scruggs style - G tuning)	G	33 measures	3.00
B180	GREAT SPECKLED BIRD (Gospel - written by Reverend Guy Smith, based on Jeremiah 12:9, first recorded by Roy Acuff in 1936 - tab consists of 2 verses on lower and upper neck - G tuning)	G	33 measures	3.00
B187	GREENSLEEVES (traditional English Folk - registered at the London Stationer's Company in 1580 as "A New Northern Dittye of the Lady Greene Sleeves" - tab consists of 2 arrangements; one in slow 3/4 time and one in fast 4/4 time on lower neck - G tuning)	Am	66 measures	4.00
B2830	GROUND HOG (Folk/Bluegrass - tab consists of 4 breaks on lower neck; the first 3 are as played by Doug Dillard on the Dillards' 1963 album "Back Porch Bluegrass", 4th break arranged by Harold Streeter - G tuning)	G	57 measures	4.00
B1824	HALLELUIA (Gospel - slow 4/4 and fast 6/8 time - tab consists of basic melody and lyrics, plus break and backup on upper and lower neck in G tuning)	Em	81 measures	4.50
B1825	HALLELUJAH (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - G tuning)	G	49 measures	3.50
B2421	HALLELUJAH, I'M READY (traditional Southern Gospel - tab is based on the recording by "Hilltop News" and consists of 2 breaks and backup on lower neck - Scruggs style - G tuning)	G	49 measures	3.50
B931	HAPPY BIRTHDAY (the melody of "Happy Birthday to You" comes from the song "Good Morning to All", written by Patty and Mildred Hill in 1893 - 3/4 and fast 4/4 time - tab consists of basic melody plus 4 arrangements in 2 keys - Chord/Melody and Bluegrass styles on lower and upper neck - G tuning)	G and C	73 measures	4.50
B708	HARD, AIN'T IT HARD (traditional Folk - tab is as played by Eric Weissburg and consists of 5 sections and ending at moderate and fast tempos on lower and high upper neck - G tuning)	G	89 measures	5.00
B2419	HARD TIMES COME AGAIN NO MORE (traditional American Folk - written in 1854 by Stephen Foster - tab consists of 3 sections and is partially based on Front Porch String Band's recording, including transcription of Herb Trottman's break on lower neck - G tuning)	G	66 measures	4.00
B872	HARK THE HERALD ANGELS SING (traditional Christmas - music written by Felix Mendelssohn, lyrics by Charles Wesley, first published in "Hymns and Sacred Poems" in 1739 - tab consists of 2 sections on lower to mid-neck - G tuning)	C	41 measures	3.50
B1400	HARK THE HERALD ANGELS SING (tab consists of one verse on lower to mid- neck - Chord/Melody style - G tuning)	C	22 measures	2.50
B3139	HASTE TO THE WEDDING (traditional Irish jig - 6/8 time - tab consists of 2 sections, ranging from lower to mid- neck - Melodic style - aDGBD tuning)	D	20 measures	2.00
B3172	HAUNTED HOUSE BLUES (20's Blues - written by J. C. Johnson in 1924 and first recorded by Bessie Smith the same year - tab is based on the Village Stompers recording from their 1964 album "More Sounds of Washington Square", and consists of intro, 3 solo sections, and 2 sections of backup, ranging from lower to mid-neck, in Scruggs/Melodic and Single- string styles - G tuning)	Am and Em	62 measures	4.00
B194	HAVA NAGILA (Let Us Rejoice) (traditional Hebrew Folk - melody is from a folk song from Bukovina - tab consists of 6 sections on lower neck - G tuning)	G	56 measures	4.00
B2690	HERE COMES PETER COTTONTAIL (Easter - written in 1950 by Steve Nelson and Jack Rollins, first recorded by Gene Autry - tab consists of "bunny" intro, 3 verses and bridge on lower neck - G tuning)	G	47 measures	3.50
B1740	HERE TODAY AND GONE TOMORROW (Bluegrass - tab is based on based on "Hot Rize's" recording and consists of one break on lower neck - aDGBD tuning)	D	34 measures	3.00
B200	HE WILL SET YOUR FIELDS ON FIRE (Bluegrass Gospel - tab consists of intro and 2 sections on lower and upper neck, Scruggs style - G tuning)	G	52 measures	3.50
B197	HEY JUDE (Beatles - originally titled "Hey Jules", first recorded in 1968 - tab consists of 2 verses, chorus and bridge/fade out on lower to mid-neck - D tuning: aDF#AD)	D	89 measures	5.00
B199	HEY PORTER (written and first recorded by Johnny Cash in 1954 - tab consists of one mid-neck break as played by Earl Scruggs with the Earl Scruggs Revue - D tuning: aDF#AD)	D	19 measures	2.00
B2330	HIGHLANDER'S HORNPIPE (written by Harold Streeter - tab consists of 2 sections on lower to mid-neck - Melodic style - G tuning)	D	17 measures	2.00
B1523	HOBO'S MEDITATION (Country - 3/4 time - first recorded by Jimmie Rodgers in 1932, also included on the 1987 "Trio" album with Dolly Parton, Emmylou Harris and Linda Ronstadt - tab consists of intro and 2 sections on lower and mid-neck - G tuning)	G	41 measures	3.50
B1826	HOLY GROUND (slow Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - G tuning)	C and D	98 measures	5.00
B2826	HOME ON THE RANGE (3/4 time - state song of Kansas, with words taken from a poem written by Dr. Brewster Higley in the 1870's called "My Western Home", first published in 1873, tab consists of intro, verse and chorus on lower neck - G tuning)	C	37 measures	3.50
B031	HOME, SWEET HOME (American Folk song for over 150 years, adapted from 1823 opera "Clari, Maid of Milan" - music by Sir Henry Bishop and lyrics by John Howard Payne - the tab is based on Earl Scruggs' 1962 recording and consists of verse and chorus on lower and upper neck - C tuning: gCGBD)	C	33 measures	3.00
B963	HOME, SWEET HOME (tab consists of verse and chorus on lower to mid-neck - Double C tuning: gCGCD)	C	33 measures	3.00
B032	HOME, SWEET HOME (tab is partially based on Don Reno's 1959 recording and consists of 4 sections on lower neck, including two D tuner sections, in D tuning: aDF#AD)	D	65 measures	4.00
B2275	HOME, SWEET HOME (even though banjo players tend to play "Home, Sweet Home" in either C or D, vocalists sometimes prefer the key of G. tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B2422	HOOKA TOOKA (60's Pop - written and first recorded by Chubby Checker in 1963 - tab consists of 2 sections; first is as played by Jim Helms on lower neck, second is arranged by Harold Streeter - G tuning)	C	69 measures	4.00
B195	HOUSE OF THE RISING SUN (fast 4/4 time - earliest known recording of this 19th century piece is by Clarence Ashley in 1933, most famous recording is "The Animals" 1964 version - tab consists of 2 sections on lower neck - G tuning)	Em	33 measures	3.00
B196	HOUSE OF THE RISING SUN (fast 4/4 time - tab consists of 2 sections on lower neck - Gm tuning: gDGBbD)	Gm	33 measures	3.00
B1827	HOW I LOVE YOU (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower neck (4 measures at mid-neck) - G tuning)	G	49 measures	3.50
B217	I AM A PILGRIM (traditional Gospel Blues and Bluegrass, tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B2388	I AM A PILGRIM (tab consists of one section on lower and mid-neck - G tuning)	D	17 measures	2.00
B3200	I AM WEARY, LET ME REST (Gospel Bluegrass - written by Pete Kuykendall (aka Pete Roberts) - tab consists of intro, backup for 2 verses and refrain (backup is based on the Bluegrass Expedition's version, ranging from lower to upper neck), plus 2 solos for verse and refrain on lower neck, arranged by Harold Streeter - G tuning)	G	88 measures	5.00
B1939	I CAN'T HELP BUT WONDER WHERE I'M BOUND - (Folk - written by Tom Paxton, tab is based on the Chad Mitchell Trio's recording, and consists of verse and chorus on lower and mid-neck - G tuning)	D	33 measures	3.00
B844	IF I FELL (Beatles - written by John Lennon, recorded in 1964 - tab consists of intro and one section on lower and mid-neck - G tuning)	C	46 measures	3.50
B219	IF I HAD A HAMMER (60's Folk - written in 1949 by Pete Seeger, hit for Peter, Paul and Mary in 1962 - tab consists of 2 sections on lower and mid- neck - G tuning)	G	41 measures	3.50
B1778	IF I WERE A CARPENTER (Folk/Pop - written by Tim Hardin, first recorded by Bobby Darin in 1966, then by Johnny Cash in 1970 - tab consists of 4 sections on lower and upper neck in aDGBD tuning)	D	52 measures	3.50
B2430	IF YOU'VE ONLY GOT A MOUSTACHE (traditional Folk - 6/8 and 4/4 time - written by Stephen Foster in 1864 - tab consists of 6/8 time intro and verse in Melodic style, plus fast 4/4 time Bluegrass arrangement on lower and upper neck - G tuning)	G	54 measures	3.50
B1805	I LIKE TO HEAR 'EM PREACH IT (Bluegrass Gospel - tab is based on Jimmy Martin's 1959 recording and consists of intro and break on lower neck - Scruggs style - G tuning)	G	33 measures	3.00
B1517	I'LL FLY AWAY (Gospel - written by Albert Brumley in 1929, first recorded in 1946 by James and Martha Carson - tab consists of intro, 2 lead breaks (verse and chorus) and ending on lower neck - Scruggs style - G tuning)	G	46 measures	3.50
BB1517	I'LL FLY AWAY (tab consists of lower neck backup for verse and chorus - Scruggs style - G tuning)	G	33 measures	3.00
B1761	I'LL FLY AWAY (tab consists of verse and chorus breaks on lower neck - different arrangement from B1517 above - Scruggs style - G tuning)	G	33 measures	3.00
B682	I'LL FLY AWAY (tab consists of verse and chorus breaks on lower neck without slides, hammers or pulls, and includes an optional second banjo part - Scruggs style - G tuning)	G	33 measures	3.50
B968	I'LL FLY AWAY (tab consists of verse and chorus on lower neck - Double C tuning: gCGCD)	C	33 measures	3.00
B1804	I'LL JUST STAY AROUND (Bluegrass - tab consists of intro as played by J. D. Crowe and break arranged by Harold Streeter - both on lower neck in Scruggs style - G tuning)	G	40 measures	3.50
B1228	I'LL SEE YOU IN MY DREAMS (20's Pop - written by Isham Jones and Gus Kahn in 1924 and first recorded by Isham Jones and The Ray Miller Orchestra in 1925 - tab is partly based on Chet Atkins guitar recording and consists of 2 sections on lower and upper neck - G tuning)	C	33 measures	3.00
B216	I'M JUST AN USED-TO-BE (Bluegrass and Country Blues - written by Joe Stuart and Bill Monroe - tab consists of verse and chorus on lower neck - Scruggs style - C tuning: gCGBD)	G	33 measures	3.00
B1787	I'M SO LONESOME I COULD CRY (50's Country - 3/4 time - written and first recorded by Hank Williams in 1949 - tab consists of 3 verses on lower and upper neck - Chord/Melody and Scruggs/Melodic styles - G tuning)	C	51 measures	3.50
B362	I'M USING MY BIBLE FOR A ROADMAP (Bluegrass Gospel - written by Don Reno and C. Schroeder in 1950, first recorded by Reno and Smiley in 1952 - tab consists of verse and chorus on lower neck in Scruggs style - G tuning)	G	33 measures	3.00
B1828	IN MY LIFE, LORD, BE GLORIFIED (slow Gospel - the tab consists of basic melody and lyrics, plus break and backup on lower neck - G tuning)	C	25 measures	2.50
B211	I'M WORKING ON A BUILDING (Bluegrass Gospel - tab is based on Bill Monroe's 1954 recording and consists of verse and chorus on lower neck - G tuning)	G	36 measures	3.00
B2597	I'M WORKING ON A BUILDING (easier to play than B211 above - the tab consists of verse and chorus on lower neck in Scruggs style - G tuning)	G	36 measures	3.00
B2322	IN THE GARDEN (Gospel - 3/4 time - written by C. Austin Miles in 1912 - tab consists of verse and chorus on lower neck - G tuning)	C	35 measures	3.00
B2360	IN THE GLORY LAND WAY (Bluegrass Gospel - tab is as played by Earl Scruggs and consists of one break on lower neck - G tuning)	G	21 measures	2.00
B035	IN THE PINES (Appalachian folk song circa 1870's - 3/4 time - tab is based on Bill Monroe's 1941 recording and consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B205	IRISH WASHERWOMAN (traditional 6/8 time Irish jig - tab consists of 2 sections and includes an optional second banjo part on lower and mid-neck in Melodic style - G tuning)	G	33 measures	3.50
B206	IRISH WASHERWOMAN (tab is arranged as a brisk waltz, rather than as a jig, and consists of 2 sections on lower neck - D tuning: f#DF#AD)	D	33 measures	3.00
BB1520	I SAW THE LIGHT (Gospel - written by Hank Williams - tab consists of 2 sections of backup only on lower and upper neck - G tuning)	G	33 measures	3.00
B995	I STILL MISS SOMEONE (Country and Bluegrass - written by Johnny and Roxanne Cash - recorded by Flatt and Scruggs in 1965, then by the Earl Scruggs Revue in 1976 - tab consists of verse and bridge on lower neck - G tuning)	G	33 measures	3.00
B1403	IT CAME UPON A MIDNIGHT CLEAR (traditional Christmas - 3/4 time - written by Edmund Sears in 1849 - tab consists of verse and chorus on lower to mid-neck in Chord/Melody style - G tuning)	G	34 measures	3.00
B210	I'VE BEEN WORKING ON THE RAILROAD (Folk - first published as the "Levee Song" in 1894, first recorded in 1927 by the "Sandhills Sixteen" - tab consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B1830	I WANT TO PRAISE YOU, LORD (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and upper neck - G tuning)	C	104 measures	5.50
B1829	I WILL CELEBRATE (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and upper neck - G tuning)	Em	97 measures	5.00
B1831	I WILL PRAISE YOU, LORD (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower neck in Scruggs style - G tuning)	G	77 measures	4.50
B212	I WONDER HOW THE OLD FOLKS ARE AT HOME (aka Homestead on the Farm) (Bluegrass - tab is based on Mac Wiseman's 1952 recording and consists of 2 sections on lower neck - Scruggs style in G tuning)	G	33 measures	3.00
B1141	I WONDER IF I EVER SAID GOODBYE (70's Country - tab is based on Johnny Rodriguez's recording from his 1976 "Reflecting" album, and consists of intro, plus 2 verses and 2 choruses on lower and upper neck in Scruggs/Melodic and Chord/Melody styles - G tuning)	G	70 measures	4.50
B1505	JAMAICA FAREWELL (Carribean - written by Lord Burgess in 1926, first recorded by Harry Belafonte on his 1956 "Calypso" album - tab consists of 2 verses and 2 choruses on lower to mid- neck - G tuning)	C	36 measures	3.00
B231	JESSE JAMES (traditional 1800's ballad - written by Billy Gashade and first recorded by Bascom Lamar Lunsford in 1924 - tab consists of verse and chorus on lower neck - Scruggs style - G tuning)	G	33 measures	3.00
B1070	JESSE JAMES (tab consists of verse and chorus on lower and mid-neck - D tuning: aDF#AD)	D	33 measures	3.00
B1832	JESUS (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - Scruggs style - G tuning)	C	49 measures	3.50
B2629	JESUS, HELP ME TO STAND (Gospel - 3/4 time - written by Ron Block and included on Alison Krauss’ and Union Station’s 1992 CD entitled “Every Time You Say Goodbye” - tab consists of intro, verse and chorus, and includes optional second banjo part on lower neck - G tuning)	G	59 measures	4.50
B842	JESUS, HOLD MY HAND (Gospel - written by Albert Brumley in 1933 - tab consists of intro, verse and chorus on lower to mid-neck (2 measures on upper neck) - G tuning)	C	70 measures	4.50
B2468	JESUS WALKED THAT LONESOME VALLEY (traditional American spiritual - composer is anonymous - recorded by the "Million Dollar Quartet" in 1956 - tab is arranged to be played at fast tempo and consists of 2 breaks on lower neck, plus a third break at advanced level on upper neck - G tuning)	G	57 measures	4.00
B229	JIM SAPP RAG (fiddle rag - tab is based on Kirk and Sam McGee's 1957 recording, and consists of 2 sections on lower and upper neck in Scruggs style - D tuning: aDF#AD)	D	32 measures	3.00
B876	JINGLE BELLS (Christmas Pop - written by James Lord Pierpont in 1857, first titled "One Horse Open Sleigh" - tab consists of 2 verses and chorus on lower neck - G tuning)	G	50 measures	3.50
B1445	JINGLE BELLS (tab consists of slow "Rudolph" intro in Chord/Melody style on upper neck, plus verse and chorus on lower neck - G tuning)	C	42 measures	3.50
B2593	JOHN HARDY (fast traditional Bluegrass ballad - first recorded by Eva Davis in 1924 - tab consists of basic melody and one verse in Scruggs style on lower neck - G tuning)	G	35 measures	3.00
B2592	JOHN HENRY (fast traditional American ballad - tab consists of basic melody and one Scruggs style break on lower neck - G tuning)	G	41 measures	3.50
B221	JOHN HENRY (tab is based on Earl Scruggs' 1962 recording, and consists of 2 sections on lower and upper neck - D tuning: f#DF#AD)	D	41 measures	3.50
B878	JOLLY OLD SAINT NICHOLAS (traditional Christmas - author unknown, Nicholas of Myra (270-346 A.D.), known as "Nicholas the Wonderworker", is the model for Santa Claus - tab consists of 2 verses in 2 keys on lower neck - Scruggs style in G tuning)	G and C	33 measures	3.00
B879	JOY TO THE WORLD (traditional Christmas - words by Isaac Watts and music by Lowell Mason - tab consists of 2 sections on lower and mid- neck - G tuning)	G	41 measures	3.50
B1399	JOY TO THE WORLD (tab consists of one section on lower and upper neck in Chord/Melody and Scruggs/Melodic styles - G tuning)	C	21 measures	2.00
B3209	JUBILATION T. CORNPONE (written for the 1955 musical "Li'l Abner" by Gene de Paul and Johnny Mercer - tab consists of 4 verses and 4 refrains, plus turnaround and modulation, ranging from lower to mid-neck - G tuning)	C and G	70 measures	4.50
B1739A	JULIA (Bluegrass - tab consists of one break as played on Front Range's recording on lower and mid-neck - D tuning: aDF#AD)	D	20 measures	2.00
B1739B	JULIA (same as above except in G tuning)	D	20 measures	2.00
B1915	KANSAS CITY (Wilbert Harrison's Blues/Rock hit from 1959 - tab consists of intro and 3 breaks on lower to mid-neck - G tuning)	G	45 measures	3.50
B234	KAW-LIGA (50's Country - written by Hank Williams and Fred Rose in 1952, with Hank's recording released posthumously in 1953, tab consists of verse and chorus on lower and mid-neck - Gm tuning: gDGBbD)	Gm	37 measures	3.00
B038	KEEP ON THE SUNNY SIDE (traditional Gospel - written in 1899 by Ada Blenkhorn, first recorded by the Carter Family in 1928 - tab consists of verse and 2 choruses on lower neck - G tuning)	G	49 measures	3.50
B3153	KEEP ON THE SUNNY SIDE (same as above except this tab is based on the White family's version and chord progression as heard on the "O Brother Where Art Thou?" soundtrack - the tab consists of intro, verse and chorus on lower neck - G tuning)	G	49 measures	3.50
B1524	KEEP THAT WHEEL A-TURNIN' (traditional Folk - tab consists of verse and chorus on lower and mid-neck - G tuning)	G	18 measures	2.00
B235	KILLING ME SOFTLY (With His Song) (70's Pop - written in 1971 by Charles Fox and Norman Gimbel, first recorded by Lori Lieberman in 1971, hit for Roberta Flack in 1973 - tab consists of 2 verses and 2 choruses on lower to mid-neck - G tuning)	G	53 measures	3.50
B3201	KING OF BOYS (Folk-Pop - written and first recorded by Steve Martin for his April 2013 CD "Love Has Come For You", with Edie Brickell on vocals - tab is as Steve recorded it and consists of intro, backup for 3 verses plus backup for bass solo, and backup for vocal reprise on lower to mid-neck - C tuning)	C	73 measures	4.50
B1495	LADY GARDNER'S REEL (traditional fiddle tune - tab consists of 2 arrangements on lower and mid-neck; one in Scruggs/Melodic style and one in Melodic style - G tuning)	G	33 measures	3.00
B237	LADY OF SPAIN (40's Pop - written in 1931 and popularized on accordion in 1947 by Dick Contino - hit for Eddie Fisher in 1952 - tab is based on Jim Eanes' 1960 recording and consists of 2 verses and ending on lower neck in Scruggs style - G tuning)	C	39 measures	3.50
B686	LADY OWEN'S DELIGHT (traditional Welsh air - 3/4 time - the tab consists of one section on lower to mid- neck - Melodic style - G tuning)	G	27 measures	2.50
B687	LADY OWEN'S DELIGHT (tab consists of one section on lower and mid-neck - Melodic style - G tuning)	C	25 measures	2.50
B744	LAKES OF PONCHARTRAIN (Folk - tab consists of 2 sections on lower neck - G tuning)	G	36 measures	3.00
B692	LASS OF GOWRIE (traditional Scottish ballad - written by Lady Carolina Nairne (1766-1845) - tab consists of one section on lower and mid-neck in Melodic style - G tuning)	D	18 measures	2.00
B846	LAST DATE (60's Pop - 6/8 time - written and recorded by Floyd Cramer in 1960 - tab consists of intro, 3 verses and bridge on lower to mid- neck - Chord/Melody style - G tuning)	C	82 measures	5.00
B2827	LAST THING ON MY MIND (60's Folk - written by Tom Paxton in the early 60's, first recorded by Paxton in 1964, melody is similar to that of the traditional British folk song "Leaving of Liverpool" - tab consists of verse and chorus on lower neck in D tuning: aDF#AD)	D	33 measures	3.00
B2303	LEAVING LOUISIANA (In the Broad Daylight) (Cajun-flavored banjo - written by Rodney Crowell - tab is based on Emmylou Harris' recording from her 1978 album "Quarter Moon in a Ten Cent Town", and consists of intro, verse and bridge, plus lower and upper neck breaks - G tuning)	G	74 measures	4.50
B700	LEGEND OF BONNIE AND CLYDE (Country - hit for Merle Haggard in 1968, (this is not the same song as Foggy Mountain Breakdown) - tab consists of 2 breaks on lower neck - G tuning)	G	41 measures	3.50
B1226	LEGEND OF THE REBEL SOLDIER (Bluegrass - based on the 1847 poem "Shall My Soul Pass Through Old Ireland" by Caroline Norton, with melody based on "Rolling Home" (circa 1920) - new lyrics and first recording by Charlie Moore in 1976 - tab consists of 2 sections on lower and mid-neck - G tuning)	G	33 measures	3.00
B1552	(Bad, Bad) LEROY BROWN (70's Pop/Rock - written and first recorded by Jim Croce for his 1973 album "Life and Times" - tab consists of 3 sections on lower and upper neck - G tuning)	G	27 measures	2.50
B1833	LET ALL THE EARTH (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - G tuning)	C	74 measures	4.50
B1834	LET ALL THOSE WHO TRUST IN THEE, REJOICE - (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and upper neck - G tuning)	G	105 measures	5.50
B239	LET IT BE (Beatles - written by Paul McCartney, recorded in 1969 and released in 1970 from their "Let It Be" album - tab consists of verse and chorus on lower neck in Modified G tuning: gBGBD)	G	29 measures	3.00
B045	LIFE'S RAILWAY TO HEAVEN (Bluegrass Gospel favorite of railroaders, written in 1890 by Eliza Snow and Charles Tillman - tab consists of verse and chorus on lower neck - Scruggs style - G tuning)	G	49 measures	3.50
B3114	LITTLE BIRD OF HEAVEN (Appalachian-style ballad, written by Martha Scanlan in 2009, and first recorded by Martha and the Reeltime Travelers same year - tab is based on their recording and consists of intro, 3 sections of backup, 6 solos and modulation, ranging from lower to mid-neck - G tuning)	C and G	104 measures	5.50
B3115	LITTLE BIRD OF HEAVEN (same as above except in Double-C tuning, with tab consisting of intro, 2 sections of backup and 4 solos, ranging from lower to mid-neck - Double-C tuning)	C	64 measures	4.50
B2284	LITTLE MAGGIE (late 1800's Appalachian ballad - first recorded by Grayson and Whittier in 1928, tab consists of 4 verses on lower neck in Scruggs style - G tuning)	G	33 measures	3.00
B2431	LITTLE MAGGIE (tab consists of 4 verses on lower and mid-neck - G modal tuning: gDGCD)	Gm	33 measures	3.00
B046	LITTLE ROSEWOOD CASKET (traditional Folk - first recorded by the Carter Family - tab consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B047	LITTLE ROSEWOOD CASKET (tab consists of 3 sections on lower and upper neck - tuners are required for 3rd section - D tuning: f#DF#AD)	D	65 measures	4.00
B1008	LITTLE ROSEWOOD CASKET (tab is based on Dolly Parton's 1987 recording and consists of intro, verse and bridge on lower and upper neck in Double C tuning: gCGCD)	C	41 measures	3.50
B044	LIZA JANE (traditional fiddle tune and folk song - tab consists of 3 verses and 2 choruses on lower and upper neck - G tuning)	G	41 measures	3.50
B2973	LONE PILGRIM (traditional Gospel - tab consists of intro and one verse on lower and mid-neck in aDGBD tuning)	D	25 measures	3.00
B1525	LOOKIN' OUT MY BACK DOOR (70's Country/Rock - written and first recorded by John Fogerty for Creedence Clearwater Revival's 1970 "Cosmo's Factory" album - tab consists of verse and chorus on lower neck - G tuning)	G	35 measures	3.00
B2457	LORD, BUILD ME A CABIN IN GLORY (Bluegrass Gospel - tab consists of lower neck break in Scruggs style, and advanced level upper neck break in Scruggs/Melodic style - G tuning)	G	42 measures	3.50
B1962	LORENA (Civil War ballad - written in 1856 by Rev. Henry D. L. Webster, a favorite of Civil War soldiers on both sides - the tab consists of intro and 2 breaks as played by John Hartford on lower and upper neck, plus a third break on lower neck that's easier to play than John's version - G tuning)	G	81 measures	5.00
B1144	LOST TO A STRANGER (Bluegrass - 3/4 time - tab is based on Hylo Brown's 1954 recording and consists of intro, lower and upper neck verse and chorus breaks - G tuning)	G	77 measures	4.50
B041	LOUISIANA MAN (Cajun - written by Doug Kershaw - hit in 1961 for Rusty and Doug (Kershaw) - tab consists of 2 verses and chorus on lower and mid-neck - D tuners are required for playing this tab - gDF#AD tuning)	D	25 measures	2.50
B3208	LOVE HAS COME FOR YOU (Folk-Pop - written and first recorded by Steve Martin for his April 2013 CD "Love Has Come For You", with Edie Brickell on vocals - tab is as Steve recorded it and consists of intro, backup for 4 verses and 3 choruses, plus interlude, solo, and ending - in claw hammer style on lower neck - Double-C tuning (gCGCD)	C	156 measures	6.50
B1040	LOVE IS A ROSE (70's Country/Rock - written by Neil Young in 1974 - tab is based on Linda Ronstadt's 1975 recording and on Jim Smoak's banjo break, and consists of 2 verses and 2 refrains on lower neck (2 measures are on upper neck) - G tuning)	G	37 measures	3.00
B942	LOVER'S WALTZ (Country waltz - written by Jay Ungar - the tab is based on Jay's fiddle recording and consists of 2 sections on lower and upper neck - G tuning)	G	36 measures	3.00
B2523	LUCILLE (70's Country - 3/4 time - written by Roger Bowling and Hal Bynum, hit for Kenny Rogers in 1977 - the tab consists of intro, verse and chorus - G tuning)	G	61 measures	4.00
B2528	LYING EYES (70's Country Rock - written by Glenn Frey and Don Henley, recorded in 1975 by the Eagles for their "One of These Nights" album - tab consists of intro, 3 verses and chorus on lower and mid-neck- G tuning)	G	82 measures	5.00
B1788	MAIDEN'S PRAYER (Texas Swing - traditional fiddle tune with lyrics by Bob Wills, first recorded in 1935 - tab consists of one verse on lower and upper neck - G tuning)	G	18 measures	2.00
B2449	MAIDEN'S PRAYER (tab consists of one verse on lower and mid-neck - G tuning)	D	19 measures	2.00
B766	MAMA BLUES (Bluegrass - tab is as played by Earl Scruggs and consists of 2 sections on lower and upper neck - D tuning: f#DF#AD)	D	54 measures	3.50
B2375	MAN OF CONSTANT SORROW (traditional American Folk - first recorded by Kentucky fiddler Dick Burnett as the "Farewell Song" in 1913, also recorded by Emry Arthur in 1928 - tab is based on the “Soggy Bottom Boys” radio version from the 2000 movie “O Brother Where Art Thou”, and consists of intro and 4 sections on lower neck - G tuning)	G	57 measures	4.00
B1985	MAN OF CONSTANT SORROW (tab consists of intro and two breaks on lower neck (one measure on upper neck) in D tuning: aDF#AD)	D	34 measures	3.00
B1087	MAPLE ON THE HILL (traditional Folk and Bluegrass - tab consists of basic melody and upper neck Scruggs style arrangement - G tuning)	G	40 measures	3.50
B1085	MASSASOIT HORNPIPE (traditional fiddle tune - tab consists of 4 sections on lower and mid-neck in Melodic style - D tuning: f#DF#AD)	D	33 measures	3.00
B2819	MAYBE I'M AMAZED (70's Pop - written and first recorded by Paul McCartney for his 1970 "McCartney" album - tab is based on Welsh singer Jem's recording from the 2004 "O.C. Mix 2" compilation recordings, and consists of intro, backup, verse and bridge vocal similes, plus banjo break as played on her recording - G tuning)	G and B	102 measures	5.50
B248	ME AND BOBBY McGHEE (60's Country - written by Kris Kristofferson, first recorded by Roger Miller, then Gordon Lightfoot in 1969, hit for Janis Joplin in 1970 - tab consists of 2 sections on lower to mid-neck - G tuning)	G	45 measures	3.50
B1769	MEETING IN THE AIR (Bluegrass Gospel - tab is based on the Highwoods String Band's recording, and consists of one break plus backup on lower to upper neck in Scruggs style - G tuning)	C	65 measures	4.00
B777	MIDNIGHT FLYER (Bluegrass - tab is as played by Sonny Osborne and consists of one verse on lower neck - Scruggs style - G tuning)	G	19 measures	2.00
B263	MIDNIGHT IN MOSCOW (Dixieland - written in 1955, first titled "Leningrad Nights", hit for British group "Kenny Ball and His Jazzmen" in 1961, tab consists of 2 sections and refrain on lower to mid-neck - Gm tuning: gDGBbD)	Gm	41 measures	3.50
B1080	MORNING FAIR HORNPIPE (traditional fiddle tune - tab consists of 4 sections on lower and mid-neck - Melodic style - f#DGBD tuning)	D	33 measures	3.00
B051	MOUNTAIN DEW (Bluegrass - written in 1945 by Bascom Lamar Lunsford, hit for Grandpa Jones in the 50's - tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B259	MY LITTLE GEORGIA ROSE (Bluegrass - written and first recorded by Bill Monroe in 1950 with Rudy Lyle on banjo - tab consists of verse and refrain on lower neck - Scruggs style - G tuning)	G	33 measures	3.00
B2410	MY OLD KENTUCKY HOME (traditional Folk - written by Stephen Foster in 1853, first titled "Poor Uncle Tom, Good Night" - official state song of Kentucky since 1928 - tab consists of verse and refrain on lower neck - G tuning)	G	33 measures	3.00
B2464	MY OLD KENTUCKY HOME (tab consists of verse and chorus on lower to mid-neck - G tuning)	C	33 measures	3.00
B737	MY SARO JANE (Bluegrass - written by Lester Flatt and Earl Scruggs, first recorded in 1964 - tab consists of 2 sections on lower neck, with the first as played by Earl Scruggs, and the second by Harold Streeter - Scruggs style - G tuning)	G	36 measures	3.00
B2919	NASHVILLE BLUES (Bluegrass instrumental - written and first recorded by Earl Scruggs in 1965, for Flatt and Scruggs' Town and Country" album, the tab is based on their recording and consists of 2 sections arranged for twin banjos (melody and harmony) on lower and mid-neck - Dm tuning: aDFAD)	Dm	41 measures	4.00
B1784	NATCHEZ WHISTLE (Country - written and recorded by John Hartford in 1978 - tab consists of 2 verses and chorus on lower neck - G tuning)	G	42 measures	3.50
B280	NELLIE BLY (traditional fiddle tune - written by Stephen Foster in 1850 - tab consists of 4 sections on lower and mid-neck - G tuning)	G	33 measures	3.00
B838	NEW RIVER TRAIN (traditional Folk - recorded by the New Lost City Ramblers - tab consists of 2 sections on lower neck in Scruggs style - G tuning)	G	33 measures	3.00
B1096	NEW RIVER TRAIN (tab consists of one verse on upper neck in Scruggs style - G tuning)	G	17 measures	2.00
B272	NINE POUND HAMMER (traditional Country Blues - first recorded by the "Hill Billies" in 1927 - found its way into Bluegrass after Merle Travis recorded it on guitar in 1944 - tab consists of 2 verses on lower and upper neck - G tuning)	G	33 measures	3.00
B738	NINE POUND HAMMER (tab consists of 2 sections on lower neck; first section is as played by Earl Scruggs, and second section is by Harold Streeter, Scruggs style - G tuning)	G	33 measures	3.00
B1092	NINE POUND HAMMER (tab consists of 2 arrangements on lower and upper neck - both include optional second banjo parts - G tuning)	G	97 measures	5.00
B2472	NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT - (Rag/Blues - written by Jimmy Cox in 1923 - tab consists of 3 sections on lower and mid-neck - G tuning)	C	28 measures	3.00
B285	NORWEGIAN WOOD (This Bird Has Flown) (Beatles - 3/4 time - written mainly by John Lennon and included on the Beatles' 1965 "Rubber Soul" album - tab consists of 2 verses and bridge on lower and upper neck in G tuning)	G	49 measures	3.50
B2454	O COME ALL YE FAITHFUL (Adeste Fideles) (traditional Christmas - written by John F. Wade in 1743 - tab consists of one verse in Chord/Melody style on lower neck in G tuning)	G	22 measures	2.50
B977	O COME, O COME EMMANUEL ("Veni, Veni, Emmanuel") - (traditional 12th century Christmas and Advent - tab consists of one verse in Chord/Melody style on lower and upper neck - G tuning)	Em	21 measures	2.50
B1715	O HOLY NIGHT ("Cantique de Noël") (traditional Christmas - 6/8 time - written by Adolphe Adam in 1847, based on the French poem "Minuit, chrétiens" (Midnight, Christians) by Placide Cappeau (1808- 1877) - tab consists of verse and chorus on lower to mid-neck - G tuning)	G	49 measures	3.50
B1494	O'GALLAGHER'S HORNPIPE (traditional fiddle tune - tab consists of 4 sections; 2 in Melodic style and 2 in Scruggs/Melodic style, on lower and mid- neck - G tuning)	G	33 measures	3.00
B2255	OH, SUZANNA ("Banjo On My Knee") (traditional American folk - written and first published by Stephen Foster in 1848, first recorded by Dan Hornsby with the Young Brothers Tennessee Band in 1927, tab consists of 2 verses and 2 choruses on lower neck - G tuning)	G	33 measures	3.00
B1519	OLD BRUSH ARBOR (traditional Gospel - tab consists of intro, verse and chorus breaks on lower neck, plus backup on upper neck - G tuning)	G	79 measures	5.00
B998	OLD DAN TUCKER (traditional fiddle and folk tune - tab is as played by Jim Smoak and consists of 2 breaks and ending on lower neck in Scruggs style - G tuning)	G	48 measures	3.50
B2775	OLD HOME PLACE (Bluegrass - written and first recorded by the Dillards in 1963 - the tab is based on New South's recording and consists of one break and refrain on lower neck - this arrangement is easier to play than J.D. Crowe's version (B1810) in the advanced section - Scruggs style - G tuning)	G	37 measures	3.00
B2328	OLD IRISH BLESSING (Celtic Gospel - tab consists of one verse on lower and mid-neck in Chord/Melody style - Gm tuning: gDGBbD)	Gm	24 measures	2.50
B2278	OLD JOE CLARK (traditional fiddle tune and ballad - born in 1839, Joe Clark was one of the first to enlist in the Civil War and one of the first to receive a disability discharge - the tab consists of 4 sections on lower neck in Scruggs style - G tuning)	G	33 measures	3.00
B2433	OLD JOE CLARK IN MINOR (still Old Joe Clark but with a different face, tab is arranged in a minor key and consists of 6 sections on lower neck in Gm tuning: gDGBbD)	Gm	49 measures	3.50
B2445	OLD RUGGED CROSS (traditional Gospel - 3/4 time - written in 1912 by George Bennard, this old standby is regarded as the most popular hymn of the 20th century - the tab consists of intro, verse and refrain on lower and upper neck in G tuning)	G	37 measures	3.00
B290	OLD SPINNING WHEEL (Country - composer is anonymous - tab consists of verse and chorus on lower and mid-neck - D tuning: aDF#AD)	D	33 measures	3.00
B054	OLD TIME RELIGION (traditional Gospel, circa 1873, composer unknown - tab consists of 4 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B1402	O LITTLE TOWN OF BETHLEHEM (traditional Christmas - written in 1868 by Phillips Brooks and Lewis Redner - tab consists of one verse on lower neck in Chord/Melody style - G tuning)	C	18 measures	2.00
B057	ONE TIN SOLDIER (Legend of Billy Jack) (theme from the 1971 movie, recorded by the band "Coven" - tab is based on their recording and consists of verse and chorus on lower and mid-neck - G tuning)	G	40 measures	3.50
B2684	ON THE WINGS OF A DOVE (60's Country - 3/4 time - written by Bob Ferguson, first recorded by Ferlin Husky in 1960 - tab consists of intro, verse and chorus on lower neck - G tuning)	G	67 measures	4.00
B1742	OPEN UP THE WINDOW, NOAH (Bluegrass - tab is as played by Ben Eldridge on Seldom Scene's 1983 "At the Scene" album - tab consists of 2 breaks on upper and lower neck - G tuning)	G	21 measures	2.00
B1661	OPEN YOUR EYES (Gospel - 3/4 time - written by Dee Gaskin, tab consists of intro, verse and chorus on lower neck - Scruggs style - G tuning)	G	67 measures	4.00
B722	ORPHEUS IN THE UNDERWORLD (from Jacque Offenbach's 1858 operetta that became the now famous "Can-Can" saloon dance - tab consists of 5 sections on lower and upper neck - Single-string style - G tuning)	D	133 measures	5.00
B1836	OUR GOD IS AN AWESOME GOD (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - G tuning)	Em	102 measures	5.00
B1837	OUR GOD REIGNS (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - G tuning)	G	97 measures	5.00
B2359	OVER IN THE GLORY LAND (Gospel - tab consists of break from Rob McCoury's recording on lower neck, arranged for two banjos as played on the recording - Scruggs style - G tuning)	G	19 measures	2.50
B840	PALLET ON YOUR FLOOR (Blues - written by Mississippi John Hurt and recorded in 1964, now a Bluegrass standard - tab consists of 2 sections on lower neck (no slides, hammers or pulls in first section) - Scruggs style - G tuning)	G	33 measures	3.00
B1857	PARADISE (Country - 3/4 time - written by John Prine, tab is based on the Country Gentlemen's recording and consists of one verse on lower neck - G tuning)	G	28 measures	2.50
B2536	PAY ME MY MONEY DOWN (traditional work song - tab is based on Bruce Springsteen's recording from his 2006 "We Shall Overcome: The Seeger Sessions" album, and consists of lower and upper neck backup, 5 breaks and ending - G tuning)	G	76 measures	4.50
B2663	PICKIN' (Bluegrass Swing - written by Darrell Schuler - tab consists of basic melody and 2 breaks on lower neck (2 measures are on upper neck) - G tuning)	G	68 measures	4.00
B2977	PILGRIM (I'm Just a Pilgrim On This Road) (Gospel Bluegrass - written and first recorded by Steve Earle on his 1999 album "The Mountain" - tab consists of intro and 2 breaks on lower and upper neck in G tuning)	G	49 measures	3.50
B2329	PLANXTY IRWIN (Celtic - 3/4 time - written by Turlough O'Carolan (1670-1738) - tab consists of 2 sections on lower and mid-neck - Scruggs and Chord/Melody styles - G tuning)	G	34 measures	3.00
B2450	PLANXTY IRWIN (tab consists of 2 sections on upper and lower neck - Scruggs/Melodic and Chord/Melody styles - G tuning)	D	34 measures	3.00
B295	POISON LOVE (50's Country - first recorded by Johnny and Jack - tab is based on their recording and consists of 2 verses on lower and upper neck - G tuning)	G	37 measures	3.00
B1077	POMONA HORNPIPE (traditional fiddle tune - tab consists of a 4-section melody arrangement on lower and upper neck in Melodic style, and a 4-section backup arrangement on lower neck in Scruggs style - G tuning)	G	65 measures	4.00
B1088	POOR ELLEN SMITH (traditional ballad based on a true story in 19th century Winston-Salem, NC - tab consists of basic melody and upper neck Scruggs style arrangement - G tuning)	G	48 measures	3.50
B061	POSSUM HOLLOW (50's Bluegrass - written and first recorded by Jim Eanes in 1955 - tab consists of 4 sections on lower and upper neck - tuners are required - G tuning)	G	57 measures	4.00
B293	POWER IN THE BLOOD (traditional Gospel - recorded by the Lewis Family - tab consists of 2 sections on lower neck - Scruggs style - G tuning)	C and G	33 measures	3.00
B3023	PRECIOUS MEMORIES (traditional Gospel hymn credited to J.B.F. Wright in 1925, but may have been written as early as 1877 - tab consists of intro, verse and chorus, on lower neck - Scruggs style - G tuning)	G	41 measures	3.50
B060	PRETTY POLLY (aka "The Gosport Tragedy" and "The Cruel Ship's Carpenter") - (traditional English and Appalachian ballad - tab consists of 2 sections on lower and upper neck - G Modal tuning: gDGCD)	Gm	28 measures	2.50
B2664	(The) PRICE YOU PAY (Bluegrass Swing - written by Darrell Schuler - tab consists of a basic melody section plus 2 breaks on lower and upper neck - G tuning)	G	73 measures	4.50
B1762	PUFF THE MAGIC DRAGON (60's Folk - written by Leonard Lipton and Peter Yarrow - recorded by Peter, Paul and Mary in 1963 - tab consists of one verse on lower neck - G tuning)	G	17 measures	2.00
B1518	PURPLE ROBE (traditional Gospel - tab is based in part on Ralph Stanley's 1959 recording, and consists of verse and chorus breaks on lower neck, and backup on lower and upper neck - Scruggs style - G tuning)	G	69 measures	4.50
B296	PUT YOUR HAND IN THE HAND (60's Pop Spiritual - written by Gene MacLellan - tab consists of 2 verses on lower and upper neck - G tuning)	G	33 measures	3.00
B1062	RAILROAD BILL (traditional ballad - composer unknown, first known recording in 1926 - tab consists of 2 sections on lower neck - G tuning)	G	25 measures	2.50
B2492	RAINBOW CONNECTION (90's Pop - 3/4 time - written by Paul Williams and Kenneth Ascher, performed by Kermit the Frog in the 1979 "Muppet Movie" - tab is based on Kenny Loggins' 1994 recording from his "Return to Pooh Corner" album, consisting of intro, backup, harmonica simile, and melody arrangement on lower and mid-neck - G tuning)	G	105 measures	5.50
B745	RAISE A RUCKUS (Folk/Bluegrass - composer and recording artist unknown - tab consists of 2 sections on lower neck - G tuning)	C and G	34 measures	3.00
B063	RED RIVER VALLEY (traditional Western classic with lyrics dating to 1879 and music to 1896 - tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B1854	RED RIVER VALLEY - (same as "May I Sleep in Your Barn Tonight Mister") (tab is as played on the McPeake Brothers' recording and consists of one break on lower neck - G tuning)	G	19 measures	2.00
B302	RED WING (traditional fiddle tune - written in 1907 with lyrics by Thurland Chattaway and music by Kerry Mills (based on Robert Schumann's "Happy Farmer" - Opus 68, # 10, 1849), tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B303	RED WING (tab consists of 2 verses and 2 choruses on lower and upper neck - D tuning: aDF#AD)	D	65 measures	4.00
B1468	RELEASE ME (60's Country/Pop - written in 1946 by Eddie Miller, first recorded in 1953 - tab is based on Englebert Humperdinck's 1967 recording - tab consists of 2 verses in 2 keys on upper and lower neck - G tuning)	G and C	33 measures	3.00
B2279	REUBEN (Reuben's Train aka "Train 45") (traditional fiddle tune - first printed in 1909, first recorded in 1924 by Fiddlin' John Carson - tab consists of 3 sections on lower and mid-neck - Scruggs style in D tuning: f#DF#AD)	D	49 measures	3.50
B310	RIDING ON THAT MIDNIGHT TRAIN (tab is as played by Ralph Stanley on his 1960 recording, and consists of one section on lower neck - Scruggs style - G tuning)	G	18 measures	2.00
B312	RIDING ON THE CITY OF NEW ORLEANS (70's Folk/Pop - written by Steve Goodman and first recorded by Arlo Guthrie in 1972, tab consists of verse, bridge and chorus on lower to mid-neck - G tuning)	G	49 measures	3.50
B065	RING OF FIRE (60's Country - written by June Carter and Merle Kilgore, first recorded by Johnny Cash on his 1963 compilation album "Ring of Fire: The Best of Johnny Cash" - biggest hit of his career - tab is based on Earl Scruggs' version and consists of verse and chorus on lower and mid-neck - G tuning)	G	32 measures	3.00
B2460	RIPPLE (70's Country/Rock - tab is based on the Grateful Dead's recording from their 1970 album "American Beauty", and consists of 4 verses and bridge on lower and upper neck - G tuning)	G	77 measures	4.50
B2778	ROCK SALT AND NAILS (60's Folk/Bluegrass - 3/4 time - written by Bruce "Utah" Phillips and first recorded by Flatt and Scruggs in 1965 - tab is based on Anne and Pete Sibley's recording from their 2005 "Will You Walk With Me" album, and consists of one lower neck break in D tuning: aDF#AD)	D	36 measures	3.00
B1730	ROCKY TOP (Bluegrass - written by Boudleaux and Felice Bryant in 1967 - hit same year for the Osborne Brothers - one of 7 official Tennessee state songs - tab consists of verse, chorus and extended ending on lower to mid-neck - G tuning)	G	56 measures	3.50
B1592	ROSEBUSH JIG (traditional 6/8 time Irish jig - tab consists of 2 sections on lower and mid-neck, and includes *optional second banjo part* in Melodic style - G tuning)	G	33 measures	3.50
B3179	ROSES IN THE SNOW (80's Bluegrass-Country - written by Ruth Franks, recorded by Emmylou Harris in 1980 for her album of the same name - tab is based on her recording and consists of intro, backup for verse and chorus, plus solo of verse and chorus - solo is all on lower neck, while the backup includes just a brief excursion to mid-neck - G tuning)	G	81 measures	5.00
B2567	RUDOLPH THE RED-NOSED REINDEER (written by Johnny Marks in 1949, first recorded by Gene Autry - tab consists of slow Chord/Melody style intro and uptempo Scruggs/Melodic style arrangement of 3 verses and bridge on lower neck - G tuning)	G	45 measures	3.50
B743	RUN, BOY, RUN (Folk/Bluegrass - composer and recording artist unknown - tab consists of 4 sections on lower and upper neck - G tuning)	G	32 measures	3.00
B1160	RUNNING HARD ON A BROKEN HEART (Bluegrass - tab is as played by Sammy Shelor on the Lonesome River Band's 1994 recording, and consists primarily of reverse rolls for intro, break and backup on lower and upper neck - G tuning)	G	112 measures	5.50
B1150	ST. ANNE'S REEL (traditional fiddle tune - tab consists of 4 sections on lower to mid-neck; 2 sections are at intermediate level and 2 are at advanced level, with the latter based on Michael Cleveland's fiddle recording in G Modal tuning: gDGCD - tab includes *optional 2nd banjo part in G tuning*)	C	33 measures	3.50
B2948	ST JAMES INFIRMARY (traditional blues based on an 18th century English folk song called "The Unfortunate Rake", composer is anonymous - one of the earliest recordings was by Louis Armstrong in 1928 - tab is based on both Josh White's and Arlo Guthrie's recordings, and consists of intro and 2 breaks on lower and mid-neck - G tuning)	Am	25 measures	3.00
B1485	SAINT PAUL WALTZ (parts of this tune are similar to "Cattle Call" - tab consists of 6 sections in 3 keys on lower and upper neck - G tuning)	C, G and F	98 measures	5.00
B1644	SACRED HEART ("Celtic" - 3/4 time - arranged and adapted from Peter Ostroushko's recording - tab consists of one section in Chord/Melody style on lower and mid-neck - G tuning)	D	38 measures	3.50
B2590	SALLY ANN (traditional fiddle tune - published in 1918, first recorded by "The Hill Billies" in 1925 tab consists of basic melody and one section on lower neck - G tuning)	G	33 measures	3.00
B2280	SALTY DOG BLUES (Bluegrass - written by the Morris Brothers in 1935, recorded by Flatt and Scruggs in 1951 - tab consists of 2 sections on lower to mid-neck - Scruggs style - G tuning)	G	17 measures	2.00
B338	SANTA CLAUS (Bluegrass - written by Bill Keith, recorded with Bill Monroe in 1965 - tab is based on that recording and consists of 2 sections on lower to mid-neck - G tuning)	G	33 measures	3.00
B3034	SANTA FE (Folk - written and first recorded by Samantha Crain for her 2010 album "You Understood" - tab is based on her recording and consists of intro, vocal similes of verse and chorus, plus backup for verse and 2 choruses, on lower to mid-neck - G tuning)	G	150 measures	6.50
B331	SCARBOROUGH FAIR (16th century English ballad - 3/4 time - tab is partly based on Simon and Garfunkel's recording from their 1966 "Parsley, Sage, Rosemary and Thyme" album, and consists of 2 verses on lower neck (2 measures on upper neck) - Gm tuning: gDGBbD)	Gm	41 measures	3.50
B332	SCARBOROUGH FAIR (tab consists of 2 verses on lower and upper neck - Dm tuning: aDFAD)	Dm	49 measures	3.50
B812	SEAMUS O'BRIEN (Celtic - 3/4 time - tab consists of 2 sections on lower to mid-neck - G tuning)	G	34 measures	3.00
B1506	SEEK YE FIRST (Folk Gospel - tab consists of intro and one verse on lower and mid-neck - G tuning)	C	33 measures	3.00
B2249	SHADY GROVE (18th century mountain ballad, similar to the English ballad "Matty Groves" - tab consists of 3 fast breaks with a Bluegrass treatment on lower and upper neck in Scruggs style - G tuning)	G	25 measures	2.50
B951	SHADY GROVE (tab is based on the recording from the movie "Return to Cold Mountain" (at slower tempo than B2249 above), and consists of 3 breaks with traditional chord progression and melody based on the Dorian pentatonic scale on lower to mid-neck - G tuning)	Am	25 measures	2.50
B1483	SHE LEFT ME STANDING ON THE MOUNTAIN - (Bluegrass - tab is based on Jim and Jesse's recording and consists of one verse on lower neck - G tuning)	G	18 measures	2.00
B2452	SHENANDOAH (Across The Wide Missouri) (American Folk song from the 1800's - tab consists of one verse on lower to mid-neck in Chord/Melody style - G tuning)	C	21 measures	2.00
B3148	SHENANDOAH (Across The Wide Missouri) (same as above except the tab consists of 2 verses, all on lower neck in Scruggs style, G tuning)	G	42 measures	3.50
B342	SHORTENIN' BREAD (sometimes regarded as a traditional 1800's plantation song, this piece was written by James Whitcomb Riley in 1900, and published in 1915 - tab consists of 2 verses and 2 choruses on lower neck; 2nd chorus is based on a Foggy Mountain Breakdown Em chord phrase - G tuning)	G	33 measures	3.00
B1398	SILENT NIGHT (Stille Nacht, heilige Nacht) (traditional Christmas - 3/4 time - written by Father Josef Mohr and Franz Xaver Gruber, published in 1859 - tab consists of one verse in Chord/Melody style on lower and mid-neck - G tuning)	G	51 measures	3.50
B820	SILENT NIGHT (this arrangement includes an optional second banjo part with both banjos in Scruggs style - tab consists of one verse on lower neck; first banjo is in C tuning: gCGBE, second banjo is in G tuning)	C	25 measures	3.00
B1779	SILVER BELLS (50's Christmas Pop - 3/4 time - first sung in the 1951 movie; "The Lemon Drop Kid" by Bob Hope and Marilyn Maxwell - tab consists of verse and chorus on lower to mid-neck - G tuning)	G	33 measures	3.00
B337	SILVER THREADS AND GOLDEN NEEDLES (60's and 70's Country Rock - written by Jack Rhodes and Dick Reynolds, first recorded by Wanda Jackson in 1956, then by Linda Ronstadt on her 1969 album "Hand Sown, Home Grown", and was a hit for her on her 1973 "Don't Cry Now" album, tab consists of verse, chorus, and ending on lower and mid-neck - G tuning)	G	50 measures	3.50
B335	SITTING ON TOP OF THE WORLD (traditional Country Blues - first recorded by the "Mississippi Sheiks" in 1930, then by Bill Monroe in 1957 - tab consists of 3 verses on lower and upper neck - Scruggs style - G tuning)	G	49 measures	3.50
B1004	SITTING ON TOP OF THE WORLD (tab consists of one verse on lower and upper neck - G tuning)	D	17 measures	2.00
B1533	SLEEPY RIO GRANDE (40's Western - 3/4 time - tab is based on the Sons of the Pioneers' recording and consists of intro and verse on lower and mid-neck - G tuning)	C	25 measures	2.50
B964	SOLDIER'S JOY (traditional fiddle tune dating from the Revolutionary War but popular during the Civil War - first recorded by the Skillet Lickers in 1929 - tab consists of 4 sections at basic to intermediate level on lower neck in Double C tuning: gCGCD)	C	33 measures	3.00
B2424	SOLDIER'S JOY (tab is as played by Eddie Mueller on the Stoneman Family's recording, and consists of 4 sections plus backup on lower neck in Scruggs style - C tuning: gCGBD)	C	66 measures	4.00
B2662	SOME OF SHELLEY'S BLUES (Folk/Pop - written by Mike Nesmith, first recorded by the Nitty Gritty Dirt Band on their 1970 "Uncle Charlie and His Dog Teddy" album - tab is based on their recording and consists of intro, backup for 4 verses and bridge, plus 2 solo sections on lower and mid-neck (2 measures on upper neck) - D tuning: aDF#AD)	D	103 measures	5.50
B2632	SOMEWHERE IN TIME (theme from the 1980 movie of the same name, starring Christopher Reeve and Jane Seymour - tab consists of intro and 4 sections on upper and lower neck in Chord/Melody style - G tuning)	C and D	62 measures	4.00
B3138	SONNY'S DREAM (Irish folk - written by Ron Hynes in 1976, first recorded by Ron Hynes in 1981 - tab is based on Liam Clancy's 1996 recording and consists of intro, 4 verse backup sections, break and ending, ranging from lower to mid-neck - G tuning)	G	100 measures	5.50
B2203	SPANISH FANDANGO (1890's parlor tune - 3/4 time - written by Charles Luckeyth "Luckey" Roberts, published in 1915 - popular on guitar with Victorian ladies - tab consists of 4 sections on lower and upper neck - G tuning)	G	65 measures	4.00
B960	STAND, BOYS, STAND (fiddle tune - tab is as played by Tony Ellis and consists of 6 sections on lower neck in Scruggs style - C tuning: gCGBD)	C	50 measures	3.50
B1497	STACK OF BARLEY HORNPIPE (traditional fiddle tune - tab consists of 4 sections in 2 arrangements on lower to mid-neck - Melodic and Scruggs/Melodic styles - G tuning)	G	33 measures	3.00
B1775	STAR OF THE COUNTY DOWN (traditional Irish ballad set to English melody - 3/4 time - words by Cathal Garvey (1866-1927) - tab consists of 4 sections on lower neck - G tuning)	Am	69 measures	4.00
B1018	STAR OF THE COUNTY DOWN (3/4 and 4/4 time - tab consists of 4 sections on lower to upper neck - G tuning)	Em	49 measures	3.50
B339	STAY ALL NIGHT, STAY A LITTLE LONGER (Texas Swing - melody based on "Old Dan Tucker" with lyrics by Bob Wills and Tommy Duncan - first recorded in 1945 by Bob Wills, then by Willie Nelson in 1973, tab consists of 3 verses and 3 choruses on lower and upper neck - G tuning)	G	55 measures	3.50
B3143	STRAWBERRY ROAN (Cowboy folk - 3/4 time - written in 1931 by Curly Fletcher - tab is based on Marty Robbins' recording from his "Gunfighter Ballads and Trail Songs" 1959 album, and consists of 2 verses in 2 keys, on lower and mid-neck - G tuning)	G and C	69 measures	4.50
B1760	STREETS OF LAREDO (Cowboy's Lament) (traditional western - 3/4 time - based on the 18th century Irish/British folk songs "The Unfortunate Rake", "A Handful of Laurel" and "The Bard of Armagh" - lyrics were written in 1876 by Francis Maynard, tab consists of 2 verses, chorus and ending on lower and upper neck - G tuning)	G	55 measures	3.50
B650	SUNNY SIDE OF THE MOUNTAIN (Bluegrass Gospel - tab is based on Ralph Stanley's 1959 recording and consists of 2 sections on lower and upper neck - Scruggs style - G tuning)	G	45 measures	3.50
B3216	SUN'S GONNA SHINE (Folk-Pop - written and first recorded by Steve Martin for his April 2013 CD "Love Has Come For You", with Edie Brickell on vocals - tab is as Steve recorded it and consists of vocal backup for 3 verses, 3 choruses, refrain, refrain reprise and 2 solos, on lower neck with brief mid-neck excursions, in clawhammer style; Double-C (gCGCD) tuning)	C	129 measures	6.00
B340	SWANEE RIVER (Old Folks at Home) (American Folk - written by Stephen Foster in 1851 - state song of Florida since 1935, tab consists of verse and chorus on lower and mid-neck - G tuning)	G	33 measures	3.00
B341	SWANEE RIVER (tab consists of verse and chorus on lower neck - D tuning: aDF#AD)	D	33 measures	3.00
B068	SWEET BETSY FROM PIKE (American Folk - 3/4 time - written by John Stone in 1858 - tab consists 2 verses on lower to mid-neck - G tuning)	G	33 measures	3.00
B2673	SWEET BUNCH OF DAISIES (traditional 1890's waltz - 3/4 time - early recording by "The HillBillies" in 1926 - tab is based on R. Shafer and R. Kessinger's flat pick guitar recording and consists of intro and 2 sections on lower and upper neck - Double C tuning: gCGCD)	C	71 measures	4.50
B1943	SWEET SUNNY SOUTH (traditional American ballad - first recorded by the North Carolina Ramblers in 1927, then by Charlie Poole in 1929 - tab is as played by John Hartford and consists of one verse on lower neck - G tuning)	G	20 measures	2.00
B2614	SWEET SUNNY SOUTH (tab consists of one verse on lower neck, Scruggs style - G tuning)	C	19 measures	2.00
B1528	TAKE ME IN YOUR LIFEBOAT (traditional Country and Bluegrass Gospel, tab is based on Flatt and Scruggs' 1951 recording, and consists of 2 sections on lower neck - Scruggs style - G tuning)	G	39 measures	3.50
B2810	TEACH YOUR CHILDREN (70's folk-pop - written by Graham Nash, this song was a hit in 1970 for Crosby, Stills, Nash and Young - tab consists of intro based on Jerry Garcia's steel guitar intro, plus verse, refrain, bridge and ending, on lower to mid-neck - D tuning: aDF#AD)	D	62 measures	4.00
B823	TEA IN THE MORNING ("Celtic" - written by Harold Streeter - tab consists of one verse on lower to mid-neck, Melodic and Chord/Melody styles in G tuning)	D	17 measures	2.00
B1794	TEARDROPS IN MY EYES (Bluegrass - tab is based on Red Allen's recording and consists of verse and chorus on lower neck - Scruggs style - G tuning)	G	36 measures	3.00
B1467	TEARS ON MY PILLOW (Country waltz - 3/4 time - written and recorded by Gene Autry in 1941 (not the same song as Little Anthony and the Imperials' 1958 hit) - tab consists of 3 verses on upper and lower neck - G tuning)	C	50 measures	3.50
B1780	TENNESSEE WALTZ (Country waltz - 3/4 time - written by Redd Stewart and Pee Wee King in 1947, first recorded by Roy Acuff, then by both Patti Page and Les Paul and Mary Ford in 1950, one of 7 state songs of Tennessee - tab consists of intro, verse and chorus on lower and upper neck - G tuning)	G	37 measures	3.50
B825	TENNESSEE WALTZ (easier to play than B1780 above - tab consists of intro, verse and chorus on lower to upper neck - G tuning)	G	37 measures	3.00
B1083	TEN PENNY MONEY (traditional 6/8 time Irish jig - tab consists of 4 sections on lower to mid-neck in D tuning: f#DF#AD)	Bm	33 measures	3.00
B3027	THE FIRST NOEL (First Nowell) (traditional 17th century English Christmas carol - 3/4 time - published in 1823 in "Some Ancient Christmas Carols" - tab consists of one verse in Chord/Melody style, ranging from lower to upper neck, in G tuning)	D	25 measures	3.00
B828	THE GRENDADIER AND THE LADY (aka An Emigrant's Daughter) - (traditional Celtic Dorsetshire - 3/4 time - tab consists of 3 sections on lower and mid-neck - Melodic and Chord/Melody styles - G tuning)	Em	34 measures	3.00
B2188	THE MARVELOUS TOY (60's Christmas Pop/Folk - written by Tom Paxton in 1960, recorded by Peter, Paul and Mary on their 1969 "Peter, Paul and Mommy" album - tab consists of intro, backup and break on lower and mid-neck in G tuning)	C	42 measures	3.50
B360	THE NIGHT THEY DROVE OLD DIXIE DOWN (60's Folk - written by Robbie Robertson, first recorded by The Band in 1969, hit for Joan Baez in 1971 - tab consists of verse and chorus on lower neck - G tuning)	Em	35 measures	3.00
B1500	THE STAR (Hornpipe) (traditional fiddle tune - tab consists of 4 sections on lower and mid-neck - Melodic style - G tuning)	G	33 measures	3.00
B2674	THE STORMS ARE ON THE OCEAN (3/4 time - traditional folk and Bluegrass love song - first recorded by the Carter Family in 1928 - tab consists of verse and refrain, plus backup for verse and refrain, on lower to upper neck - G tuning)	G	65 measures	4.00
B1554	THE WEDDING SONG (70's Folk/Pop - written and recorded in 1971 by Noel Paul Stookey of Peter, Paul and Mary fame, first performed at Peter Yarrow's wedding, featured on Stookey's first solo album, "Paul and..." in 1971 - tab consists of 3 verses and chorus on lower neck - G tuning)	G	94 measures	5.00
B2906	THE YEAR THAT CLAYTON DELANEY DIED (70's Country - written and first recorded by Tom T. Hall for his 1971 album "In Search of a Song" - tab consists of intro and 2 verses plus verse backup, on lower and upper neck - G tuning)	C	53 measures	4.00
B2692	THIRSTY BOOTS (70's Folk/Pop - written by Eric Anderson and first recorded by John Denver on his 1977 album "I Want To Live" - tab consists of 5 sections of lower neck backup only as played on the recording - Scruggs style in G tuning)	C	80 measures	4.50
B1112	THIS OLD HAMMER (traditional Blues - similar to John Henry and Nine Pound Hammer - tab consists of one upper to lower neck break - G tuning)	Em	17 measures	2.00
B2392	THOSE MEMORIES (Bluegrass - written by Alan O' Bryant in 1978, recorded on 1987 "Trio" album by Dolly Parton, Emmylou Harris and Linda Ronstadt - tab consists of one verse on lower neck - G tuning)		19 measures	2.00
B1176	TIME IN A BOTTLE (70's Folk/Pop - 3/4 time - written and first recorded by Jim Croce in 1973 - the tab consists of intro, verse and chorus on lower and upper neck - aDGBD tuning)	Dm	58 measures	4.00
B1530	'TIS SO SWEET TO TRUST IN JESUS (Gospel - written by William Kirkpatrick and Louisa Stead in 1882 - tab consists of 2 sections on upper and lower neck in Chord/Melody style - G tuning)	G and D	34 measures	3.00
B2672	TODAY (60's Pop - 3/4 time - written by Randy Sparks (he formed the New Christy Minstrels in 1961) for the 1964 Western comedy "Advance to the Rear" - tab consists of intro, verse and chorus on lower and mid-neck - Chord/Melody and Scruggs styles - G tuning)	C	41 measures	3.50
B1158	TOUCH THE HAND (70's Country - 3/4 time - tab is based on Conway Twitty's 1975 recording and consists of refrain and 3 verses on upper and lower neck - Chord/Melody and Scruggs style - G tuning)	C	74 measures	4.50
B359	TRAGIC ROMANCE (Country and Bluegrass - composer is unknown - first recorded by Vernon Dalhart in 1924, a hit for the Lily Brothers in 1957 (with Don Stover on banjo), and for Cowboy Copas in 1960 - tab consists of 2 verses on lower and upper neck - G tuning)	G	37 measures	3.00
B073	TRUCK DRIVIN' MAN (50's-60's Country and Bluegrass - written by Terry Fell in 1954 - tab is based on Jim and Jesse's 1967 recording and consists of 2 sections on lower and upper neck in Scruggs style - G tuning)	G	34 measures	3.00
B1572	TURN YOUR RADIO ON (Gospel - written by Albert Brumley in 1937, published in 1938, hit for both Ray Stevens and the Blackwood Brothers - tab consists of intro, verse and chorus on lower neck - G tuning)	G	37 measures	3.00
B888	TWELVE DAYS OF CHRISTMAS (English Christmas carol dating to 16th century, copyrighted in 1909 - tab consists of 6 sections on lower and mid-neck in Melodic style - f#DGBD tuning)	D	46 measures	3.50
B2230	UNCLE PEN (Bluegrass - written by Bill Monroe about his uncle Pendleton Vandiver and first recorded in 1950 - tab consists of verse and chorus on lower neck - G tuning)	G	21 measures	2.50
B363	UNDER THE DOUBLE EAGLE (favorite flat pick guitar and banjo piece, written by Austrian military bandmaster Josef Franz Wagner (1856-1908) about the double eagle in the Austro-Hungarian coat of arms - tab is based on Don Reno's 1961 recording and consists of 2 sections on lower neck - G tuning)	G	49 measures	3.50
B086	WABASH CANNONBALL (Folk song about a fictional train, written by J. A. Roff and published in 1882 as "The Great Rock Island Route" - recorded by the Carter Family in 1929, hit for Roy Acuff in 1936 - tab consists of 2 sections on lower and upper neck - G tuning)	G	35 measures	3.00
B087	WABASH CANNONBALL (tab consists of 2 sections on lower and upper neck - G tuning)	C	34 measures	3.00
B3240	WABASH CANNONBALL (this version is as played by Alex Hassilev with the Limelighters, circa 1963 - tab consists of intro and solo on lower neck in G tuning)	G	37 measures	3.00
B081	WALKING IN MY SLEEP (Bluegrass - recorded by Bill Clifton and the Dixie Mountain Boys in the late 50's - tab consists of 2 sections on lower and mid- neck - G tuning)	G	27 measures	2.50
B1471	WALTZ YOU SAVED FOR ME (Country waltz - 3/4 time - written by Emil Flindt during World War I while in France, first titled "The Truck Driver's Dream", then "The Waltz of the Poppies", and finally changed to "The Waltz You Saved for Me", tab consists of of 2 sections on lower to mid-neck - G tuning)	C	36 measures	3.00
B921	WAYFARING STRANGER (traditional Spiritual - published in 1816 by Ananias Davisson in his shape note tunebook called "Kentucky Harmony" - tab consists of verse and chorus on lower and mid-neck - G tuning)	Am	33 measures	3.00
B1839	WE EXALT THEE (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - G tuning)	C	97 measures	5.00
B1394	WE THREE KINGS OF ORIENT ARE (The Quest of the Magi) - (traditional Christmas - 3/4 time - written by Reverend John Henry Hopkins, Jr., in 1863 - the tab consists of 2 sections on lower and upper neck - G tuning)	Em	35 measures	3.00
B1795	WHAT A FRIEND WE HAVE IN JESUS (traditional Gospel - lyrics written by Joseph M. Scriven in 1855 and music by Charles Crozat Converse in 1868 - tab consists of 2 arrangements; slow Chord/Melody style in D, and uptempo Bluegrass style in G, on lower and mid- neck - G tuning)	D and G	51 measures	3.50
B2807	WHAT A FRIEND WE HAVE IN JESUS (easier to play than B1795 above - tab consists of verse and refrain on lower neck in Scruggs style - G tuning)	G	33 measures	3.00
B1840	WHAT A MIGHTY GOD WE SERVE (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower neck in Scruggs style - G tuning)	G	48 measures	3.50
B385	WHAT HAVE THEY DONE TO MY SONG, MA (60's Pop/Rag - written by Melanie Safka, first recorded by Melanie in the late 60's, tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B1963	WHERE HAVE ALL THE FLOWERS GONE (60's Folk - written by Pete Seeger and first recorded by the Kingston Trio in 1961 - tab consists of intro and 2 verses on lower to mid-neck - G tuning)	G	41 measures	3.50
B384	WHILE I WAS PRAYING (Somebody Touched Me) - (traditional Gospel - recorded by both the Dillards and the Stanley Brothers - tab consists of 2 verses on lower and upper neck - Scruggs style - G tuning)	G	33 measures	3.00
B994	WHISKEY BEFORE BREAKFAST (traditional fiddle tune - tab is based in part on Norman Blake's 1976 flat pick guitar recording and consists of 2 sections on lower and upper neck - gDF#AD tuning)	D	17 measures	2.00
B2795	WHITE CHRISTMAS (40's Holiday standard - written by Irving Berlin in 1940, first recorded in 1942 by Bing Crosby for the musical "Holiday Inn", tab consists of 2 verses ranging from lower to upper neck, mainly in Chord/Melody style - G tuning)	C	33 measures	3.00
B3176	WHO KILLED DAVEY MOORE (60's Folk - written by Bob Dylan in 1963, although it wasn't included in his recordings until his "Bootleg" series, volumes 1-3 (1961-91) and then again in "The Bootleg Series Vol. 6: Bob Dylan at Philharmonic Hall", circa 1964 - tab is based on Graeme Allwright's 1966 recording and consists of intro, backup for verse and refrain, plus solo for verse and refrain, ranging from lower to mid-neck - G tuning)	Am	40 measures	3.50
B2761	WHOA, MULE, WHOA (traditional fiddle tune - tab is based in part on Doug Dillard's playing on the Andy Griffith show, and consists of 5 sections, including 2 with "mule sounds" on lower neck - G tuning)	G	43 measures	3.50
B2671	WHO WILL SING FOR ME (traditional Gospel - tab is based on Lester Flatt and Earl Scruggs 1959 recording and consists of 2 verses and 2 refrains for upper and lower neck breaks - G tuning)	G	69 measures	4.50
B077	WHY ME, LORD (Gospel - 3/4 time - written and first recorded by Kris Kristofferson in 1971 - tab consists of 2 verses and chorus on lower and upper neck - Scruggs and Melodic styles - G tuning)	G	48 measures	3.50
B3145	WIDE RIVER TO CROSS (Country Gospel - 3/4 time - written and first recorded by Buddy and Julie Miller on their 2004 album "Universal United House of Prayer" - tab is based on Buddy Miller's and Emmylou Harris' version, and consists of intro, verse, chorus, reprise and ending, on lower and mid-neck - G tuning)	C	47 measures	3.50
B090	WILDWOOD FLOWER (traditional Country - written and published in 1860 as "I'll Twine 'Mid the Ringlets", first recorded by the Carter Family in 1928, tab consists of 3 sections, including one with a Texas Swing treatment on lower to mid-neck - G tuning)	G	56 measures	4.00
B091	WILDWOOD FLOWER (tab consists of 2 sections on lower to mid-neck - D tuning: f#DF#AD)	D	37 measures	3.00
B1123	WILDWOOD FLOWER (Texas swing chord progression treatment, tab consists of 2 sections on lower to mid-neck - D tuning: f#DF#AD)	D	33 measures	3.00
BB1521	WILL THE CIRCLE BE UNBROKEN (Gospel - first titled "Can the Circle Be Unbroken - recorded by the Carter Family in 1935 - tab consists of backup only for verse and chorus on lower to mid-neck in Scruggs style - G tuning)	G	33 measures	3.00
B1841	WITH YOUR HANDS (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and upper neck - G tuning)	Em	73 measures	4.50
B2781	WORRIED BLUES (Country Blues - not the same as "Worried Man Blues", this is a traditional 12-Bar Blues based on Doc Watson's recording, tab consists of 2 breaks on lower to mid- neck - D tuning: aDF#AD)	D	25 measures	2.50
B370	WRECK OF THE OLD 97 (traditional Folk song about a train called the "Fast Mail" that left the track near Danville, Virginia on Sept. 27, 1903 - first recorded by Vernon Dalhart in 1924 - tab is based on Flatt and Scruggs recording and consists of 2 verses on lower and upper neck - G tuning)	G	33 measures	3.00
B2471	WRECK OF THE SLOOP JOHN B. and WIMOWEH - (Folk medley - "John B" was written by Richard Le Gallienne for his 1917 novel "Pieces of Eight"; Alan Lomax included it in his 1935 collection "Deep River of Song" - also recorded by "The Weavers" in 1950 - "Wimoweh" was first recorded by its writer, Solomon Linda and his group "The Evening Birds" in 1939 - tab consists of 2 sections on lower and mid- neck - G tuning)	D	40 measures	3.50
B746	YEAR OF JUBILO (Civil War freedom song - written by Henry Clay Work circa 1862, and first recorded by Frank Jenkins and his Pilot Mountaineers in 1929 - tab consists of 4 sections on lower and upper neck - Melodic style - G tuning)	G	33 measures	3.00
B390	YO HAN PA SNIPPEN (traditional Schottische - tab consists of 6 sections on lower and upper neck in Melodic style - G tuning)	C and D	50 measures	3.50
B2337	YOU ARE MY FLOWER (Country - written by Maybelle Carter and first recorded by the Carter Family in 1938, tab is a simile of the traditional approach, based partly on Lester Flatt and Earl Scruggs' 1964 recording, and consists of intro and 2 breaks on lower and mid-neck (2 measures on upper neck) - G tuning)	G	41 measures	3.50
B1842	YOU ARE MY HIDING PLACE (Gospel - tab consists of basic melody and lyrics, plus break and backup on lower and mid-neck - G tuning)	Am	50 measures	3.50
B095	YOU ARE MY SUNSHINE (Folk/Pop - official state song of Louisiana, written by Jimmie Davis, former governor of Louisiana, and first recorded in 1939 - tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B2258	YOU GOTTA DIG A LITTLE DEEPER (Bluegrass - simplified version of Doyle Lawson's recording - tab consists of all breaks and accompaniment for banjo, guitar, mandolin, fiddle and bass on lower to mid-neck - G tuning)	G	68 measures	6.00
B1145	YOU'LL NEVER LEAVE HARLAN ALIVE (Country and Bluegrass - written and first recorded by Darrell Scott for his album "Aloha from Nashville" in 1997, then by Patty Lovelace and Brad Paisley - the tab consists of banjo intro from Patty's recording, plus verse and chorus breaks on lower neck - G tuning)	Em	43 measures	3.50
B2816	YOU MUST LOVE ME (90's Pop - written in 1995 by Tim Rice and Andrew Lloyd Webber for the movie version of "Evita", this piece was not included in the original 1979 Broadway stage play - tab is based on Maria Bozzini's recording and consists of extended intro, 2 verses and 2 refrains, plus instrumental section simile and ending in Chord/Melody and Melodic styles - G tuning)	C	71 measures	4.50
B1781	YOU'VE GOT TO HIDE YOUR LOVE AWAY (Beatles - 3/4 time - written by John Lennon, recorded in 1965 for the album "Help!" - tab consists of 2 verses and chorus on lower and mid-neck (3 measures on upper neck) - aDGBD tuning)	D	57 measures	4.00

ADVANCED LEVEL
All of the following selections are entirely suitable for stage performance.
Featuring a variety of techniques and ranging from transcriptions
to showcase tunes, many are challenging.

CLICK ON ORDER NUMBERS TO HEAR MIDI SAMPLES

Order #	TITLE and DESCRIPTION (All selections are arranged by Harold Streeter, are in 4/4 time, and are in Scruggs/Melodic style unless otherwise stated)	Key	Number of Measures	Tab Price
B393	ACORN HILL BREAKDOWN (traditional fiddle tune - tab is based on Tommy Jackson's fiddle recording and consists of 4 sections on lower and mid- neck in D tuning: f#DF#AD)	D	33 measures	3.00
B2453	ACROSS THE GREAT DIVIDE (Country and Bluegrass - written and first recorded by Kate Wolf in 1980 - tab is based on Nanci Griffith's recording from her 1993 album "Other Voices, Other Rooms" and consists of intro, verse and chorus on lower neck - G tuning)	G	46 measures	3.50
B1084	ADMIRAL'S HORNPIPE (traditional fiddle tune - tab consists of 4 sections on lower and mid-neck in Melodic style - D tuning: f#DF#AD)	D	33 measures	3.00
B2470	AIN'T MISBEHAVIN' (30's Pop/Jazz - written by Fats Waller in 1929 - tab is based on Anita O'Day's recording and consists of 2 verses and bridge in Chord/Melody and Melodic styles on lower and upper neck - G tuning)	G	34 measures	3.00
B2903	AIN'T MISBEHAVIN' (Chord/Melody style swing backup for B2470 above on lower and upper neck in G tuning)	G	34 measures	3.00
B1149	AIN'T SHE SWEET (20's Pop - an oldie but goodie, written by Milton Ager and Jack Yellen in 1927 - tab consists of intro, 6 verses and 2 bridges on lower and upper neck, in a combination of Scruggs/Melodic, Chord/Melody and Single- String styles - G tuning)	C	70 measures	4.50
B2986	AIN'T SHE SWEET (same as above, except in a different tuning - C tuning: gCDGD)	C	70 measures	4.50
B401	ALABAMA JUBILEE (fiddle tune - written by Jack Yellen and George Cobb in 1915 - tab consists of 2 sections on lower and upper neck in Gm tuning: gDGBbD)	F	33 measures	3.00
B2367	ALEXANDER'S RAGTIME BAND (written by Irving Berlin in 1911 (his first major hit) - the tab is based on a piano score and consists of 5 sections plus Chord/Melody style intro on lower and upper neck - G tuning)	D, G, C and F	111 measures	5.50
B1477	ALL OF ME (30's jazz standard - written by Gerald Marks and Seymour Simons in 1931 - a hit for both Louis Armstrong and Paul Whiteman in 1932 - tab consists of 4 verses and ending on lower and mid-neck (2 measures on upper neck) - G tuning)	G	70 measures	4.50
B2350	AMERICA THE BEAUTIFUL (words by Katharine Lee Bates (1893), music by Samuel A. Ward (1895) - tab consists of two arrangements on lower and mid-neck; slow tempo Chord/Melody and uptempo Bluegrass style - G tuning)	G	51 measures	3.50
B2756	AMIE (70's Country/Rock - written by Craig Fuller and first recorded by Pure Prairie League on their 1972 "Bustin' Out" album - the tab consists of intro, backup and break on lower and upper neck, plus a 2nd banjo section for the 16-bar intro for twin banjo playing - G tuning)	G	73 measures	5.00
B2661	AND I LOVE HER (Beatles - written by Paul McCartney for the Beatles' 1964 "A Hard Day's Night" album - tab consists of intro, 3 verses, bridge and ending, ranging from lower to upper neck - G tuning)	Am	55 measures	4.00
B2377	ANDY GRIFFITH Mayberry R.F.D Theme ("The Fishin' Hole") (written in 1960 by Herbert Spencer and Earle Hagen - as the Dillards were featured on the show, this tune is a great prelude to any of Doug Dillard's instrumentals - tab consists of 6 verses and 2 choruses on lower and upper neck, and includes "walking bass" - G tuning)	D	66 measures	4.00
B395	ARAB BOUNCE (Bluegrass - tab is based on Jimmy Martin's 1970 recording and consists of 2 sections on lower to mid-neck - G tuning)	G	35 measures	3.00
B993	ARE YOU FROM DIXIE (1915 Dixieland - tab is partially based on Grandpa Jones' recording, and consists of intro and 4 sections on lower and upper neck - G tuning)	G	74 measures	4.50
B3100	ARE YOU MISSING ME (50's Bluegrass - written and first recorded by the Louvin Brothers, this tab is based on Jim and Jesse's 1952 recording - tab consists of Bobby Thompson's intro, plus chorus break by Harold Streeter, ranging from lower to mid-neck - G tuning)	G	34 measures	3.00
B397	ARKANSAS TRAVELER (traditional fiddle tune - written in the 1800s by Colonel Sanford C. Faulkner, tab consists of 3 arrangements on lower and upper neck - Melodic style - G tuning)	G and C	58 measures	4.00
B398	ARKANSAS TRAVELER (tab consists of 4 sections on lower and upper neck - Melodic style in D tuning: f#DF#AD)	D	33 measures	3.00
B671	ARKANSAS TRAVELER (arrangement differs from B398 above - tab consists of 4 sections on lower and upper neck - Melodic style - D tuning: f#DF#AD)	D	33 measures	3.00
B1955	ASHOKAN FAREWELL (fiddle tune - 3/4 time - written in 1982 by Jay Ungar, this was the theme for Ken Burns' PBS Civil War series - tab consists of 2 sections on lower and upper neck in Chord/Melody style - G tuning)	D	71 measures	4.00
B1480	AUGIE'S BLUES (Jazz-blues whole tone scale study, written by Harold Streeter - tab consists of 2 sections on lower and mid-neck in GbDGbBbD tuning)	Bm	36 measures	3.00
B155	AUTUMN LEAVES (40's jazz standard - written in 1945 by Joseph Kosma and Jacques Prévert French song, first titled "Les feuilles mortes" ("The Dead Leaves"), with lyrics in English written by Johnny Mercer in 1947; one of the first to perform this classic was Jo Stafford - tab consists of intro, verse and bridge on lower and upper neck - G tuning)	Em	38 measures	3.50
B103	AVALON (20's Jazz - first recorded by Al Jolson in 1920 - tab is based on Chet Atkins' guitar recording and consists of one section on lower to mid-neck - G tuning)	C	35 measures	3.00
B123	BACK UP AND PUSH (Rubber Dolly) (traditional fiddle tune - tab is based on Bill Monroe's 1948 recording and consists of 2 arrangements for a total of 3 sections on lower to mid-neck - G tuning)	G and C	53 measures	3.50
B1928	BALLAD OF SALLY ANNE (Sally Ann) (traditional fiddle tune - tab is based on Mark O'Connor's recording with the Nashville Cats and consists of 4 sections on lower and mid-neck - G tuning)	G	68 measures	4.00
B792	BANJO BOUNCE (Jazz/Swing - tab is as played by Allan Shelton on his 1977 "Shelton Special" album and consists of 4 sections on lower to mid-neck - G tuning)	D	33 measures	3.00
B952	BANJO EXERCISES (65 measures of various and challenging exercises for both hands - G tuning)	G	65 measures	3.00
B422	BANJOLINA (Bluegrass - tab is based on Bobby Thompson's 1957 recording and consists of 6 sections on lower and upper neck in mostly Scruggs style - G tuning)	G	104 measures	5.50
B1108	BANJO RAG (Jazz-based diminished 7th chord study, written by Harold Streeter - tab consists of 2 sections on lower and upper neck in G tuning)	G	33 measures	3.00
B425	BANJO SIGNALS (Bluegrass - tab is based on Don Reno's 1958 recording and consists of 4 sections on lower and upper neck - G tuning)	G	49 measures	3.50
B3074	BAROQUE HOEDOWN (theme of Disney's "Main Street Electrical Parade") (1972 to 1996 - written by Jean-Jacques Perrey and Gershon Kingsley in 1966 - tab consists of pre-intro, intro, 4 sections, 2 interludes and ending, on lower and upper neck in Scruggs, Melodic and Single-string styles - G tuning)	G	151 measures	6.50
B1776	BATTLE HYMN OF THE REPUBLIC (originally an American abolitionist song, written by Julia Ward Howe in 1861, first published in The Atlantic Monthly in 1862, tab consists of 2 arrangements; slow Chord/Melody style and uptempo Scruggs/Melodic style on lower and upper neck - G tuning)	G	51 measures	3.50
B410	BATTLE OF NEW ORLEANS (Eighth of January) - (traditional fiddle tune - written in honor of the 1815 Battle of New Orleans won by Andrew Jackson on January 8, with lyrics written by Jimmie Driftwood in 1936 that describe the battle - big hit for Johnny Horton in 1959 - tab consists of intro, 3 sections and ending on lower and upper neck - G tuning)	G	33 measures	3.00
B647	BATTLE OF NEW ORLEANS (tab consists of intro, 3 sections and ending on upper and lower neck in D tuning: f#DF#AD)	D	33 measures	3.00
B944	BEAR TRACKS (Bluegrass - written by J.D. Crowe - tab is based on Walter Hensley's recording, and on J.D. Crowe's 1960 recording - tab is arranged to be played without tuners, and consists of 4 sections on lower and upper neck - Full C tuning: gCGCE)	C	136 measures	6.00
B1816	BEAUMONT RAG (traditional fiddle tune - first recorded by "Smith's Garage Fiddle Band" in 1928 - tab consists of 2 sections on lower and upper neck - Melodic style - G tuning)	C	34 measures	3.00
B419	BEER BARREL POLKA (music written by Czech musician Jaromír Vejvoda in 1927, first recorded in 1939 by Will Glahé with English lyrics - the tab is based on Don Reno's 1957 recording and consists of 4 sections on lower and upper neck - G tuning)	G	102 measures	5.50
B2170	BEFORE YOU ACCUSE ME (12-Bar Blues - written by Ellas McDaniel (Bo Diddley), first recorded on his self-titled debut album in 1958 - CCR included it on their 1970 album "Cosmo's Factory", tab is based on Eric Clapton's recording from his "Unplugged" 1992 album and consists of 2 breaks, simile of his guitar break, plus vocal backup, on lower and upper neck - G tuning)	G	106 measures	5.50
B423	BELLS OF ST. MARY'S (written in 1917 by Douglas Furber and A. Emmett Adams, first recorded in 1920 by Frances Alda, then for the 1945 Hollywood musical of the same name by Bing Crosby and Ingrid Bergman - tab is based on Don Reno's banjo and Chet Atkins' guitar recordings, and consists of 2 sections on lower and upper neck - G tuning)	G	65 measures	4.00
B1134	BIG BOSS MAN (50's Blues - written by Al Smith and Luther Dixon - recorded by Jimmy Reed on his album "Found Love" - tab consists of intro, verse and chorus on lower and upper neck in G tuning)	D	58 measures	4.00
B403	BIG COUNTRY (Bluegrass - written and first recorded by Bill Monroe - tab consists of 4 sections on lower and upper neck - G tuning)	G	71 measures	4.50
B3006	BIG COUNTRY I (90's Jazz Fusion with a little touch of Bluegrass - although it shares the same name, this is not the same tune as Bill Monroe's described above - rather, this one was written by Bela Fleck and was first recorded by Bela Fleck and the Flecktones for their 1998 "Left of Cool" album - tab is as played by Bela and consists of 9 sections, plus reprise and ending, ranging from lower to high upper neck - G tuning)	G	280 measures	9.00
B3007	BIG COUNTRY II (same as the above except this version is shorter and for us lesser-mortals, easier to play - arranged by Harold Streeter on lower and upper neck - tab consists of 4 sections plus ending - G tuning)	G	104 measures	5.50
B1796	BIG MON (60's Bluegrass - written and first recorded by Bill Monroe on his 1965 "Bluegrass Instrumentals" album - tab consists of 4 sections in Scruggs/Melodic and Scruggs styles, on lower and mid-neck - G tuning )	G	67 measures	4.50
B413	BIG SANDY RIVER (Bluegrass - written and first recorded by Bill Monroe in 1962 - tab consists of 4 sections, including 2 fiddle similes, on lower and mid-neck - G tuning)	G	33 measures	3.00
B426	BIG TILDA (Bluegrass - written and first recorded by Ralph Stanley in 1955 - tab consists of 4 sections on lower and upper neck in Scruggs style - G tuning)	G	68 measures	4.50
B416	BILL CHEATHAM (traditional fiddle tune - tab consists of intro and 4 sections on upper and lower neck - G tuning)	G	34 measures	3.00
B795	BILLY IN THE LOW GROUND (traditional fiddle tune - recorded by Eck Robertson between 1922-1929 and Fiddlin' Doc Roberts between 1925-1928 - tab consists of 4 sections on upper and lower neck - G tuning)	C	33 measures	3.00
B2306	BILLY RICHARDSON'S LAST RIDE (Country ballad - first recorded by Vernon Dalhart in 1934 - tab is based on Grandpa Jones' recording and consists of intro, lower and upper neck breaks - G tuning)	G	41 measures	3.50
B1785	BIRTH OF THE BLUES (40's Pop/Jazz - music written by Ray Henderson, lyrics by Buddy G. DeSylva and Lew Brown, published in 1926, first recorded by Cab Calloway in 1943 - tab is based on Sammy Davis Jr's and on Chet Atkins' guitar recordings, and consists of 2 verses and bridge on lower to mid-neck in G tuning)	G	33 measures	3.00
B427	BLACKBERRY BLOSSOM (traditional fiddle tune - written by fiddler Arthur Smith (not Arthur “Guitar Boogie” Smith), first recorded by the Arthur Smith Trio in 1929 - tab consists of 4 sections on upper and lower neck - G tuning)	G	33 measures	3.00
B1122	BLACKBERRY BLOSSOM (tab consists of 4 sections (one section is an arpeggio study) on upper and lower neck in G tuning)	G	33 measures	3.00
B405	BLACK MOUNTAIN RAG (traditional fiddle tune - tab is based in part on Doc Watson's 1964 guitar recording and consists of 5 sections on lower and upper neck - G tuning)	G	58 measures	4.00
B2274	BLACK MOUNTAIN RAG (this tab includes an optional second banjo part and consists of 5 sections on lower and mid-neck - both banjos are in Scruggs style - G tuning)	G	63 measures	5.00
B2698	BLACK MOUNTAIN RAG (tab is as played on the 2003 CD "Best of Bluegrass" by the Arizona Smoke Revue, and consists of 12 sections on lower and upper neck - Scruggs style - G tuning)	G	125 measures	6.00
B406	BLACK MOUNTAIN RAG (tab is partly based on Don Reno's 1961 recording of "Green Mountain Hop" and consists of 5 sections on upper and lower neck - D tuning: aDF#AD)	D	57 measures	4.00
B1029	BLEED TO LOVE HER (90's Rock - written and first recorded by Lindsey Buckingham on Fleetwood Mac's 1997 "The Dance" album - tab is based on his recording and consists of intro, backup and 3 breaks on lower and mid-neck in Double C tuning: gCGCD)	C	99 measures	5.50
B1849	BLUEGRASS BREAKDOWN (Bluegrass - written and recorded by Bill Monroe in 1949, this is the forerunner of Foggy Mountain Breakdown, the main difference being F chords instead of Em chords - tab is based on his recording and consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B1792	BLUEGRASS RAMBLE (Bluegrass - written and first recorded by Bill Monroe in 1950 - tab is based on his recording and consists of 3 breaks on lower and upper neck, including a transcription of Rudy Lyle's break - G tuning)	G	54 measures	3.50
B1798	BLUE RIDGE CABIN HOME (Bluegrass - written by Gladys Stacey and Louise Certain - tab is as played by J. D. Crowe and consists of intro and break in lower neck Scruggs style - G tuning)	G	40 measures	3.50
B1232	BLUESETTE (60's Jazz waltz - 3/4 time - written and first recorded by Toots Theilman in 1962, tab is based on his recording and consists of intro and 3 sections on lower and upper neck - G tuning)	G	88 measures	5.00
B1200	BLUE SKIES (20's uptempo Jazz/Pop - written by Irving Berlin in 1926 for the Rodgers and Hart musical "Betsy", recorded in 1927 by Ben Selvin - tab consists of verse and chorus on lower and mid-neck - G tuning)	C	33 measures	3.00
B105	BOIL THE CABBAGE DOWN (traditional fiddle tune - composer unknown, tab consists of 5 sections on lower and upper neck - G tuning)	G	41 measures	3.50
B2634	BONAPARTE CROSSING THE RHINE (traditional fiddle tune - tab is based on Norman Blake's flat pick guitar recording from his 1994 "While Passing Along This Way" CD and consists of 2 sections on lower neck - Double C tuning: gCGCD)	C	33 measures	3.00
B107	BONAPARTE'S RETREAT (aka "Bonny Bunch of Roses" - traditional English folk and fiddle tune with first known version by William Christie in 1881 - lyrics were set to the melody by Pee Wee King and was first recorded by King in 1950 as Bonaparte's Retreat - tab is based on Glen Campbell's 1974 recording and consists of 4 sections on lower and upper neck in G tuning)	G	43 measures	3.50
B1589	BOTTLE OF BRANDY (traditional 6/8 time Irish jig - tab consists of 2 sections on upper neck and includes *optional second banjo part* in Melodic style - G tuning)	G	33 measures	3.50
B1808	BRAKEMAN'S BLUES (Country - written and first recorded in 1928 by Jimmie Rodgers - tab is based on Bill Monroe's 1951 recording and consists of intro and 2 breaks on lower and high upper neck - G tuning)	D	44 measures	3.50
B962	BRICKYARD JOE (traditional fiddle tune - tab is based on Norman Blake's recording from his 1995 "Just Gimme Somethin' I'm Used To" CD and consists of intro and 5 sections on lower and upper neck - Melodic style in Double C tuning: gCGCD)	C	64 measures	4.00
B1596	BRIDAL JIG (traditional 6/8 time Irish jig - tab consists of 3 sections on lower and mid-neck, and includes *optional second banjo part* in Melodic style - G tuning)	G	41 measures	4.00
B1921	BROTHER JOHN (Bluegrass - tab is as played on the Nashville Bluegrass Band's recording and consists of intro, all backup and break on lower and mid-neck- G tuning)	Gm	80 measures	4.50
B125	BROWN'S FERRY BLUES (Folk - composer is unknown as both the Delmore Brothers and McGee Brothers have claimed authorship - no recordings are known prior to 1930 - tab is based on the Delmore Brothers and Doc Watson recordings, and consists of 2 sections on lower and upper neck - G tuning)	G	37 measures	3.00
B126	BROWN'S FERRY BLUES (tab consists of 2 sections on lower to mid-neck - C tuning: gCGBD)	C	36 measures	3.00
B424	BUGLE CALL RAG (Bluegrass - tab is based on Merle Travis' guitar recording and on Earl Scruggs' 1962 banjo recording - tab consists of intro and 3 sections on upper and lower neck, and includes harmonics (chimes) - G tuning)	G	61 measures	4.00
B118	BULLY OF THE TOWN (Dixieland - written in 1896, composer is anonymous - two early recordings are by Fiddlin' John Carson in 1925, and Gid Tanner and the Skillet Lickers in 1926 - tab is based in part on Don Reno's 1962 banjo recording, and on Norman Blake's guitar recording from his 1972 "Back Home in Sulphur Springs" album, and consists of 2 verses and one chorus on lower neck in Scruggs style - G tuning)	G	41 measures	3.50
B2594	BULLY OF THE TOWN (same as B118 above, except this version includes a basic melody section and an *optional second banjo part* on lower neck in Scruggs style - G tuning)	G	81 measures	5.00
B1210	BUTTONS AND BOWS (40's Pop - tab is based in part on Gene Autry's 1948 recording and consists of 2 arrangements in 2 keys comprising intro, 6 verses, 2 refrains and ending, on lower and upper neck - G tuning)	D and G	106 measures	5.50
B1534	CANFIELD HORNPIPE (fiddle tune - written by Harold Streeter, tab consists of 4 sections on lower and upper neck - Melodic style - G tuning)	G	34 measures	3.00
B2694	CANNONBALL RAG (Country rag - recorded by Merle Travis on his 1960 "Walking the Strings" album - tab is based on his recording and consists of 2 intros and 3 sections on lower and upper neck - G tuning)	G	78 measures	4.50
B2461	CAN'T BUY ME LOVE (Beatles - written by Paul McCartney and first recorded by the Beatles in 1964 - tab is based in part on Chet Atkins' guitar recording and consists of 3 verses, bridge and reprise/ending on lower to mid-neck in G tuning)	G	56 measures	4.00
B437	CARAVAN (30's uptempo jazz standard - written by Juan Tizol, first recorded in 1936 by Barney Bigard and his Jazzopators, performed by Duke Ellington in 1937 - tab is partly based on Chet Atkins' recording and consists of 4 sections ranging from lower to high upper neck - G tuning)	Cm	69 measures	4.50
B947	CARELESS LOVE (Jazz, Blues and Bluegrass - since the early 20th century, hundreds of recordings have been made of this standard, such as one by Fats Domino in 1951 - tab consists of 3 breaks as played by Steve Sparkman, and a 4th break by Harold Streeter, on lower and upper neck - C tuning: gCGBD)	C	72 measures	4.50
B2718	CARELESS LOVE (tab is as played by Charlie Cushman on David Peterson and 1946's 2006 album "In the Mountain Tops to Roam" - tab consists of all 3 breaks on lower and upper neck in C tuning: gCGBD)	C	53 measures	3.50
B948	CARELESS LOVE (tab consists of 2 breaks on lower and upper neck - G tuning)	G	33 measures	3.00
B2376	CAROLINA IN THE PINES (Bluegrass - written by Michael Martin Murphey - tab is as played on South Bound's recording and consists of all breaks and backup on lower and upper neck - G tuning)	G	210 measures	8.50
B1777	CAST YOUR FATE TO THE WIND (60's uptempo Jazz/Pop - written in 1963 by Vince Guaraldi and Carel Werber - tab is based on Earl Klugh's guitar recording and consists of 4 sections on lower and upper neck - aDGBD tuning)	D	58 measures	4.00
B2368	CHATTANOOGA CHOO-CHOO (40's Pop/Jazz - written by Mack Gordon and Harry Warren for the 1941 movie "Sun Valley Serenade", recorded by Glenn Miller in 1941 - tab is based on Glenn Miller's recording and consists of intro, 3 sections and extended ending on lower and upper neck - G tuning)	G	67 measures	4.50
B435	CHEROKEE SHUFFLE (same as the traditional fiddle tune "Lost (or Lonesome) Indian" except with bridge added by fiddler Tommy Jackson - tab is based on Tommy Jackson's recording and consists of 6 sections on upper and lower neck - G tuning)	G	53 measures	3.50
B3204	CHICKEN ROAD (written and first recorded by Alison Brown for her 2002 album "Replay" - tab consists of intro and 6 sections, ranging from lower to mid-neck - Double-C (gCGCD) tuning)	C	106 measures	5.50
BG945	CLASSICAL GAS (60's symphonic Pop - written and first recorded by Mason Williams in 1968, arranged as a showpiece for banjo and guitar, with both instruments alternating between melody and backup - tab consists of 9 sections and ending on lower and upper neck, and includes quote from Jose Feliciano's "Pegao" - G tuning)	Am	156 measures	9.00
B1812	CLOSE BY (Bluegrass - tab is based on Bill Monroe's 1954 recording and consists of intro and break on lower and upper neck - G tuning)	G	38 measures	3.50
B432	COAL TATTOO (60's Folk and Bluegrass - written and first recorded by Billy Edd Wheeler in the early 60's - also recorded by Jim Croce, Kathy Mattea and the Kingston Trio - the tab is based on Billy Edd Wheeler's recording and consists of 4 sections on lower and upper neck - G tuning)	Em	67 measures	4.00
B1861	COLORED ARISTOCRACY (traditional fiddle tune - dating to 1936, this tune is credited to Sanford Rich of West Virginia, but it first appeared in 1899 as a popular tune written for a Cakewalk dance, tab consists of 2 sections on lower to upper neck - G tuning)	C	34 measures	3.00
B1595	COME TO THE RAFFLE (traditional 6/8 time Irish jig - tab consists of 2 sections on lower and mid-neck and includes an *optional second banjo part* in Melodic style - G tuning)	G	33 measures	3.50
B1082	CONNELLY'S ACE (traditional 6/8 time Irish jig - tab consists of 2 sections on lower neck - G tuning)	G	33 measures	3.00
B2677	CORRINA, CORRINA (Blues-swing - written and first recorded by Bo Chatmon and the Mississippi Sheiks in 1928 - tab is partly based on Bob Wills' 1940 Texas swing recording, and consists of 3 sections - G tuning)	G	37 measures	3.50
B949	COUNTRY BLUES (Bluegrass - tab is as played by Jim Mills and consists of 3 breaks on lower neck in Scruggs style - D Modal tuning: f#DGAD)	D	68 measures	4.50
B917	CRAZY (60's Country Pop - written by Willie Nelson in 1961 - the tab is based on Patsy Cline's 1962 recording and consists of intro, 3 verses, bridge and ending, including a few sections of high density chord content on lower and upper neck - G tuning)	C	41 measures	3.50
B433	CRAZY CREEK (Jazz-based fiddle tune - tab is based on Tommy Jackson's fiddle recording and on Bill Keith's 1976 recording from his album "Something Auld, Something Newgrass, Something Borrowed, Something Bluegrass", and consists of intro and 4 sections on lower and upper neck in G tuning)	G	42 measures	3.50
B1033	CRUNCHIE BAR TRAIN ROBBERY (80's TV commercial - tab is based on a popular TV ad in New Zealand and consists of extended intro and breaks for 2 verses, 3 refrains, turnaround and ending, on lower and upper neck - G tuning)	G	93 measures	5.50
B141	CUMBERLAND GAP (traditional fiddle tune - tab is based on Don Reno's 1959 recording, Earl Scruggs' 1962 recording, and on Joe Stuart's version, and consists of 4 sections on lower and upper neck - Scruggs style - G tuning)	G	33 measures	3.00
B2831	DANCE AROUND MOLLY (traditional fiddle tune - tab consists of 8 sections, including 2 as played by Cia Cherryholmes and 6 by Harold Streeter on lower and upper neck - G tuning)	G	65 measures	4.00
B1741	DARK MISTY HILLS OF CAROLINA (Bluegrass - tab is as played on "Front Range's" recording and consists of intro, break and ending on lower and mid-neck in G tuning )	G	33 measures	3.00
B1729	DARLIN BOYS (Bluegrass - the "Darlin Boys" were the Dillard Brothers alter ego on the 1960's Andy Griffith Mayberry R.F.D. TV show, tab consists of intro, backup for verse and chorus, plus 2 breaks on lower and upper neck - aDGBD tuning)	D	69 measures	4.00
B161	DARLING COREY (traditional Folk - first recorded by Clarence Gill as "Little Corey" in 1927, then by Bill and Charlie Monroe in 1936 - the tab consists of 2 sections on upper and lower neck - G tuning)	G	33 measures	3.00
B446	DEAR OLD DIXIE (Bluegrass - written and first recorded by Earl Scruggs in 1953 - tab is based on his recording and consists of intro and 3 sections on upper and lower neck in G tuning)	G	101 measures	5.50
B2630	DEEP RIVER BLUES (traditional Country Blues - similar to "Deep Elem Blues" and "Brown's Ferry Blues", tab is based on Doc Watson's recording from his 1971 "Doc Watson On Stage" album and consists of 3 breaks on lower and upper neck - aDGBD tuning )	D	48 measures	3.50
B3256	DELTA DAWN (70's Country-Pop - written by Larry Collins and Alex Harvey, recorded by Tanya Tucker in 1972 at age 13 - tab is based on her recording and consists of intro, verse and 2 choruses on lower neck - G tuning)	C and D	58 measures	4.00
B156	DEVIL'S DREAM (traditional fiddle tune (author unknown), played either as a jig or a reel, but usually the latter, this has been a popular tune in New England since 1834 - tab is based on Bill Keith's playing on Bill Monroe's 1963 recording and consists of intro, 4 sections and ending on lower and mid-neck in Melodic style - G tuning)	G	41 measures	3.50
B158	DILL PICKLE RAG (Kansas City novelty rag and fiddle tune, written in 1907 by Charles L. Johnson - tab consists of first 2 sections on lower and upper neck - Melodic style - G tuning)	C	49 measures	3.50
B2595	DILL PICKLE RAG (same as B158 above, except this version includes a second banjo part - G tuning)	C	49 measures	4.50
B670	DILL PICKLE RAG (tab consists of first 2 sections on upper neck - Melodic style - G tuning)	G	49 measures	3.50
B447	DIXIE BREAKDOWN (Bluegrass - written by Don Reno - tab is based on Don Reno's 1954 recording and on Doug Dillard's later recording, and consists of 4 sections on lower and upper neck - G tuning)	G	65 measures	4.00
B448	DIXIE, LOOK AWAY (I Wish I Was in Dixie) (traditional uptempo anthem of the South, written by Daniel Emmett (a Northerner), published in 1859, first performed by a blackface minstrel-show troupe the same year in New York City - Abe Lincoln's favorite song - tab consists of verse and chorus on lower and mid-neck - G tuning)	G	33 measures	3.00
B448A	DIXIE, LOOK AWAY (tab consists of slow rubato intro with 7th and 12th fret harmonics (chimes), and uptempo verse and chorus on lower and mid-neck - D tuning: aDF#AD)	D	57 measures	4.00
B2451	DON'T GET AROUND MUCH ANYMORE (40's jazz standard - written by Duke Ellington and Bob Russell - first titled "Never No Lament", first recorded by Ellington in 1940 as an instrumental, with lyrics and new title added in 1942 - tab consists of 6 verses, 2 bridges and ending on lower and upper neck - G tuning)	G	70 measures	5.00
B444	DON'T LET YOUR DEAL GO DOWN (Folk and Bluegrass - tab is based on Earl Scruggs' playing on Flatt and Scruggs' 1957 recording and consists of 4 sections on lower to mid-neck - G tuning)	F	33 measures	3.00
B740	DOUG'S TUNE (Bluegrass rag - written and recorded by Doug Dillard in 1963 - tab is based on his recording and consists of 5 sections on lower neck - Scruggs style - G tuning)	G	86 measures	5.00
B983	DOUG'S TUNE (same as B740 above, except a second (harmony) banjo part has been added for all 5 sections - G tuning)	G	86 measures	6.00
B2511	DOWN THE ROAD (Bluegrass - tab is as played by Earl Scruggs and consists of the original break from Flatt and Scruggs 1949 recording, plus 2 breaks and 2 backups from a later recording, on lower and upper neck in G tuning)	G	64 measures	4.00
B441	DOWN YONDER (fiddle tune - written by L. Wolfe Gilbert and published in 1921, first recorded in 1951 on piano by Del Wood and Joe ´Fingers´ Carr, tab consists of 2 sections on lower and mid-neck - G tuning)	G	41 measures	3.50
BG449	DUELING BANJOS (Bluegrass - written by Arthur Smith in 1955 and first titled "Feudin' Banjos" - first recorded by Smith on 4-string banjo with Don Reno on 5-string - the tab is based on the banjo and guitar duet played by Eric Weissberg and Steve Mandel in the 1972 movie "Deliverance" and consists of 4 sections for *banjo and* guitar on lower to mid-neck - G tuning**)	G	106 measures	6.50
B2366	DUELING BANJOS (easier to play than BG449 above but still advanced, this is a duel as it was meant to be; between two banjos - tab consists of 4 sections for both banjos on lower and upper neck - G tuning)	G	106 measures	6.50
B1863	DURANG'S HORNPIPE (traditional fiddle tune - tab consists of 5 sections, ranging from lower to high upper neck - Melodic style - G tuning)	C	46 measures	3.50
B2518	DUST IN THE WIND (70's Folk/Pop - Written by Kerry Livgren and recorded by the rock group "Kansas" in 1977 - tab consists of intro, 4 sections and ending, including viola section with *optional second banjo part, plus backup, on lower and mid-neck - G tuning*)	C	144 measures	7.00
B790	DUSTY MILLER (traditional fiddle tune - tab consists of 3 sections, mostly in Melodic style on lower and upper neck - G tuning)	G	49 measures	3.50
B454	EARL'S BREAKDOWN (Bluegrass - tab is based on Earl Scruggs' 1951 recording and consists of 5 sections ranging from lower to high upper neck, tuners are required - G tuning)	G	93 measures	5.00
B2462	EARLY MORNING RAIN (60's Folk - written by Gordon Lightfoot in 1964, first recorded by both Ian and Sylvia, and Peter, Paul and Mary in 1965, then by Gordon Lightfoot in 1966 on his first album "Lightfoot" - tab is based on Peter, Paul, and Mary's recording and consists of intro and 2 verses in 2 arrangements on lower neck - G tuning)	G and C	76 measures	4.50
B2695	EAST BOUND AND DOWN (70's movie theme - written and recorded by Jerry Reed for the 1977 movie "Smokey and the Bandit" - tab is based on the movie soundtrack and consists of intro, backup for verse and bridge, plus simile of the guitar break for verse and bridge on lower and upper neck - Scruggs style - G tuning)	G	105 measures	5.50
B2246	EASTER PARADE (written by Irving Berlin, first recorded for the 1948 movie "Easter Parade" - tab is as played by Roy Lewis and consists of intro, verse and chorus breaks, plus verse and chorus backup, on lower and mid-neck in Scruggs and Reno styles - G tuning)	G	69 measures	4.50
B1522	ELMER'S TUNE (40's Pop/Swing - written by Dick Jurgens as an instrumental in 1940, and was a hit for Glen Miller the same year when lyrics were added - tab is based on Glen Miller's recording and consists of 4 sections on lower and mid-neck - G tuning)	G	33 measures	3.00
B162	EL PASO (60's Country Western - 3/4 time - written and first recorded by Marty Robbins for his 1959 album "Gunfighter Ballads and Trail Songs" - tab consists of 3 verses and chorus on lower and mid-neck - G tuning)	G	52 measures	3.50
B1565	FADED LOVE (Texas Swing - a hit for Bob Wills in 1950, he based his song on an old fiddle tune melody he learned from his father - tab consists of intro and 3 verses in 3 keys on lower and upper neck - G tuning)	A, D and G	56 measures	4.00
B455	FAREWELL BLUES (Dixieland and Bluegrass - tab is based on Earl Scruggs' 1951 recording and consists of intro, 4 sections and ending on lower and upper neck - C tuning: gCGBD)	C	70 measures	4.50
B3086	FAREWELL CAPTAIN (60's Folk - written by Nick Reynolds, Bob Shane and John Stewart, first recorded by The Kingston Trio in 1964 for their "Back in Town" album - tab consists of intro and solo as played by John Stewart, plus a second solo based on the vocal melody, all on lower neck - G tuning)	G	57 measures	4.00
B2327	FARRAGUT'S HORNPIPE (fiddle tune - written by Harold Streeter, tab consists of 4 sections on lower and upper neck - Melodic style - G tuning)	G	33 measures	3.00
B1042	FIRE ON THE MOUNTAIN (70's Country Rock - tab is based on the Marshall Tucker Band's recording from their 1976 album; "Searchin' For a Rainbow" and consists of pre-intro, intro, 2 verses, 2 turnarounds and 2 choruses on lower and upper neck - G tuning)	Em	88 measures	5.00
B2096	FISHER'S HORNPIPE (traditional fiddle tune - tab consists of 3 sections on upper and lower neck in Melodic style - G tuning)	D	33 measures	3.00
B1072	FISHER'S HORNPIPE (tab consists of 4 melody sections and 4 backup sections on lower and mid-neck in G tuning)	G	66 measures	4.00
B2987	FIVE FOOT TWO (Has Anybody Seen My Gal) (20's pop - written by Ray Henderson, Sam Lewis and Joseph Young in 1925, first recorded the same year by the California Ramblers - tab consists of 3 verses and bridge on lower to mid-neck - G tuning)	G	33 measures	3.00
B458	FLINT HILL SPECIAL (Bluegrass - written and recorded by Earl Scruggs in 1952 - tab is based on his recording and consists of 5 sections on lower neck - tuners are required for playing tab - G tuning)	G	82 measures	4.50
B464	FLOP EARED MULE (traditional fiddle tune - tab consists of 5 sections on lower and upper neck in Melodic style - G tuning)	G	41 measures	3.50
B1860	FLOP EARED MULE (tab consists of 5 sections on lower and mid-neck in Melodic style - D tuning: f#DF#AD)	D	41 measures	3.50
B459	FOGGY MOUNTAIN BREAKDOWN (Bluegrass - written by Earl Scruggs and recorded in 1949 by Flatt and Scruggs, the tab is based on their recording and consists of 5 sections on lower and upper neck - G tuning)	G	86 measures	5.00
B457	FOGGY MOUNTAIN CHIMES (Bluegrass - written by Earl Scruggs and recorded in 1953 by Flatt and Scruggs, tab is based on his recording and consists of 3 sections with chimes in Section 3, on lower and upper neck - tuners required for playing tab - G tuning)	G	62 measures	4.00
B461	FOGGY MOUNTAIN SPECIAL (Bluegrass 12-Bar Swing Blues - written and first recorded by Earl Scruggs in 1954, tab is based on his recording and consists of 5 sections on upper and lower neck in Single-String and Scruggs/melodic styles in G tuning)	G	62 measures	4.00
B2604	FOGGY MOUNTAIN SPECIAL (a modified arrangement of B461 above, this tab is arranged for *two (twin) banjos* on upper and lower neck - G tuning)	G	62 measures	5.00
B1139	FOLSOM PRISON BLUES (partially written by Johnny Cash, with portions "borrowed" from a song written by Gordon Jenkins in 1953 - first recorded by Cash in 1955 - tab consists of intro, verse and simile of guitar break on lower and upper neck - G tuning)	E	54 measures	3.50
B462	FOOTPRINTS IN THE SNOW (traditional Folk and Bluegrass - tab is based on Bill Monroe's 1946 recording and consists of verse and chorus on lower and upper neck - G tuning)	C	33 measures	3.00
B3012	FOREVER AND A DAY (Country - written and recorded by the Kruger Brothers band, this is the title song from their 2010 album "Forever and a Day". Tab is as played by Jens Kruger and consists of intro, backup for 2 verses and refrain, plus 2 breaks, on lower and upper neck - Double-C tuning: gCGCD)	C	130 measures	6.00
B1851	FORKED DEER ("Bragg's Retreat") (traditional fiddle tune - it is said that this tune refers to Confederate general Braxton Bragg, who rarely kept his word and often reversed his own orders; problem with the story is that part of the tune was published before the Civil War in 1839 - tab consists of 2 sections on lower and upper neck in Melodic style - G tuning)	C	33 measures	3.00
B808	FOX ON THE RUN (Bluegrass - written by Tony Hazzard for Manfred Mann in the 60's, and a hit for the "Country Gentlemen" also in the 60's - tab consists of 3 breaks and backup on lower neck - G tuning)	G	44 measures	3.50
B3189	FREDDIE'S LILT (this is a clawhammer piece, written and first recorded by Steve Martin for his 1981 album "The Steve Martin Brothers" (not to be confused with Steve's 3-finger picking version on his 2009 album "The Crow"), tab consists of the segment from 1:29.4 to 1:43 on Steve's recording - (D tuning, aDF#AD)	D	14 measures	2.00
B177	FREIGHT TRAIN (Country - written by Elizabeth Cotten in 1907 at age 12 - tab is based on Chet Atkins' guitar recording and consists of 2 arrangements in 2 keys on lower to mid- neck - G tuning)	G and C	33 measures	3.00
B3211	FRIEND OF MINE (Folk-Pop - written and first recorded by Steve Martin for his April 2013 CD "Love Has Come For You", with Edie Brickell on vocals - tab is as Steve recorded it and consists of intro, vocal backup for 3 verses and 2 refrains, ranging from lower to mid-neck, in clawhammer style, in Double-C (gCGCD) tuning)	C	129 measures	6.00
B2789	FROSTY THE SNOWMAN (Christmas Pop - written by Walter Rollins and Steve Nelson in 1950, first recorded by Gene Autry the same year - tab is based on his recording, and on Ella Fitzgerald's 1960 recording from her "Ella Wishes You a Swinging Christmas" album, consisting of intro, verse, bridge, and refrain/ending on lower to mid-neck - G tuning)	G	50 measures	4.00
B3214	FUNNY FARM (Bluegrass - first recorded by "Blue Highway" for their January 2014 CD "The Game" - tab consists of banjo break as played by Jason Burleson, on lower neck in Scruggs style - G tuning)	G	33 measures	3.00
B3181	GENERIC UPTEMPO FOLK SONG (written by comedian/folk singer Larry Rand, "Generic Uptempo Folk Song" is indeed the song title of this listing - tab is based on the Limelighters' recording from their 1999 album "Until We Get it Right" (it's their theme song with which they open their act), and it consists of intro, backup for verse and bridge, plus 2 solos (the first is a transcript of Bill Zorn's break), and ending, mostly on lower neck - G tuning)	G	100 measures	5.50
B3085	GENNY GLENN (60's Folk - written by Nick Reynolds, Bob Shane and John Stewart, first recorded by The Kingston Trio in 1962 for their "New Frontier" album - tab consists of intro and solo as played by John Stewart, plus vocal simile for second solo, ranging from lower to upper neck - G tuning)	G	52 measures	4.00
B799	GEORGIA CRACKER (Bluegrass - composer unknown - tab consists of 2 sections on lower and mid- neck - G tuning)	G	30 measures	3.00
B2201	GEORGIANNA MOON WALTZ (Country waltz - 3/4 time - a favorite of contest fiddlers, this tune appears to be written by fiddler John Francis of Spokane, WA some time during the 60's, although that claim can't be totally confirmed - tab consists of 2 sections on lower and upper neck in Scruggs/Melodic, Chord/Melody, and Single-string styles - G tuning)	C	66 measures	4.50
B1147	GEORGIA ON MY MIND (30's Pop and jazz standard - written in 1930 by Hoagy Carmichael and Stuart Gorrell - Georgia's state song since 1979, tab is based on Ray Charles' recording from his 1960 album "The Genius Hits the Road" - tab consists of intro, 3 verses and bridge on lower and upper neck in Chord/Melody style - G tuning)	C	44 measures	4.00
B1920	GET A TRANSFER (Gospel Bluegrass - mostly a "Nashville Bluegrass Band" transcript - tab consists of intro, all breaks, backup and ending on lower and mid-neck - G tuning)	G	166 measures	6.00
B3192	GET ALONG STRAY DOG (written and first recorded by Steve Martin for his April 2013 CD "Love Has Come For You", with Edie Brickell on vocals - tab is as Steve recorded it and consists of intro, vocal backup and solo, all on lower neck, in Double-C tuning (gCGCD)	C	113 measures	5.50
B472	GHOST RIDERS IN THE SKY ("A Cowboy Legend") - (fast Western - written in 1948 by Stan Jones, recorded by both Burl Ives and Vaughn Monroe in 1949 - tab consists of intro, verse and chorus on lower and mid- neck - Gm tuning: gDGBbD)	Gm	48 measures	3.50
B473	GHOST RIDERS IN THE SKY (tab consists of intro, verse and chorus on lower to mid-neck - Cm tuning: gCGCEb)	Cm	40 measures	3.50
B1768	GHOST RIDERS IN THE SKY (tab consists of intro, verse and chorus on lower neck - Modified G tuning: gBGBD)	Em	48 measures	3.50
B1766	GHOST TOWN (Bluegrass - composer unknown - tab consists of intro and 4 sections on lower and upper neck - Gm tuning: gDGBbD)	Gm	73 measures	4.50
B181	GOING BACK TO OLD KENTUCKY (Bluegrass - tab is based on Bill Monroe's 1949 recording and consists of 2 verses on lower and upper neck - Scruggs style in G tuning)	G	33 measures	3.00
B2635	GOING DOWN THE VALLEY (traditional fiddle tune - tab is based on Norman Blake's flat pick guitar recording and consists of 4 sections on lower and mid-neck - Double C tuning: gCGCD)	C	35 measures	3.00
B2811	GOING TO CALIFORNIA (70's acoustic Rock - written by Jimmy Page and Robert Plant, recorded by Led Zeppelin for their 1971 "Led Zeppelin IV" album - tab is based on their recording and consists of intro, 4 verses, 2 refrains, bridge, 2 turnarounds and ending on lower and mid-neck - aDGBD tuning)	D	125 measures	6.00
B469	GOLDEN SLIPPERS ("What Kind of Shoes You Going To Wear") - (fast Spiritual and fiddle tune popularized after the Civil War by the Fisk Jubilee Singers - tab consists of 4 sections in Scruggs and single-string styles on lower to mid-neck - G tuning)	G	33 measures	3.00
B1814	GONNA SETTLE DOWN (50's Bluegrass - written by Lester Flatt, first recorded by Flatt and Scruggs in 1953 - tab is based on the Bluegrass Album Band's 1981 recording with Tony Rice and consists of intro as played by J. D. Crowe, plus vocal similes of verse and chorus by Harold Streeter, all on lower neck - G tuning)	G	51 measures	3.50
B741	GOLD RUSH (fiddle tune - written and recorded by Bill Monroe in 1968 - the tab is based on his recording and consists of 4 sections on lower and upper neck - G tuning)	G	68 measures	4.00
B2530	GOOD TIME CHARLEY'S (Got the Blues) (70's Country/Pop - written and first recorded by Danny O'Keefe for his 1972 album "O'Keefe" - tab is based on his recording and consists of intro, 4 verses, 2 refrains, reprise and guitar break simile, on lower and upper neck - G tuning)	G	105 measures	5.50
B189	GRANDFATHER'S CLOCK (Country and Bluegrass - written in 1876 by Henry Clay Work - tab is based in part on Don Reno's 1963 recording and on Ben Eldridge's later recording, and consists of 4 sections on lower and mid-neck - tab includes harmonics (chimes) - G tuning)	G	49 measures	3.50
B1117	GRANDFATHER'S CLOCK (arrangement is similar to above except a *second (harmony) banjo has been added* on lower and mid-neck - G tuning)	G	49 measures	4.50
B1783	GRANDMA'S FEATHERBED (70's Folk - written by Jim Connor (former member of Kingston Trio), and recorded by John Denver on his 1974 "Back Home Again" album - tab consists of verse and chorus on lower neck - G tuning)	G	33 measures	3.00
B1231	GRAVY WALTZ (60's Jazz waltz - written by Ray Brown and Steve Allen - tab consists of 3 sections on lower and upper neck - G tuning)	C	34 measures	3.00
B2527	GREEN GRASS OF HOME (60's Country - written by Claude Putnam Jr, recorded by Porter Wagoner in 1964, Tom Jones in 1966, and Elvis Presley in 1975 for his "Today" album - tab is based on Elvis' recording and consists of intro, 2 verses and 2 reprises, on lower and upper neck - G tuning)	G	54 measures	4.00
B186	GREENSLEEVES (traditional English - uptempo 4/4 time, registered at the London Stationer's Company in 1580 as "A New Northern Dittye of the Lady Greene Sleeves" - tab consists of verse and chorus on lower and upper neck - G tuning)	Em	33 measures	3.00
B800	GREY EAGLE (traditional fiddle tune - similar to the Scottish tune "Miller of Drone" - while some versions consist of as many as 24 variations, this one consists of 5, ranging from lower to upper neck - G tuning)	G	78 measures	4.50
B474	GROUND SPEED (Bluegrass - written and first recorded by Earl Scruggs on his 1962 "Foggy Mountain Banjo" album - tab is based on his version and consists of 4 sections on lower and upper neck - G tuning)	G	65 measures	4.00
B483	HAMILTON COUNTY BREAKDOWN (traditional fiddle tune - tab is based on Tommy Jackson's 1950's fiddle recording and on Doug Dillard's 1963 recording, and consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B798	HAPPY GO LUCKY (Bluegrass - composer and recording artist unknown - tab consists of 2 sections on lower and mid-neck - G tuning)	G	33 measures	3.00
B484	HARD TIMES (Bluegrass - the tab is based on Ralph Stanley's 1955 recording and consists of 6 sections on lower and upper neck in D tuning: f#DF#AD)	D	95 measures	5.00
B1593	HASTE TO THE WEDDING (traditional Irish jig in 6/8 time - the tab consists of 2 sections on lower and upper neck in Melodic style and includes an *optional second banjo part* - first banjo is in D tuning: f#DF#AD, and second banjo is also in D tuning: aDF#AD)	D	33 measures	4.00
B1817	HAVE A LITTLE TALK WITH JESUS (traditional Gospel - tab is based on the Stanley Brothers' 1955 recording and consists of lower and upper neck verse and chorus breaks - G tuning)	G	69 measures	4.00
B1765	HE IS RISEN (Bluegrass Gospel - composer and recording artist(s) unknown - tab consists of intro, chorus, 2 turnarounds, verse and extended ending on lower neck - G tuning)	G	76 measures	4.50
B1475	HELLO, DOLLY (60's Broadway show theme - tab is based on Louis Armstrong's 1964 recording and consists of 4 verses and ending on lower and upper neck - G tuning)	G	68 measures	4.00
B874	HERE COMES SANTA CLAUS (Christmas Pop - written by Gene Autry and Oakley Haldeman in 1946, recorded by Autry in 1947 - tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B485	HICKORY HOLLOW (Bluegrass - written and first recorded by Doug Dillard on the Dillard's 1963 "Back Porch Bluegrass" album - song was named for Mitch Jayne's Saturday morning radio show - tab is based on his recording and consists of 4 sections on lower and mid- neck, with 3 measures on high upper neck and 2 in Single-string style - G tuning)	G	65 measures	4.00
B919	HIDE HEAD BLUES (Bluegrass - similar to John Henry - tab is as played by Jim Mills and consists of 4 breaks on lower and upper neck - Scruggs style - C tuning: gCGBD)	C	82 measures	4.50
B2308	HIGH WATER (for Charlie Patton) (Folk - written and recorded by Bob Dylan for his "Love and Theft" album - tab is as played by Larry Campbell on the recording and consists of intro and backup, plus extended ending on lower neck - G tuning)	G	60 measures	4.00
B1173	HIGHWAY OF SORROW (Bluegrass - written and first recorded by Bill Monroe - tab is based on his recording and consists of 3 sections on lower and upper neck - G tuning)	G	55 measures	3.50
B1807	HIT PARADE OF LOVE (60's Bluegrass - written and first recorded by Jimmy Martin in 1962 - tab is based on Rhonda Vincent's version and consists of break and vocal simile of bridge, all on lower neck - G tuning)	G	41 measures	3.50
B2670	HONKY TONK (50's Rock and 12-bar Blues - 6/8 time, written by Billy Butler, Bill Doggett, Clifford Scott and Berisford "Shep" Shephard - hit for Bill Doggett in 1956 - tab consists of intro, 6 sections and ending, ranging from lower to high upper neck - G tuning)	G	155 measures	6.50
B2458	HOTEL CALIFORNIA (70's-90's Pop Rock - written by Don Felder, Don Henley and Glenn Frey, first recorded by the Eagles in 1976 - tab is based on the Eagles' later performance from their 1994 "Hell Freezes Over" tour, and consists of 4 extended intros, 4 verses and chorus, ranging from lower to high upper neck - G tuning)	Bm	136 measures	6.50
B2353	HOW GREAT THOU ART (traditional Gospel - Swedish minister Carl Boberg wrote the lyrics in 1885 and set them to a Swedish folk melody in 1888; they were published in English in 1949, and the song was popularized by Billy Graham during his 1950's Crusades - tab consists of 2 verses and chorus on upper and lower neck in Chord/Melody and Scruggs/Melodic styles - G tuning)	G	33 measures	3.00
B487	HOW HIGH THE MOON (40's Jazz/Pop - written by Nancy Hamilton and Morgan Lewis, featured in the 1940 Broadway revue "Two for the Show", first recorded by Benny Goodman in 1940, then by Les Paul and Mary Ford in 1951 - tab consists of 2 sections on upper and lower neck - G tuning)	G	33 measures	3.00
B213	I AIN'T GONNA WORK TOMORROW (Folk - first recorded by the Carter Family in 1928 - tab is based on Flatt and Scruggs 1961 recording and consists of 4 verses in 2 arrangements on upper and lower neck in C tuning: gCGBD)	G and C	66 measures	4.00
B2234	I CRIED AGAIN (Bluegrass - first recorded by Hank Williams - tab is as played by Dave Evans on his 2000 "Bad Moon Shining" album, and consists of intro and verse, plus chorus break arranged by Harold Streeter, on lower neck - G tuning)	G	36 measures	3.00
B1875	IF YOU'RE EVER IN OKLAHOMA (Bluegrass - tab is as played on "Front Porch's" recording from their self-titled 1992 album, and consists of long extended intro and 2 breaks on upper and lower neck in G tuning)	G	84 measures	5.00
B1803	I KNOW WHAT IT MEANS TO BE LONESOME - (Bluegrass - tab consists of intro as played by J. D. Crowe, and break by Harold Streeter, both on upper and lower neck - Scruggs style - G tuning)	G	39 measures	3.50
B1791	I'LL BE NO STRANGER THERE (Gospel - tab consists of intro as played by Ben Eldridge on Seldom Scene's 1988 "Change of Scenery" album, plus verse and chorus breaks arranged by Harold Streeter, all on lower neck - G tuning)	G	47 measures	3.50
B1531	I'M USING MY BIBLE FOR A ROADMAP (Bluegrass Gospel - written by Don Reno and C. Schroeder in 1950, first recorded by Reno and Smiley in 1952 - tab consists of all breaks, backup, intro and fills, as played by Don Reno on lower and upper neck - G tuning)	G	82 measures	5.00
B946	I'M WALKING (50's Rock/Be-Bop - tab is based on Fats Domino's 1957 recording, and consists of Be-Bop intro and ending, plus 3 verses on lower and upper neck - G tuning)	G	49 measures	3.50
B3116	IN LATE SEPTEMBER (this is a tough one to categorize; it was written and first recorded in clawhammer style by Keith Arneson for the 2005 Stelling Banjo Anthology album - this tab is based on that recording, with two sections in slow chord/melody style and 3 sections in fast Scruggs/Melodic style, ranging from lower to upper neck - Double-C tuning)	C	98 measures	5.50
B2323	IN THE GARDEN (Gospel - 3/4 time - written by C. Austin Miles and published in 1912 - tab consists of verse and chorus on lower to mid-neck in G tuning)	D	37 measures	3.00
B1835	I REMEMBER YOU (40's Jazz/pop - written by Johnny Mercer and Victor Schertzinger for the 1942 movie; "The Fleet's In" - the tab is based on Slim Whitman's 1960 recording and includes 4 verses and 2 bridges on lower and upper neck - G tuning)	C	62 measures	4.00
B1818	IT'S MIGHTY DARK TO TRAVEL (Bluegrass - written and first recorded by Bill Monroe in 1948 - tab is based on his recording and consists of lower and upper neck breaks in Scruggs style - G tuning)	G	38 measures	3.50
B2486	IT'S RAINING HERE THIS MORNING (Bluegrass - first recorded by the Stanley Brothers in 1961, tab is as played by Jim Mills and consists of 2 verses and 2 choruses on lower and upper neck in Scruggs style - G tuning)	G	67 measures	4.00
B3101	I WISH YOU KNEW (60's Bluegrass - recorded by Jim and Jesse on their 1963 "Bluegrass Special" album - tab consists of Allen Shelton's break (one of the best banjo breaks of all time!), plus verse and chorus breaks by Harold Streeter, ranging from lower to mid- neck - G tuning)	G	61 measures	4.00
B1594	JACKSON'S MORNING BRUSH (traditional Irish jig in 6/8 time - the tab consists of 3 sections in Melodic style on lower and mid-neck, including an optional second banjo part - first banjo is in D tuning: f#DF#AD and the second banjo is also in D tuning: aDF#AD)	D	49 measures	4.00
B227	JAMBALAYA (50's Country - written and first recorded by Hank Williams in 1952 - tab consists of verse and chorus on lower and upper neck in G tuning)	G	33 measures	3.00
B2843	JAMES RIVER BLUES (Folk - written by Christopher Day Fuqua, David Todd Rawlings, Ketch Secor and William Currie Watson, first recorded by "Old Crow Medicine Show" on their 2006 album "Big Iron World" - tab consists of intro, verse, bridge, turnaround and break on lower and upper neck - G tuning)	G	71 measures	4.50
B230	JENNY LYNN (traditional fiddle tune - this tune is quoted in Bill Monroe's "Uncle Pen" outro ("Jenny Lynn was played frequently by Monroe's uncle) - tab is based on a 1950's American Folkways recording and consists of intro and 5 sections on lower and upper neck in Scruggs style - G tuning)	G	44 measures	3.50
B785	JERUSALEM RIDGE (fiddle tune - written and first recorded by Bill Monroe, named for the area he grew up in near Rosine, Kentucky - tab consists of 3 sections on lower and upper neck in Gm tuning: gDGBbD)	Gm	33 measures	3.00
B491	JOHN HARDY (traditional Folk - first recorded by Eva Davis in 1924 - tab consists of 3 sections on lower and upper neck - G tuning)	G	61 measures	4.00
B220	JOHN HENRY (traditional Folk - the tab consists of 2 sections; first section is on lower neck with a Texas fiddle style chord progression, and the second section is on upper neck with standard chord progression - G tuning)	G	41 measures	3.50
B2313	JUST A CLOSER WALK WITH THEE (traditional Gospel - the composer is anonymous - this song became popular during the 1930's and was first recorded by the Selah Jubilee Singers in 1941 - tab consists of 2 verses on lower and upper neck and includes phrases played in Chord/Melody style - G tuning)	G	33 measures	3.00
B2400	KANSAS CITY (50's Blues/Rock - written in 1951 by Jerry Leiber and Mike Stoller and first recorded in 1959 by Wilbert Harrison for whom it was a huge hit - tab consists of intro and 4 breaks on lower and upper neck - G tuning)	G	55 measures	3.50
B3227	KATIE MAE (Folk - written and first recorded by Lightnin' Hopkins - tab is as Steve Martin played it on his 2014 recording, and consists of 6 sections, ranging from lower to upper neck - Gadd9 (aDGBD) tuning)	D	114 measures	5.50
B495	KENTUCKY MANDOLIN (Bluegrass - written by Herschel Sizemore and first recorded by Bill Monroe sometime after 1959; Herschel initially wrote the B part in a major key, but Monroe recorded the whole tune in a minor key - the tab consists of 4 sections on lower and upper neck - Gm tuning: gDGBbD)	Gm	33 measures	3.00
B955	KENTUCKY WALTZ (40's Bluegrass - 3/4 time - written and first recorded by Bill Monroe in 1946, this was the first song named after a state - tab consists of 4 verses on lower and upper neck, with 2 at intermediate level and 2 at advanced level - C tuning: gCGBD )	C	65 measures	4.00
B1155	LADY BE GOOD (20's Jazz Swing - written by George and Ira Gershwin in 1924 - tab consists of intro, 2 verses and 2 refrains on lower and upper neck - G tuning)	G	69 measures	4.00
B809	LADY MADONNA (Beatles - written by John Lennon and Paul McCartney and first recorded in 1968 - tab consists of intro, 2 verses, chorus and ending on lower and mid-neck - G tuning)	G	54 measures	3.50
B2448	LANDSLIDE (70's Folk/Rock - written by Stevie Nicks and Lindsey Buckingham, first recorded by Fleetwood Mac - the tab consists of intro, backup for 2 verses and one bridge, 2 melody breaks for verse and bridge, and a guitar break simile, ranging from lower to high upper neck - gAGBD tuning)	Am	117 measures	5.50
B2984	LAST TRAIN TO CLARKSVILLE (60's Pop/Rock - written by Tommy Boyce and Bobby Hart, first recorded in 1966 by The Monkees on their self-titled album - tab is based on their recording, and on The Grascal's recording from their 2010 CD "The Famous Lefty Flynn's", and consists of intro, 4 verses, 2 interludes and ending, including a transcript of Kristin Scott Benson's banjo break, ranging from lower to upper neck - G tuning)	G	93 measures	5.00
B1208	LA VIE EN ROSE ("Life in Pink") (40's Pop/jazz - tab is based on Cyndi Lauper's recording and on Edith Piaf's 1946 recording, and consists of intro, one verse in Chord/Melody style, and one verse in Scruggs/Melodic swing style on lower and mid-neck - G tuning)	G	66 measures	4.00
B1879	LAYLA (70's Rock - written and first recorded by Eric Clapton - tab is based on his 1992 "Unplugged" album version, and consists of intro, bridge, 2 solos and 2 choruses on lower and upper neck - G tuning)	Dm	55 measures	4.00
B1767	LIGHTS OF HOME (Bluegrass - written by Steve Graham in 1966 - tab consists of intro, verse, chorus and 2 turnarounds, ranging from lower to upper neck - Scruggs style - G tuning)	G	67 measures	4.00
B498	LIMEHOUSE BLUES (30's Dixieland - written by Douglas Furber and Philip Braham - tab is based mainly on Don Reno's 1956 recording, but also on Benny Goodman's 1939 recording, and on Jethro Burns' mandolin recording, and consists of 4 sections on lower and upper neck - G tuning)	G	65 measures	4.00
B2961	LITTLE BLACK PONY (Bluegrass - written by Marshall Wilbourn with melody based on the traditional fiddle tune "Lonesome Indian" - tab is based on Lynn Morris' 1990 clawhammer banjo recording in the key of D (except this tab is in 3-finger picking style) and consists of 3 breaks on lower and upper neck - G tuning)	G	35 measures	3.00
B243	LITTLE MAGGIE (Mountain ballad from late 1800's and Bluegrass - first recorded by Grayson and Whittier in 1928 - tab is based on the Lily Brothers recording and on Ralph Stanley's recording, and consists of 4 verses on lower and upper neck - G tuning)	G	33 measures	3.00
B244	LITTLE MAGGIE (tab consists of 4 sections on lower and upper neck - Gm tuning: gDGBbD)	Gm	33 measures	3.00
B499	LITTLE ROCK GETAWAY (Jazz-fiddle tune - written by Joe Sullivan in 1938 - the tab is based partly on Don Reno's 1959 recording and consists of intro and 4 sections on lower and upper neck - G tuning)	G	36 measures	3.00
B1461	LIVE AND LET LIVE (Bluegrass - written and first recorded by Bill Monroe in 1961 - the tab is based on Greg Allen's playing on Red Allen and the Kentuckians 1979 "Live and Let Live" album, and on Tony Trischka's and Tom Adams' playing from Tony's 2007 "Double Banjo Bluegrass Spectacular" album - tab consists of intro, 4 breaks, 2 backups and ending on lower and upper neck - G tuning)	G	115 measures	6.00
B2333	LONDONDERRY AIRE (Danny Boy) (anthem and lament of Northern Ireland, tab consists of 2 arrangements, ranging from lower to high upper neck in Scruggs and Chord/Melody styles - G tuning)	G	66 measures	4.00
B502	LONESOME FIDDLE BLUES (fiddle tune - written and first recorded by Vassar Clements on the "Dirt Band's" 1972 "Will the Circle Be Unbroken" album - tab is based on that recording and consists of 4 sections, ranging from lower to high upper neck - G tuning)	Gm	34 measures	3.00
B505	LONESOME INDIAN (aka "Lost Indian", and "Gone Indian") - (traditional fiddle tune, tab consists of 4 sections on lower and upper neck - aDGBD tuning)	D	33 measures	3.00
B506	LONESOME INDIAN (tab consists of 4 sections on lower and upper neck - D tuning: f#DF#AD)	D	33 measures	3.00
B1075	LONESOME INDIAN (tab consists of 4 sections on lower and mid-neck - G tuning)	C	33 measures	3.00
B1102	LONESOME JOHN (traditional fiddle tune - this tune was one of the influences for Ralph Stanley's Clinch Mountain Backstep - tab consists of 4 sections, ranging from lower to mid-neck in Gm tuning: gDGBbD)	Gm	65 measures	4.00
B497	LONESOME ROAD BLUES (traditional Folk and Bluegrass - first recorded by the "Blue Ridge Duo" in 1924, tab is based in part on Earl Scruggs' 1962 recording and consists of 4 sections on upper and lower neck - G tuning)	G	66 measures	4.00
B1019	LONESOME WIND BLUES (Bluegrass - tab is as played on Rhonda Vincent's 2000 "Back Home Again" album, and consists of long intro and break, plus fiddle similes by Harold Streeter on lower neck - G tuning)	G	42 measures	3.50
B2824	LORELEI (fiddle tune - tab is as played by Alison Brown on her 1991 "Twilight Motel" album and consists of 12 sections, ranging from lower to high upper neck - G tuning)	G	99 measures	5.50
B1865	LOUIE, LOUIE (60's Rock - written by Richard Berry in 1955, recorded by the Kingsmen in 1963 tab is based in part on the Kingsmen's recording and on jazz guitarist Tuck Andress's later recording, and consists of intro, 2 sections and ending on lower to mid-neck - G tuning)	G	51 measures	3.50
B1793	LOUISVILLE BREAKDOWN (50's Bluegrass - tab is as played on Bill Monroe's 1954 recording and consists of 4 sections, plus simile of fiddle break, on lower and upper neck - G tuning)	G	65 measures	4.00
B2834	LOVER'S WALTZ (written by Jay Ungar, first recorded on Jay Ungar and Molly Mason's 1997 "Lover's Waltz" album - the tab is based on their recording and consists of 6 sections in 2 keys - to play along with fiddle players in their preferred keys of G and D, capo the 2nd fret - Double C tuning: gCGCD)	F and C	116 measures	6.00
B972	LULLABY OF BIRDLAND (50's uptempo Jazz - written in 1952 by George Shearing and George David Weiss, title refers to Charlie "Bird" Parker and the Birdland Jazz Club named after him - first recorded by George Shearing, hit for Ella Fitzgerald in 1954 - tab is based on Chet Atkins' guitar recording, and on George Shearing's recording, and consists of 8 sections, including 4 "improv" sections, on lower and upper neck - G tuning)	G	66 measures	4.50
B1526	MACK THE KNIFE (30's uptempo Jazz in 3 keys, written by Kurt Weill and Bertolt Brecht for their music drama "Die Dreigroschenoper" ("The Threepenny Opera") that premiered in Berlin in 1928, then recorded by Louis Armstrong in 1956, and by Bobby Darin in 1959 - tab consists of 4 verses on lower and mid-neck - G tuning)	G-Ab-A	66 measures	4.00
B843	MALAGUENA (Spanish classical - originally the 6th movement of "Suite Andalucia" by Ernesto Lecuona, recorded by him on piano in 1955 - tab is partly based on Mexico City guitarist David Moreno's recording and consists of 5 sections, ranging from lower to upper neck - G tuning)	G	49 measures	3.50
B1469	MAME (Broadway play - music written by Jerry Herman, first titled "My Best Girl", and based on the 1955 novel "Auntie Mame" by Patrick Dennis - tab is based on Louis Armstrong's 1966 recording and consists of 2 verses on lower and upper neck in Chord/Melody style - G tuning)	C	37 measures	3.50
B2031	MAN IN THE MIDDLE (Gospel Bluegrass - written by Tom Harley Campbell, first recorded by Hot Rize on their 1981 "Radio Boogie" album - the tab consists of 2 intros, backup and 3 breaks on lower and upper neck - G tuning)	D	77 measures	4.50
B2908	MAN IN THE MIDDLE (same as above, except in different key, tab consists of intro as played by Pete Wernick, plus 2 breaks by Harold Streeter, all on lower neck - G tuning)	G	33 measures	3.00
B515	MAPLE LEAF RAG (Ragtime - written by Scott Joplin in 1897, published in 1899, and recorded on a piano roll in 1916 - tab consists of 4 sections on lower and high upper neck - G tuning)	G	98 measures	5.50
B1022	MARIA ELENA (Latin ballad - written by Lorenzo Barcelata, first recorded by Jimmy Dorsey in 1941, tab consists of extended intro and main theme on lower and upper neck - G tuning)	G	49 measures	3.50
B260	MARY IN THE MORNING (60's Pop - words and music by Johnny Cymball and Mike Lendell, recorded by Al Martino in 1967, also recorded by Elvis Presley on his 1970 album "That's The Way It Is" - tab consists of 2 verses and chorus on lower and mid-neck - G tuning)	G	59 measures	4.00
B1959	MATTERHORN (60's Bluegrass - tab is as played on the Country Gentlemen's 1966 album "The Traveler and Other Favorites" - tab consists of intro, backup and 2 breaks on lower and mid-neck - G tuning)	G	85 measures	5.00
B1501	McDERMOTT'S HORNPIPE (traditional fiddle tune - tab consists of 4 sections on lower and mid-neck - Melodic style - f#DGBD tuning)	D	33 measures	3.00
B3190	ME AND PAUL REVERE (this is a great story song, written and first recorded by Steve Martin with the Steep Canyon Rangers in 2011, based on the perspective of Revere's horse "Brown Beauty" - tab is as played by Steve and consists of 6 sections on lower neck in clawhammer style - Double-C tuning)	C	167 measures	7.00
B2475	MEMPHIS (50's Rock - written and recorded by Chuck Berry in 1959, followed by Lonnie Mack's instrumental version in 1963 and Johnny Rivers' version in 1964 - tab is based on all 3 recordings and consists of intro (as per Johnny Rivers), vocal simile, the classic instrumental break and ending on lower and upper neck - G tuning)	G	57 measures	4.00
B2304	MILK COW BLUES (30's Swing - first recorded by Sleepy John Estes in 1930 - first 2 sections of tab are as played by Snuffy Jenkins on upper neck and 3rd section is arranged by Harold Streeter on lower neck - G tuning)	G	38 measures	3.50
B2791	MINOR SWING (30's jazz swing - written and first recorded by guitarist Django Reinhardt - tab is a composite based on various recordings, mixed in with a few "improv" inventions, and consists of intro, 4 sections and ending on lower and upper neck - G tuning)	Am	99 measures	5.50
B892	MINUET - Allegro, Op. 22 (Classical - composed by Fernando Sor (1778-1839) - tab is adapted from classical guitar and consists of 4 sections on lower and upper neck - G tuning)	C	81 measures	5.00
B2808	MISSISSIPPI SAWYER (traditional fiddle tune - tab is based on clawhammer playing and consists of intro and 4 sections on lower and mid-neck in Double C tuning: gCGCGD)	C	35 measures	3.00
B1782	MISS THE MISSISSIPPI (And You) (30's Country - 3/4 time - written by Bill Halley, first recorded by Jimmie Rodgers in 1932 - tab is based on Emmylou Harris' recording and consists of intro and 2 sections on lower and mid-neck - G tuning)	G	54 measures	3.50
B252	MISTER BOJANGLES (70's Country/Pop - 3/4 time - written and first recorded by Jerry Jeff Walker in 1968, hit for the "Nitty Gritty Dirt Band" in 1971, tab consists of intro, 2 verses, chorus and ending on lower neck - G tuning)	G	77 measures	4.50
B512	MISTY (originally a slow ballad written and first recorded by Erroll Garner in 1954, this is an uptempo jazz treatment - tab consists of 3 verses, bridge and ending on lower and upper neck - G tuning)	F	66 measures	4.50
B1154	MISTY (6/8 time - arranged to be played slowly as per the original - tab consists of intro, 3 verses, bridge and ending on lower and upper neck - Chord/Melody and Melodic styles - G tuning)	D	64 measures	4.50
B258	MOLLY AND TENBROOKS (Bluegrass - tab is based on Bill Monroe's 1949 recording and consists of 3 sections on lower and upper neck - G tuning)	G	40 measures	3.50
B1048	MONK (Theme from) (90's jazz - written by Jeff Beal - tab is an adaptation of the TV series first season's theme, based on Grant Geissman's guitar recording, and consists of 3 sections on lower and upper neck - Scruggs/Melodic and Single-String styles - G tuning)	D	41 measures	3.50
B780	MONROE'S HORNPIPE (Bluegrass fiddle tune - first recorded by Bill Monroe in 1958 but held back for inclusion on his 1965 album "Bluegrass Instrumentals" - the tab is based on his recording and consists of 8 sections on lower and upper neck - G tuning)	G	65 measures	4.00
B1548	MOONGLOW (30's jazz - written by Will Hudson, Irving Mills and Eddie DeLange as a band theme in 1934, recorded by the Dorsey Brothers and Ethel Waters the same year - tab is based on their recording and consists of 4 sections on lower and upper neck in Chord/Melody style - G tuning)	G	36 measures	3.50
B733	MOONLIGHT SONATA (Classical - Beethoven's famous first movement in the original key - this piece may be slow, but it is challenging to say the least - tab consists of the full piece on lower and upper neck - G tuning)	C#m	70 measures	4.50
B1466	MORNING HAS BROKEN (Gospel - 3/4 time - also known as "Christ Be Beside Me", the lyrics for this ancient Gaelic melody were written by Eleanor Farjeon (1881-1965) - Cat Stevens included it on his 1971 "Teaser and the Firecat" album - tab is based on his recording and consists of intro, turnarounds and verses on lower and upper neck - G tuning)	C and D	75 measures	4.50
B1904	MOUNTAIN GREEN (6/8 time jig - written by Harold Streeter, tab consists of 5 sections and includes an *optional second banjo part* on lower and upper neck - Melodic style - G tuning)	G	41 measures	4.00
B2245	MUSIC BOX DANCER (70's Pop - written and recorded by Frank Mills in 1974, but not released until 1978, tab is based on the original piano score and consists of 4 sections on lower and upper neck - G Modal tuning: gDGCD)	C and D	57 measures	4.00
B262	MY GRASS IS BLUE (aka Doug's Tune) (Bluegrass - written and first recorded by Doug Dillard - tab consists of 4 sections on lower neck - G tuning)	G	69 measures	4.50
B278	NASHVILLE BLUES (Bluegrass - written and recorded by Earl Scruggs in 1965 for Flatt and Scruggs "Town and Country" album - the tab is based on his recording and consists of 3 sections on lower and upper neck in Dm tuning: aDFAD)	Dm	61 measures	4.00
B279	NASHVILLE SKYLINE RAG (Bluegrass - tab is based on Earl Scruggs' playing from the 1970 Earl Scruggs Revue recording and consists of 4 sections on lower to mid-neck - G tuning)	C	33 measures	3.00
B2010	NEBUCHADNEZZAR (Gospel - tab is based on "Southern Rail's" recording and consists of intro, backup for 2 verses and chorus, plus break and ending on lower and upper neck - Scruggs style in Modified G tuning: bDGBD)	E	102 measures	5.50
B2358	NERVOUS BREAKDOWN (tab is as played by Bob Black, and consists of 9 sections and ending on lower and upper neck - G tuning)	G	84 measures	5.00
B276	NEVER ENDING SONG OF LOVE (70's Country Rock - written by Carl Radle and Delaney and Bonnie Bramlett - hit for Delaney and Bonnie in 1971 - tab consists of 2 verses and chorus on lower neck in Modified G tuning: gBGBD)	G	49 measures	3.50
B776	NEW CAMPTOWN RACES (Bluegrass - written by Frank Wakefield in 1953 - tab is based on Ben Eldridge's recording and consists of 3 sections on lower and mid-neck - G tuning)	G	50 measures	3.50
B1026	NIGHT AFTER NIGHT (Australian Bluegrass - tab is based on Paul Kelly and the Melbourne Bluegrass Band's recording from their 1999 "Smoke" album with Peter Somerville on banjo, and consists of intro and turnaround, plus verse and chorus backup and 2 breaks on lower and mid-neck - G tuning)	G	75 measures	4.50
B1801	NOBODY'S BUSINESS (Bluegrass - tab is as played by Earl Scruggs in an early radio broadcast and consists of one lower and one upper neck break - Scruggs style - G tuning)	G	38 measures	3.50
B2236	NOCTURNE, Op 9, No. 2 (Classical - composed by Frederic Chopin, tab consists of 6 sections and ending, ranging from lower to high upper neck in C tuning: gCGBD)	C	106 measures	5.50
B1039	NO EASY KIND OF BLUES (Jazz blues - tab is as played by Jim Smoak, and consists of 4 sections and ending on lower and upper neck in Chord/Melody style - G tuning)	G	38 measures	3.50
B516	NOLA (20's Pop/Jazz - 6/8 time - written by Felix Arndt on piano in 1916 for Fred Van Eps, early 20th century classical 5-string banjo player (Felix was Van Eps musical partner until 1919, at which time he was replaced by George Gershwin) - tab consists of 4 sections, ranging from lower to high upper neck - G tuning)	G	65 measures	4.00
B517	NOTHING TO IT (fiddle tune - tab is based on Earl Scruggs' banjo and Doc Watson's guitar recording, and consists of 4 sections on lower and upper neck - C tuning: gCDBD)	C	59 measures	4.00
B707	NO TITLE YET BLUES (Folk - tab is based on Eric Weissberg's 1963 recording and consists of 3 sections on lower neck - D6th tuning: aBF#AD)	D	59 measures	4.00
B845	NOWHERE MAN (Beatles - tab is based on the Beatles' 1965 recording from their "Rubber Soul" album and consists of 4 sections on lower and upper neck - G tuning)	C	66 measures	4.00
B1498	OFF TO CALIFORNIA (traditional fiddle tune - tab consists of 4 sections on lower and mid-neck in Melodic and Scruggs styles - G tuning)	G	33 measures	3.00
B1815	OLD CAMP MEETING (Gospel - tab is adapted from Grandpa Jones' recording and consists of verse and chorus on lower neck in Scruggs style, plus verse and chorus on upper neck in Scruggs/Melodic style - G tuning)	G	68 measures	4.00
B2821	OLD GREY MARE CAME TEARING OUT OF THE WILDERNESS (traditional fiddle tune - tab is based on Norman Blake's flat pick guitar recording, and consists of 4 sections on lower neck in Double C tuning: gCGCD)	C	33 measures	3.00
B1810	OLD HOME PLACE (Bluegrass - written and first recorded by the Dillards in 1963 - tab consists of verse and chorus on lower neck - verse and part of the chorus is as played by J. D. Crowe, remainder of chorus is arranged by Harold Streeter - Scruggs style - G tuning)	G	39 measures	3.50
B523	OLD JOE CLARK (traditional fiddle tune and ballad - born in 1839, Joe Clark was one of the first to enlist in the Civil War, and one of the first to receive an early disability discharge - tab is partially based on the playing of Tony Ellis and Joe Stuart and consists of intro and 4 sections on lower neck - G tuning)	G	38 measures	3.50
B524	OLD JOE CLARK (tab consists of 6 sections on lower and upper neck - D tuning: f#DF#AD)	D	49 measures	3.50
B289	OLD SPINNING WHEEL (traditional Country - composer is unknown, tab is based on Chet Atkins' recording and consists of verse and chorus on lower and mid-neck - G tuning)	G	33 measures	3.00
B3097	ON AND ON (50's Bluegrass - written and first recorded by Bill Monroe in 1956 - tab consists of simile of fiddle intro, lower neck break as played by Rudy Lyle, and upper neck break by Harold Streeter - G tuning)	G	45 measures	3.50
B1799	ON MY WAY BACK TO THE OLD HOME (Bluegrass - written and first recorded by Bill Monroe - tab is as played by J. D. Crowe and consists of intro and break on lower neck - Scruggs style - G tuning)	G	41 measures	3.50
B1484	ON THE ROAD AGAIN (80's Country - written and first recorded by Willie Nelson for the movie "Honeysuckle Rose" in 1980 - the tab is based on his recording and consists of 3 verses and chorus on lower and upper neck - G tuning)	G	66 measures	4.00
B519	ORANGE BLOSSOM SPECIAL (fiddle tune - written by Ervin T. Rouse in 1938 (Robert Russell "Chubby" Wise also claims authorship) - first recorded by Ervin and Gordon Rouse in 1939 - tab consists of 3 sections, including "train sounds", on lower and upper neck - G tuning)	G	58 measures	4.00
B1958	OZARK NIGHTS (Bluegrass - tab is based on the Dillards' recording from their 1991 album "Let it Fly" and consists of 3 intros, all backup and 3 breaks on lower and upper neck - G tuning)	D	91 measures	5.00
B2233	PACHELBEL'S CANON IN D MAJOR (Classical - written by Johann Pachelbel in 1680 - this was the main theme for the 1980 movie "Ordinary People" - the tab consists of 9 variations, ranging from lower to upper neck - G tuning)	D	74 measures	4.50
B534	PADDY ON THE TURNPIKE (traditional fiddle tune - tab consists of 4 sections, ranging from lower to upper neck in G tuning)	G	33 measures	3.00
B2529	PANCHO AND LEFTY (70's-80's Country - written and first recorded by Townes Van Zandt for his 1972 album "The Late Great Townes Van Zandt", hit in 1983 for Merle Haggard and Willie Nelson - tab is based on both recordings and consists of intro, 2 verses, refrain, and transcript of guitar break and ending from the Nelson/Haggard recording, ranging from lower to high upper neck - G tuning)	G	73 measures	4.50
B772	PANHANDLE RAG (Texas Swing - written and first recorded by Leon McAuliffe with Bob Wills in 1949 - tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B2620	PANHANDLE RAG (tab consists of intro and 2 sections on lower and upper neck - D tuning: f#DF#AD)	D	38 measures	3.50
B645	PEACEFUL EASY FEELING (70's Country Rock - written by Jack Tempchin and first recorded by the Eagles for their self-titled debut album in 1972 - tab is based on their recording and consists of intro, 2 verses and 2 choruses, plus full instrumental break, ranging from lower to high upper neck - G tuning)	G	103 measures	5.50
B2374	PIANO ROLL BLUES (50's Honky Tonk - written by Cy Coben in 1949, first recorded by Hoagy Carmichael and Betty Hutton in 1950 - tab consists of 2 sections and ending on lower and mid- neck - G tuning)	C	24 measures	2.50
B294	PIG ANKLE RAG (traditional Ragtime - composer unknown, tab consists of 5 sections on lower and upper neck - C tuning: gCGBD)	C	61 measures	4.00
B531	PIKE COUNTY BREAKDOWN (Bluegrass - tab is based on Earl Scruggs' and Bill Monroe's 1952 recordings and consists of 4 sections on lower and upper neck - G tuning)	G	65 measures	4.00
B1969	PLANXTY IRWIN (Celtic - 3/4 time - written by Turlough O'Carolan (1670-1738) for Irish harp - tab consists of 4 sections on lower and mid- neck in Scruggs/Melodic and Chord/Melody styles - G tuning)	G	67 measures	4.00
B2515	PLEASE DON'T TALK ABOUT ME (When I'm Gone) - (40's moderate swing - tab is based on the Mills Brothers' recording and includes intro, 4 verses and 3 bridges on lower to mid-neck - Single-string, Scruggs, and Chord/Melody styles - G tuning)	Eb	68 measures	4.50
B533	POLKA ON THE BANJO ("Polka-Grass" - written and first recorded by Earl Scruggs - tab is based on his 1960 recording and consists of 2 sections in 2 keys on lower and upper neck - G tuning)	C and F	70 measures	4.50
B773	PONY EXPRESS (Bluegrass - tab is as played by Eric Weissberg and consists of 3 sections on lower and upper neck - Scruggs style in G tuning)	G	50 measures	3.50
B3239	POOR ELLEN SMITH (traditional Folk/Bluegrass - tab as played by John Stewart with the Kingston Trio, circa 1962, and consists of intro and solo on lower and upper neck - Scruggs style in D tuning - aDF#AD)	D	34 measures	3.00
B3235	POUR ME ANOTHER ROUND (Folk-Pop - written by Steve Martin and Edie Brickell, this tab is as played by Steve in his March 2014 performance in Riverside, CA with the Steep Canyon Rangers - tab consists of intro, backup for verse and 2 choruses, plus 4 solos, in C tuning (gCGBD)	C	82 measures	5.00
B3232	PRETTY LITTLE ONE (Folk-Pop - written by Steve Martin and Edie Brickell, this tab is as played by Steve in his March 2014 performance in Riverside, CA with the Steep Canyon Rangers - tab consists of intro, backup for 6 verses and for 3 fiddle breaks, mainly on lower neck - Gadd9 (aDGBD) tuning)	G	153 measures	6.50
B1037	PRETTY WOMAN (60's Rock - written by Roy Orbison and Bill Dees, first recorded by Roy Orbison in 1964 - this is a complete representation of all sections on his recording, on lower and upper neck - G tuning)	G	186 measures	7.50
B3237	PROMONTORY POINT (written by Tony Trischka and Steve Martin, first recorded on Tony's 2014 album "Great Big World" - Steve Martin's parts are in clawhammer style, whereas Tony's cello banjo parts are rendered in melodic style, 2 octaves higher than in the recording - tab consists of 11 sections, on lower and upper neck - Double-C (gCGCD) tuning)	C	129 measures	6.00
B297	PUT ANOTHER NICKEL IN (Music, Music, Music) - (Honky Tonk - first recorded in 1949 by Teresa Brewer - tab is based on her recording and consists of verse and chorus on lower and mid-neck - G tuning)	C	33 measures	3.00
B542	RANDY LYNN RAG (Bluegrass - written and first recorded by Earl Scruggs in 1956 - tab is based on his recording and consists of 4 sections on lower and upper neck - Scruggs style, tuners are required - G tuning)	G	67 measures	4.00
B537	RAWHIDE (Bluegrass - written and recorded by Bill Monroe in 1952 - the tab is based on his recording and consists of 6 sections on lower and upper neck, including Rudy Lyle's upper neck break - G tuning)	G	120 measures	5.50
B3117	RED APPLE RAG (Bluegrass fiddle tune - break as played by Don Reno in the mid-70's - tab consists of one section, ranging from lower to upper neck, a great single-string study in Reno style - G tuning)	G	19 measures	2.50
B1862	RED HAIRED BOY (aka Little Beggarman) (traditional fiddle tune - first recorded by the Flanagan Brothers in 1921 - tab consists of 2 sections, arranged to be played in the key of A without a capo, on lower and mid- neck - Melodic style - G tuning)	A	33 measures	3.00
B1802	RED ROCKING CHAIR (Bluegrass - first recorded by Bascom Lamar Lunsford in 1929 - tab is as played by J. D. Crowe, and consists of intro and 2 breaks on lower neck - Scruggs style in G tuning)	G	50 measures	3.50
B3220	REMEMBER ME THIS WAY (Folk-Pop - written and first recorded by Steve Martin for his April 2013 CD "Love Has Come For You", with Edie Brickell on vocals - tab is as Steve recorded it and consists of intro, vocal backup for 3 verses, 3 choruses and bridge, plus 2 solos and reprise/ending, on lower neck in clawhammer style - Double-C tuning)	Cm and C	152 measures	6.50
B544	REMINGTON RIDE (Texas Swing and Bluegrass - written and first recorded by Herb Remington (member of Bob Wills' band (1946-1950) in 1950, tab is based on Don Reno's 1956 recording and consists of 4 sections on lower and upper neck - G tuning)	G	66 measures	4.00
B309	REUBEN (Reuben's Train aka "Train 45") (Bluegrass and traditional fiddle tune - first published in 1909, first recorded in 1924 by Fiddlin' John Carson - tab is based on a combination of Earl Scruggs' 1962 recording and Dan Crary's guitar recording from his 1970 "Bluegrass Guitar" album, and consists of 4 sections on lower and upper neck - D tuning: f#DF#AD)	D	65 measures	4.00
B543	RIPPLING WATER JIG (6/8 time Irish jig - tab consists of 5 sections on upper and lower neck, Melodic Style - G tuning)	G	41 measures	3.50
B771	ROAD TO COLUMBUS (Bluegrass - written by Bill Monroe, recorded in 1977 by Kenny Baker with Bill on mandolin - tab consists of 2 sections on lower and upper neck - G tuning)	G	33 measures	3.00
B2917	ROAD TO SPENCER (Bluegrass fiddle tune - written and first recorded by Ricky Skaggs with Kentucky Thunder for his 2001 "History of the Future" album - tab consists of 6 sections with a mandolin simile in the first 2 sections in single-string style, and sections 5 and 6 as played by Jim Mills - G tuning)	G	99 measures	5.50
B545	ROANOKE (Bluegrass - written and first recorded by Bill Monroe in 1955 - tab is based on his recording and consists of 4 sections on lower and upper neck - G tuning)	G	49 measures	3.50
B540	ROCKY TOP (Bluegrass - written by Boudleaux and Felice Bryant in 1967 - hit for Osborne Brothers the same year - one of seven Tennessee state songs - tab consists of 2 arrangements totaling 2 verses, 2 choruses and ending on lower and upper neck - G tuning)	G and C	86 measures	5.00
B539	ROLL IN MY SWEET BABY'S ARMS (Bluegrass - tab is based on Earl Scruggs' breaks from Flatt and Scruggs' 1951 recording, and consists of 3 sections on lower and mid-neck - G tuning)	G	49 measures	3.50
B2309	ROUGH AND READY (Bluegrass - this is Tut Taylor's radio show theme - tab is based on his recording and consists of 2 sections; one at advanced level as played on the recording, and one at intermediate level, arranged by Harold Streeter, on lower and mid-neck - G tuning)	G	65 measures	4.00
B1748	SAIL ON TOWARD HOME (Gospel Bluegrass - tab is based on Doyle Lawson and Quicksilver's recording from their 1988 "Hymn Time in the Country" album, and consists of intro, verse, chorus and backup on lower and mid-neck in G tuning)	G	75 measures	4.50
B565	SAILOR'S HORNPIPE (aka College Hornpipe and Jack's the Lad) - (traditional fiddle tune - first printed as "College Hornpipe" in 1797 by J. Dale of London - featured in Popeye cartoons beginning in the 1930s, tab consists of 4 sections on lower and mid-neck - Melodic style - G tuning)	G	33 measures	3.00
B548	SALLY ANN (traditional fiddle tune - published in 1918 and first recorded by "The Hill Billies" in 1925 - tab is based on Earl Scruggs' 1962 recording and consists of 5 sections on upper and lower neck - G tuning)	G	41 measures	3.50
B549